... the downstairs at the play’s opening. His Biff is that are reminiscent of On the Wwont. misconception that he is being asked to play an uncomfortable and tentative boy (in his When all is said, the revival’s prime achieve- Oedipus, and he is playing him with Greek mid-thirties) twitching for his manhood...

... broke life is Biff, Willy’s older son. Once extremely close to his father, upon the contemporary consciousness, in fact, with a play that Biff has now grown estranged from Willy...

...,” the typical Miller hero. contradictions on which its normative formula- Savran looks “to the margins” of the texts-to tion is based and by celebrating various subjugat- Biff’s lisping imitation of his math teacher, for ed masculinities.” example-to unveil Miller’s unstated collabora- In their rather...

... by a Subrette (Magaly Biff) dressed in a capital crime is the lack of capital. With each scene presented in this skin-tight white circus performer’s costume complete with knee-high vaudevillian manner’we were led through Brecht/Weill’s “Alabama laced boots and a cap with a feathered plume. She moved among...