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Journal Article
Theater (1969) 2 (2): 40–55.
Published: 01 May 1969
..., in July, 1968. It was directed by Jeff Bleckner, with the following cast: Margaret, in her ~O'S,talks and walks like a bird .Joan Pape Bertha, in her ~O'S, speaks with a Swedish or German accent and wears a lot of beads Jeanne Hepple Martha, in her ~O'S...
Journal Article
Theater (1986) 17 (3): 63–88.
Published: 01 November 1986
..., 1911. A boardinghouse in Pittsburgh. characters have. BERTHA isfive years hisjunior. Artistic Director At right is a kitchen. Two doors open off the Marriedfor over twenty-fiveyears) she has learned houi presents kitchen. One leads...
Journal Article
Theater (1974) 5 (2): 82–89.
Published: 01 May 1974
.... Emma Jane brings in souffle. Scene 4 Front porch of Gavelin sisters-Bertha and Jo-anne. The Gavelin sisters and Mr. Lozenge sit in silence on porch enjoying early evening. Bertha asks Mr. Lozenge if he wants a 2nd glass of gingerale. He refuses, says...
Journal Article
Theater (1976) 8 (1): 68–71.
Published: 01 February 1976
...Russell Vandenbroucke Copyright © by yale/theatre 1976 1976 South African Blacksploitation Russell Vandenbroucke Ipi- Tomb i Conceived, Devised, and Produced by Bertha Egnos Original Music by Bertha Egnos Lyrics by Gail Lakier Her Majesty’s Theatre, London Zpi...
Journal Article
Theater (1969) 2 (2): 167–169.
Published: 01 May 1969
.... ~, tstanboul also in Schroeder. KOCH, Kenneth. Bertha and Other Plays, ~, The Queen of Greece. See this issue. Grove Press. ("1 Contains numerous short plays and imprauisational plays. PATRICK, Robert. Action. See this issue...
Journal Article
Theater (1992) 23 (1): 71–82.
Published: 01 February 1992
... You ever heard this old song goes: deacon board told him, “Well Bishop Mother Bertha got to preaching round Some people say a preacher Wilson, he passed away last week.” that little chicken and chittlin stand won’t steal. When they told him...
Journal Article
Theater (1974) 5 (3): 87–94.
Published: 01 November 1974
... Miss Julie and Bertha, the Captain's daughter in The Father, or else act directly from unconscious impulses, like Laura in The Father. Women never act out of ratio- nality, which seems strictly a male province. MISS JULIE . . . It was he who brought me up to look...
Journal Article
Theater (1995) 25 (3): 46–54.
Published: 01 November 1995
... as backdrop for bare-breasted dancers in short grass skirts. First produced in 1974 by a white impresario, Bertha Egnos, it was revived in the 1980s under the direction of the black impresario and “godfather of township the- ater,” Gibson Kente. By 1994, the show...
Journal Article
Theater (1979) 10 (3): 88–91.
Published: 01 November 1979
... crooked, tangled, misplaced; want to be able to beat them up, knock sense into them, love them down and joke with my thighs. Better to stuff some old virgin with a skin like a dog Bi Banholzer and Brecht (1918/19) than poke around in everybody’s pet little hole. Give me brain-damaged Bertha...
Journal Article
Theater (1975) 6 (2): 35–44.
Published: 01 May 1975
... the Chorus, if desired, can again repeat the opening chorale. All inquiries concerning rights should be addressed to the author’s agent, Bertha Case, 42 West 53rd Street, New York, New York 10019...
Journal Article
Theater (1979) 10 (2): 123–128.
Published: 01 May 1979
... the difference between the abstraction and carnal . . . They stripped me . . . Bertha called simply Pachuco, the mythic image, the fact, while the script elaborates on the saw them strip me. Hijos de la chingada, the embodiment of the being Hank and his strain placed on the man by the pachuco they stripped...
Journal Article
Theater (1984) 16 (1): 49–55.
Published: 01 February 1984
... got a long history of involvement. And yet there are characters, such as Seth of his life?” That became Herald Loomis. It and Bertha, who own the boarding house, occured to me that at the time and par- What about the story of Joe Turner, who who seem very ‘American.’ ticularly...
Journal Article
Theater (2009) 39 (1): 7–27.
Published: 01 February 2009
...- fight’s productions. BothIpi Zombi? and The Plays of Miracle and Wonder wink mischie- vously at charges of cultural appropriation: the first title references the 1974 musical Ipi Tombi, produced by white theatrical entrepreneurs Bertha Egnos and Gail Lakier, much criticized for “projecting...