...Marc Robinson Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 Stehn Kurt in the Berliner Ensemble's production of Rertolt B rec h t 's Oic,rrt#ight, ctircctcd by Robert Wilson. Photo: Claudia Esch- Kenkel. MARCROBINSON ROBERTWILSON’S...

... at the Berliner Ensemble, Heiner Muller’s last work as director-I dreamed I found Brecht’s plays frozen at the super- market in small, illustrated packages, neatly arranged in alphabetical order, with instruc- tions for thawing. I had seen Robert Wilson’s Oceanzight, Galileo, Joe Fleischhacker, and Arturo...

... form before de los Sentidos in Berlin him. At the entrance, the visitor deposits his bag, the critic his paper and pencil, and a pleas- Theater der Welt festival invited thirty theater ant young woman asks them to keep a very per- groups...

...Henning Rischbieter; Sam Guckenheimer, translated by Copyright © THEATER 1978 1978 Dramaturgy in Berlin: An Interview with Ernst Wendt Henning Rischbieter For seven years Ernst Wendt worked as a dramaturg in close...

...Travis Preston Copyright © THEATER 1980 1980 Theater in Berlin A Villa of Mysteries:The Schaubiihne am halleschen lifer's Rudi Travis Preston The Esplanade Hotel...

...Gitta Honegger © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Gitta Honegger Theater in Berlin: Last Stop. Amerika and the Volksbühne Experience, Plus New Voices and Ekkehard Schall January 2002 From my Berlin hotel room on Friedrichstrasse I look...

...Siegfried Zielinski Copyright © THEATER 1980 1980 Theater in Berlin The New Weiss Investigation Siegfried Zielinski Peter Weiss (left) and Thomas Schulte-Michels A unique event...

... From June 6 through June 15, 1981, committed to the concept of emancipatory Meinhof’s the Grips Theater of West Berlin was the theater, and it did provide insights into re- venue of the Second International cent...

...Johannes Birringer Copyright © THEATER 1984 1984 somewhere, .it is sid, in Los Angeles Coun- ty. As of this writing, Execution ofJutice has THEATER IN BERLIN not yet been performed in the city in which his crimes were committed - although the play was originally commissioned...

...John Rouse Copyright © THEATER 1984 1984 THEATER IN BERLIN Robert Wilson, Texts and History: CIVIL wars, German Part John Rouse On March 28, 1984 the Olympic Arts events...

... annoyed. and eventually leaves in because of the obvious questions it raised. How would Brecht’s a huff. The audience thinks it is part of the play, even after an son-in-law,star actor of the Berliner Ensemble, fare in a Beckett apologetic announcement. But it is ten minutes before the light role...

...Walter Felsenstein Copyright © by yale/theatre 1975 1975 FELSENSTEIN Walter Felsenstein is the foremost living director of opera and musical theater. The company he founded in East Berlin, the Komische Oper, has become since its inception...

...Henning Rischbieter; Jack Zipes, translated by Copyright © by yale/theatre 1976 1976 Peter Stein’s Though the Schaubuhne am Halleschen Ufer in West Berlin was founded in 1962...

...Jack Zipes Copyright © THEATER 1977 1977 The Irresistible Rise of the Schaubuhne am halleschen Ufer; A Retrospective of the West Berlin Theater Collective Jack Zipes For seven years now, the Schaubchne am halleschen...

...Joel Schechter Copyright © THEATER 1977 1977 Danton's Death in East Berlin Joel Schechter Bertolt Brecht once observed that political and cultural repression in the morous poem by Brecht advising the Germany's "literary history does...

...Robin Detje © 2005 by Yale School of Drama/Yale Repertory Theatre 2005 Robin Detje Remembering Never-Ever Land How Frank Castorf Reconjured Berlin’s Volksbühne The life of most theater audiences in the United States is easy. Except for those who venture into the underground...

...Nick Salvato Nick Salvato examines the collision between “old” and “new” media staged by the actorless performance piece Bonanza , produced by German multimedia collective Berlin. © 2012 by Nick Salvato 2012 Berlin’s Bonanza, Marseille, 2010. Courtesy of Berlin Nick Salvato The New...

... Deutschland 2—Berlin Back Up (2002), which restages a German parliamentary debate. She discusses the role of participation and spectatorship in such reenactments, arguing that these performance pieces embody new ways of thinking about history and politics. © 2010 by Yale School of Drama/Yale Repertory...

... that made up the three-day imagined trial in Bukavu, Congo, which, along with the follow-up presentation in Berlin and a wide range of ancillary materials, was the centerpiece of the project. Defraeye contextualizes The Congo Tribunal within both Rau’s oeuvre and the larger ecosystem of Central African...