... and dataveillance. In her estimation, the exhibition becomes less about the politics of methodologies of surveillance than about “how surveillance in a Big Data society is pervasive to a point of its absorption.” Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 We’re Watching Bard...

... theater for the age of big data that is both total and impoverished. 87 Muse “Surveillance” is not only a bracing send-­up of theater as a potentially all-­seeing reflection of humanity, but a nightmare vision...

... Michelle Ellsworth surveillance big data acting methodology Holy Motors American Method acting spectatorship Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 ...

... Theatre 2018 Immanuel Kant The Great Outdoors We’re Watching surveillance big data Internet culture the sublime stuplimity Sianne Ngai Longinus Romanticism digital art Kenneth Goldsmith Norbert Wiener entropy cybernetics informatics Annie Dorsen The Sublime...

... developed in the SLiPPage laboratory, which renders data generated from the speaker s movement into electronic sound. The wearable device in- cludes accelerometers and positioning hardware that allow gestures to produce unexpected soundings that become emphatically present during these portions of the event...

... of the world that created it. More specifically, the word algorithm is often deployed to describe not just a set of instructions, but a process of curation based on big data sets cases where an obscure process filters an immense amount of data and selects content likely to fit the bill. In 50 of minds...

... that responded to the moment and the population that encircled it. So our strategies today could be based in big data, or in experiential knowledges, or in relationships and friendships that we develop along the way. We could leverage social media to examine data about where communities convene...

... of sophisticated data-­mining techniques have made mass observation by nongovernment actors an inextricable part of the fabric of everyday life. Social media and apps crunching personal data encourage self-s­urveillance, prompting us to track our every movement and desire — and to passively submit this data...

...Jemma Nelson; Caden Manson © 2012 by Jemma Nelson and Caden Manson 2012 Big Art Group’s Deadset, The Kitchen, New York, 2007. Photo: Caden Manson Jemma Nelson and Caden Manson Artists’ Notebook After Spectacularity Spectacularity has shifted. No longer only the output...

... genuinely new phenomena or, rather, becomes salient as familiar experiences viewed through a new lens. In the case of widespread revelations of domestic data tracking and contemporary surveillance culture, the answer may well be both. Since Glenn Green­wald published Edward Snowden’s documents...

... performance digitally, interactively, and beyond the stage. It was conceived as a live, virtual cleansing of one’s digital life. “Clients” undergo data dialysis by monitoring the emotions associated with their online identities using body sensors and brain wave monitors during a livestreamed event...

...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008. ©...

... in a big way he might have made good money hiding bad Lights up on thomas seated in the bleachers, money writing with a piece of charcoal on an eight-foot he could have...

... how he used his work to lobby for the protec- Early Morning Opera pieces, particularly tion of those spaces, in a political sense. His Pablo N. Molina and Nathan Ruyle, I increas- photographs were put on big...

... paranoid Void-­state, it and catch killers like i cant believe im gonna hold you. I don’t have two words pour from your retirement. Data 51 Big Art Group Scene 5 p and k descend into the crater Search...

... to jail or be killed for you. That s a big ask. My goal was always to pass. I didn t really even think of not passing it never crossed my mind. And that s been more or less the journey for me, constantly unraveling and constantly evolving. In terms of writing about the material that I write about, I...

... Airport on April 16, 1971, HistoryLink, June 8, 1999, httpswww.historylink.org/file/1287. 22. Gene Balk, Seattle Is Once Again the Fastest-­Growing Big City, Census Data Shows, Seattle Times, May 18, 2023, httpswww.seattletimes.com/seattle-­news/data /seattle-­is-­once-­again-­the-­fastest-­growing...

..., and the High Line. His work is included in the collections of moma and the Whitney Museum of American Art. caden manson is cofounder of the Big Art Group ( bigartgroup.com ) and editor of Contemporary Performance ( contemporaryperformance.com ). He has cocreated, directed, and video- and set...

... to reclaim dignity and a lost way of life after they are replaced by machines. There are more than a dozen character-p­ rotagonists, with saucy names like Big Ass, Nice Ass, Hard Ass, and Bad Ass. The story that unfolds is a grand epic, hilarious and rude (the creators are not ones to let a good ass pun go...

... texts. jarrod Don’t fuck with us. sonny Look, I’m used to being observed, jock There are no women in Clonifornia. recorded, stared at. It’s the price you pay. But look at my data body. I’m clean...