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black arts movement

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Journal Article
Theater (2017) 47 (1): 139–161.
Published: 01 February 2017
...Jay Pather Using the protests of the Fees Must Fall movement as his starting point, Jay Pather examines the contradictions inherent within the culturally and politically loaded black body of postapartheid South Africa. Pather discusses the works of Brett Murray, Chuma Sopotela, Themba Mbuli...
Journal Article
Theater (1978) 9 (2): 59–61.
Published: 01 May 1978
... this country is not spontaneously governed. And ditto .for the Black arts movement, because it was not characterized by any kind of scientific development either. It was mostly spontaneous...
Journal Article
Theater (2001) 31 (1): 134–136.
Published: 01 February 2001
... tural production. And Bean undercuts her 1999: Routledge point by organizing the collection in terms of “renaissances,” with the black arts movement...
Journal Article
Theater (2001) 31 (1): 136–138.
Published: 01 February 2001
... 1999: Routledge point by organizing the collection in terms of “renaissances,” with the black arts movement A Sourcebook of African-American Performance is on one end and the “New...
Journal Article
Theater (2001) 31 (1): 139–141.
Published: 01 February 2001
... tural production. And Bean undercuts her 1999: Routledge point by organizing the collection in terms of “renaissances,” with the black arts movement...
Journal Article
Theater (2017) 47 (1): 3–15.
Published: 01 February 2017
... of a dynamic engagement with existing communities and publics. He calls for a recentering on minoritarian forms, a shift that would embody a new ethics and reflect new American demographic and cultural realities. © 2017 by Thomas F. DeFranz 2017 performance curation black arts movement...
Journal Article
Theater (2001) 31 (3): 95–107.
Published: 01 November 2001
... to local issues in the places they resided. The insights of the long-standing Black Power movement (and the adjunct Black Arts movement, which had fostered such nationalistic companies as the Black Arts Repertoire Theater School and the Watts Writers...
Journal Article
Theater (1976) 8 (1): 25–34.
Published: 01 February 1976
...) the most in years. Eleven years later, Ms. Hansberry’sLesBlancs evidence among them. His Black Arts Movement in placed Tshembe Matoseh on stage. This African Harlem (1965) set in motion a Black theatre revival leader, a product of missionary humanism, must that was to develop a strong mythic...
Journal Article
Theater (2016) 46 (3): 63–81.
Published: 01 November 2016
... relationships embodying the termAfro ­ futurism than dance and performance do. From my perspective, literature, music, and the visual arts have had the most widely recognized instances of black artists in the American diaspora pushing boundaries with nontraditional tendencies and processes toward new...
Journal Article
Theater (2019) 49 (3): 133–139.
Published: 01 November 2019
... of, by, and for disabled artists. Piepzna- Samarasinha s message of art as survival is a revelatory assertion of the power of poetry in the struggle for disability justice. For the disabled community particularly the black, brown, Asian, and lgbtq disabled community art is not supplemental: it is a crucial tool...
Journal Article
Theater (2014) 44 (1): 5–23.
Published: 01 February 2014
... Court on the move, packed up and left for San Francisco to study at the San Francisco Art Institute. But he didn’t find the kind of critical relationship to dance he was looking for there, so he finally decided to move back to New York, where he was able to score a residency with Movement...
Journal Article
Theater (1995) 25 (3): 24–37.
Published: 01 November 1995
... apartheid. This united the lib- eral Fugard with the Black Consciousness playwrights, the drama-in-education movement with the Broadway extravaganzasof Mbongeni Ngema. However, it is a mistake to think that this unity of pur- pose created a uniform theater...
Journal Article
Theater (1997) 27 (2_and_3): 9–41.
Published: 01 May 1997
... western playwrights, in another, that “pioneered by my grandfather, by Nat Turner, by Denmark Vesey, by Martin Delaney, Marcus Garvey, and the Honorable Elijah Muhammad.” Wilson called the Black Power movement of the ’60s “the kiln in which I was fired” and said: “It is difficult to disassociate...
Journal Article
Theater (1995) 25 (3): 38–45.
Published: 01 November 1995
... and the Progressive Party. On university campuses, the National Union of South African Students, also of the liberal tradition, took it upon itself to articulate the grievances and aspirations of the black people. A parallel situation was developing in the arts. The only theater that was overtly political...
Journal Article
Theater (2020) 50 (3): 87–95.
Published: 01 November 2020
... to the European avant-garde and postmodern performance in the West. But more pertinent and potent are live art s deep ties to an array of practices that may be thought of as traditional or classical to South African black cultures. For instance, several artists covered in this groundbreaking anthology identify...
Journal Article
Theater (2020) 50 (1): 63–91.
Published: 01 February 2020
... F. DeFrantz also posits a shift if we notice patterns of perception, in this case those of the white spectator of black performance. Joseph Roach underlines how movement might unlock the art form s potential, with production or performance pro- voking ideas that then remain in kinetic play. The most...
Journal Article
Theater (2020) 50 (3): 63–67.
Published: 01 November 2020
...Thomas F. DeFrantz © 2020 by Thomas F. DeFrantz 2020 Thomas DeFrantz in Netta Yerushalmy s Paramodernities, New York Live Arts, 2018. Photo: Christopher Duggan 63 Thomas F. DeFrantz The talking|dance Series Around 2012 the interdisciplinary performance research group slippage: performance...
Journal Article
Theater (1993) 24 (2): 88–98.
Published: 01 May 1993
...- organizer, Barbara Nay0 Wadkins, helped me frontation between the same black woman contact people there. Cieri’s Arts Company actor and a young man actor who happens to subsequently came on as producer and raised be her 20ish son. money through the NEA, the Rockefeller Foundation, and the Ruth...
Journal Article
Theater (2015) 45 (1): 122–129.
Published: 01 February 2015
... York Live Arts in the relationship between the performer and the choreographer-­as-­author practiced in more conventional dance. As Collod, trained mainly in the Cunningham technique, notes in an assemblage of texts by Quatuor’s founders, “Recreating movement from dance texts considerably...
Journal Article
Theater (2001) 31 (3): 62–93.
Published: 01 November 2001
... o’neal and programming in order to avoid a wipeout last year. These are just a few of the black arts companies caught in this insidious undertow. Dance companies, cultural centers, and a variety of groups of diverse ethnicity...