...Jonathan Kalb Copyright © THEATER 1985 1985 The Critical Beckett Jonathan Kalb In Theatre I, one character (B) is confined...

...Eileen Fischer The Discourse of The Other in Not I: A Confluence of Beckett and Lacan Eileen Fischer With the publication of Jacques Lacan’s English, this means that the speaker com- In his stage directions for Not I Beckett...

...• Beckett by Nobody can encapsulate Samuel Beckett tation of the novel; it was nothing like an as well as Beckett can. This line from enacted equivalence of the novel but a kind Mercier...

... Acting Beckett: had offended. Yet the very artificiality and theatricality of the ritual thrust the reality of Two Versions of Sganarelle’s pain into the foreground in this production. For here it was he, rather than the sinister seducer-marionette, who became Ohio...

...Alain Piette Copyright © THEATER 1984 1984 THEATER IN BRUSSELS Beckett after the Deluge Alain Piette When Marcel Delval agreed to direct...

...Catherine Sheehy Copyright © THEATER 1991 1991 FILLING THE BILL: A DRAMKRITICAL PIECE ABOUT AN EVENING OF BECKETT AT CENTER STAGE CATH E R I N E SHEEHY...

...Marshall Williams The Drama in the Text: Beckett's Late Fiction by Enoch Brater, 1994: Oxford University Press Critique of Beckett Criticism: A Guide to Research in English, French, and German by P.J. Murphy, Werner Huber, and Rolf Breuer and Konrad Schoell, 1994: Camden House...

...Mary Benson Copyright © THEATER 1978 1978 Theater Abroad Blin on Beckett Mary Benson Roger Blin is convinced that reality is only others too, and as many people, especially to a number of theater managers in Paris attained through poetry, a conviction...

...Jonathan Marks Copyright © yale/theater 1971 1971 MacGow ran's Beckett/Beckett 's MacGowran by Jonathan Marks POZZO: Where are we? VLADIMIR: I couldn't teU you. POZZO: It isn't by any chance the place known as the Board...

... of writing, faintness faintly murmuring: what remains without remains (the fragmentary). -Maurice Blanchot, The Writing of the Disaster Samuel Beckett and Marguerite Duras epitomize two distinct stages in the unfolding of the representational crisis that followed World War 11. Roughly...

...Martin Harries Harries looks back at Samuel Beckett’s complex intermedial experiments to historicize the question of theater’s relationship to “new” media, and argue for a more nuanced theorization of theater’s exchanges with other media, and theater’s status as a medium in itself. © 2012...

... out, for spectators from both sides of the Wall, Bwrite Beckett’s Waitingfor Godot as a socialist allegory, the evening was embarrassingly bad, and ordinarily ought to and it is not known whether he gave it up because of ill deserve merciful obscurity in the annals of theater history...

... Janice Paran A dance.version of Beckett seems, on the surface, a contradiction in terms. What a curse, mobility. All the same, Maguy Marin was inspired to create May B, a dance piece based on Beckett's writings, and the produc• tion, first developed by Marin's company in Creteil, France...

...Xerxes Mehta Copyright © Theater 1993 1993 Ghosts Xerxes Mehta The prescriptiveness of Beckett’s stage directions, especially in the short plays he wrote towards the end of his life, appears to leave the director with little to do...

...Jonathan Kalb Copyright © THEATER 1983 1983 THEATER IN NEW YORK plays ordinarily associated with Beckett’s rise A Monologue...

... Modern England The Drama in the Text: Beckett’s Late Fiction Critique of Beckett Criticism: A Guide to Research in English, French, and German...

.... As is debated, and may in fact be “controversial,” sciousness from that of the audience which now well. known, however, Samuel Beckett but the general ethical questions it raises will saw the play when it first appeared in 1957. objected to the production for his own not be settled here. Unless we...

... 71 we are willing to give ourselves over for confirm our hopes for a future. suspicion. A second, more rigorous, the sake of the translation - so that As a rule, Beckett’s translations into assault on style takes shape as he turns these thieves might live again - our ef- English...

... Review, Summer, that time adrift-no, sinking-before 1966) the storm of changed programs, churning private enthusiasms, and Beckett's play, then, shows us two comic general administrative turbulence. characters...