...” and complicate easy consumerist habits of spectatorship promoted in neoliberal culture and media. © 2016 by Andrew Friedman 2016 Bert Neumann’s set design for Fyodor Dostoyevsky’s The Idiot, directed by Frank Castorf, Volksbühne, Berlin, 2002. Photo: Thomas Aurin Vegard Vinge and Ida Müller...

...- Lion, play, Halliwell found himself stalemated. Cowardly the biography of his sion again when he applies his mythic in- No matter how hard he tried, he couldn’t father, Bert Lahr. He tries to establish a sight to Orton’s life in a heavy-handed...

...Bert Cardullo Joe Orton , by C.W.E. Bigsby (London: Methuen, 1982, 79 pages.) Copyright © THEATER 1984 1984 l3QO.K REVIEW The Ruffian on the Stage: Joe Orton by CaWaEa...

... Cardullo, Bert. “The Ruffian on the Stage: Joe Orton by C.W.F. Bigsby,” for the Yale Rep production of Ma Rainey. (Book Review), Vol. 15, no. 3, p. 74. Lloyd Richards is Artistic Director of the Yale Repertory Theater and Dean Case, Sue-Ellen. “The German Festival,” (Review) Vol. 15...

... hours Eubie and Noble recounted their adventures in the theater and told stories of the men who had gone before them and had been their idols: Bert Williams, George M. Cohan, A1 Jolson, James Reese Europe, and Victor Herbert. Every so often Eubie would dash...

...Kathleen Dimmick Bert O. States, Great Reckonings in Little Rooms: On the Phenomenology of Theater , University of California Press, Berkeley, 1985, $14.50. Copyright © THEATER 1987 1987 STATES’ GREAT RECKONINGS IN LITTLE ROOMS...

... Dell Publishing Company Futz! photograph by Bert Andr ew s and Rando m Hou se for th eir generous co ntributio ns, without which this issue Dr. Kheal photograph s by Zack Weisner would no t have been possible...

...Eric Bentley; Roswitha Mueller Copyright © THEATER 1986 1986 Photo Credits Correspondence Bert Andrews 34...

... Copyright © THEATER 1986 1986 Photo Credits Correspondence Bert Andrews 34...

... Copyright © THEATER 1984 1984 Contributors Bert Cardullo is enrolled in the Dramaturgy and Criticism program at the Yale School of Drama, and teaches film in Yale College. He has essays ATA Is American forthcoming in Modern Drama and Gennanic Review on W.S. Gilbert...

.... 15, no. 3, p. 48. Bert Andrews 50,54 Knode, Helen. “Socio-Criticism” by Patrice Pavis, (Translation) Vol. 15, Clarchen Baus-Matter 67,70,73 no. 1, p. 8. Kirsten Beck 46...

... hero, a champion of reunifi cation, and the most important artist of the era, using the debris of GDR ideol- 12 remembering never-ever land Bert Neumann’s...

... you knew it, you were spooks, not so busy with Manhattan’s Second Coming of Bert and Meadow watching a Dagwood Bumstead comedy cross-town streets that he can’t spare a Brook founder John Fernald produced...

... of Samuel Beckett and Harold Pinter by Kristin Morrison, University of Chicago Bert Andrews 1, 75, 76 Press, Chicago, IL, 1983 (cloth) $20.00. Nancy Campbell 84 The Collected Plays ofJames K. Baxter, edited by Howard McNaughton, Nobby Clark 79, 80, 81 Oxford...

... of Samuel Beckett and Harold Pinter by Kristin Morrison, University of Chicago Bert Andrews 1, 75, 76 Press, Chicago, IL, 1983 (cloth) $20.00. Nancy Campbell 84 The Collected Plays ofJames K. Baxter, edited by Howard McNaughton, Nobby Clark 79, 80, 81 Oxford...

... & Ray, Ren & Stimpy, The Simpsons, Homer, The Honeymooners, Be Carrie Fisher, Debbie Reynolds, Burt Reynolds, Ernie & Bert, Grover Cleveland, P Calloway, Simon CaIIow, Neil Simon, Paul Simon, Simon Bar Sinister, American Bar Hackett, Buddy...

... Cardullo, Bert. “The Ruffian on the Stage: Joe Orton by C.W.F. Bigsby,” for the Yale Rep production of Ma Rainey. (Book Review), Vol. 15, no. 3, p. 74. Lloyd Richards is Artistic Director of the Yale Repertory Theater and Dean Case, Sue-Ellen. “The German Festival,” (Review) Vol. 15...

..., answers to such questions did not come easily. Distinctions proved elusive. New vaudeville, it was said, relies heavily on physical skills. But so did old vaudeville: so do circus, and burlesque, and cabaret. New vaudeville emphasizes comedy: it tends toward irony and anarchy. 'Ell it to Bert...

..., began working on the Flau- at the Adelaide Festival in Australia and grant from the New Works Program of bert text and collecting collateral upon its return to New York, from April the Massachusetts Arts Council to fund material. Simultaneously. the members until June 1986, finished staging...