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big data

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Journal Article
Theater (1 February 2018) 48 (1): 5–19.
Published: 01 February 2018
... dataveillance. In her estimation, the exhibition becomes less about the politics of methodologies of surveillance than about “how surveillance in a Big Data society is pervasive to a point of its absorption.” Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 We’re Watching Bard...
Journal Article
Theater (1 February 2018) 48 (1): 33–53.
Published: 01 February 2018
...Big Art Group Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Big Art Group Opacity System, installation, sound, and text by Caden Manson and Jemma Nelson Developed with the Digital Devising Lab at the Carnegie Mellon University School of Drama: Caitlin Ayer...
Journal Article
Theater (1 February 2018) 48 (1): 21–31.
Published: 01 February 2018
...), to examine how actors perform or attempt to evade conditions of surveillance and mass spectatorship. Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 We’re Watching Bard College Annie Dorsen Michelle Ellsworth surveillance big data acting methodology Holy Motors...
Journal Article
Theater (1 February 2018) 48 (1): 55–67.
Published: 01 February 2018
... Theatre 2018 Immanuel Kant The Great Outdoors We’re Watching surveillance big data Internet culture the sublime stuplimity Sianne Ngai Longinus Romanticism digital art Kenneth Goldsmith Norbert Wiener entropy cybernetics informatics Annie Dorsen The Sublime and the...
Journal Article
Theater (1 May 2010) 40 (2): 33–39.
Published: 01 May 2010
...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008...
Journal Article
Theater (1 February 2018) 48 (1): 1–3.
Published: 01 February 2018
... emergence of sophisticated data-­mining techniques have made mass observation by nongovernment actors an inextricable part of the fabric of everyday life. Social media and apps crunching personal data encourage self-s­urveillance, prompting us to track our every movement and desire — and to passively...
Journal Article
Theater (1 February 2018) 48 (1): 79–89.
Published: 01 February 2018
... complete knowledge of themselves, but to my mind it offers instead a paranoiac feedback loop, a total theater for the age of big data that is both total and impoverished. 87 Muse “Surveillance” is not only a bracing...
Journal Article
Theater (1 November 2012) 42 (3): 5–9.
Published: 01 November 2012
...Jemma Nelson; Caden Manson © 2012 by Jemma Nelson and Caden Manson 2012 Big Art Group’s Deadset, The Kitchen, New York, 2007. Photo: Caden Manson Jemma Nelson and Caden Manson Artists’ Notebook After Spectacularity Spectacularity has shifted. No longer only the output of...
Journal Article
Theater (1 May 2016) 46 (2): 69–75.
Published: 01 May 2016
... create live performance digitally, interactively, and beyond the stage. It was conceived as a live, virtual cleansing of one’s digital life. “Clients” undergo data dialysis by monitoring the emotions associated with their online identities using body sensors and brain wave monitors during a...
Journal Article
Theater (1 November 2014) 44 (3): 86–93.
Published: 01 November 2014
... from genuinely new phenomena or, rather, becomes salient as familiar experiences viewed through a new lens. In the case of widespread revelations of domestic data tracking and contemporary surveillance culture, the answer may well be both. Since Glenn Green­wald published Edward Snowden’s...
Journal Article
Theater (1 November 2016) 46 (3): 83–107.
Published: 01 November 2016
..., and the High Line. His work is included in the collections of moma and the Whitney Museum of American Art. caden manson is cofounder of the Big Art Group ( bigartgroup.com ) and editor of Contemporary Performance ( contemporaryperformance.com ). He has cocreated, directed, and video- and...
Journal Article
Theater (1 February 2017) 47 (1): 3–15.
Published: 01 February 2017
... enraged by it grew in its presence. When we mythologize that brief moment in creative time now, we talk about how it was created around people; it was art that responded to the moment and the population that encircled it. So our strategies today could be based in big data, or in experiential...
Journal Article
Theater (1 May 2000) 30 (2): 113–127.
Published: 01 May 2000
... big way he might have made good money hiding bad Lights up on thomas seated in the bleachers, money writing with a piece of charcoal on an eight-foot he could have...
Journal Article
Theater (1 May 2012) 42 (2): 27–41.
Published: 01 May 2012
... the event from historical evi- dence, and the very characteristics of the documents themselves. Theater and perfor- mance historians increasingly use digital databases to store, search, and retrieve all kinds of historical data accessible from anywhere in the world (as opposed to a single...
Journal Article
Theater (1 February 2014) 44 (1): 57–65.
Published: 01 February 2014
... Toronto called a room to have a public event. We had artists Murmur where around the town there are reinterpret or create art out of the stories and these big green ears and there’s a number, and locations that they heard of; we had the actual wherever there’s an ear you call and listen to...
Journal Article
Theater (1 November 2016) 46 (3): 47–61.
Published: 01 November 2016
... nation in the future at all because all the big prob- states, there’ll be just one big world govern- lems will have been solved, and people will ment body, and it will be based in a big white have found a way to live together without any modernist building somewhere and it will argument. be...
Journal Article
Theater (1 February 2018) 48 (1): 113–123.
Published: 01 February 2018
... how he used his work to lobby for the protec- Early Morning Opera pieces, particularly tion of those spaces, in a political sense. His Pablo N. Molina and Nathan Ruyle, I increas- photographs were put on big...
Journal Article
Theater (1 February 1996) 27 (1): 75–82.
Published: 01 February 1996
... audiences? It’s hard to know for sure, but if the so-called middle class gets thinned out, we may all be in big trouble, since this group has traditionally been the most supportive of the arts. Where is the middle class going to come from if young people are unemployed, the elderly are under...
Journal Article
Theater (1 February 2018) 48 (1): 91–111.
Published: 01 February 2018
..., stared at. It’s the price you pay. But look at my data body. I’m clean. jarrod No straight boys either. jock You were. 3:28 pm 110 fwy — Hover car sonny If I talk, do I get to see Peter? accident. 11:07 pm Traction Ave. — Pinged for jock...
Journal Article
Theater (1 November 2013) 43 (3): 5–23.
Published: 01 November 2013
... Zappos will revisit the borders of your screen as you check the weather, respond to e-­mail, and read the latest news bite . . . but wait, the boots are cheaper on this other site! Thanks to the stalkerlike advertising strategy of data mining, you just saved $21.01. Now you can settle back and...