...Daniel Larlham In this profile, Daniel Larlham places controversial South African theater director Brett Bailey's recent works, including Ipi Zombi? , iMumbo Jumbo , and Big Dada , in the context of contemporary South African theater and politics. He describes Bailey's strategies of cultural...

..., Ntsikelelo “Boyzie” Cekwana, Brett Bailey, and Tebogo Munyai, among others, to examine questions of representation and the myth of the “postracial,” highlighting the uncomfortable position of live art curators that take contemporary South African protest movements as their subject. © 2017 by Jay Pather...

...Tom Sellar © 2015 by Tom Sellar 2015 Brett Bailey’s Exhibit B, Festival d’Avignon, 2013. Photo: Ada Nieuwen Up Front Europe on Exhibit Tom Sellar Paris, November 28, 2014: Emerging from the rer regional train in Saint-Denis, a gritty suburb home to many immigrants from sub...

...Alexandra Ripp © 2015 by Alexandra Ripp 2015 Brett Bailey’s Exhibit B, Festival d’Avignon, 2013. Photo: Ada Nieuwen Up Front Europe on Exhibit Tom Sellar Paris, November 28, 2014: Emerging from the rer regional train in Saint-Denis, a gritty suburb home to many immigrants...

...; Brett Bailey s violent tableaux. stilled lives 40 Ping Chong s a.m./a.m. The Articulated Man, La Mama, New York, 1982. Photo: Tobey Sanford a photographic retrospective 41 Mabou Mines Hajj, Public Theater, New York, 1983. Photo: Georgina Bedrosian stilled lives 42 George Orwell s 1984, adapted...

.... Bailey Circus, she left to join the Big Apple Circus during their an- More timid than intimidating, she regards herself as she would a nual winter residency at Lincoln Center. Why? The two-shows-a- secretary or a nurse or a spotwelder. She politely deflects the attempt day, clcven-month Ringling...

... of the creative aisle. In her introduction, tdf Executive Director Victoria Bailey warns us that what is to come will be “painful”; indeed, it is London and Pesner’s hope that their study, though “troubling,” will help bridge the ever-­widening chasm between playwright and theater. As the study’s...

... of the creative aisle. In her introduction, tdf Executive Director Victoria Bailey warns us that what is to come will be “painful”; indeed, it is London and Pesner’s hope that their study, though “troubling,” will help bridge the ever-­widening chasm between playwright and theater. As the study’s...

... of the creative aisle. In her introduction, tdf Executive Director Victoria Bailey warns us that what is to come will be “painful”; indeed, it is London and Pesner’s hope that their study, though “troubling,” will help bridge the ever-­widening chasm between playwright and theater. As the study’s...

... 87 The Lost Envelope (Excerpt) 7 Brett Bailey and Third World Pierre Mujomba Bunfight: Journeys into Translated by the South African Psyche Jill Mac Dougall Daniel Larlham 104 Productions 29...

... No, you know what you mean. at the time, whom you’ll meet more in a moment. Louise is currently living in Bayonne, It’s 1969. Johnny Carson invites F. Lee New Jersey, with her children and her second Bailey to appear on his show . . . Go on. husband...

... Africa, were year as a new incarnation of the former Spier displaced, fleeing in fear of their lives. Performing Arts Festival, run annually in Bailey says, “The arts have transforma- February. The Spier Festival used to be held tive power, the ability to widen our percep- in a traditional...

... stepped into London Society sportina a lace shirt, velvetine knee-breeches, and clutching a lily "in his medieval hand," until he stepped out of it and into a police van bound for the Old Bailey, a storm of self-generated controversy whirled about him. For the most part Wilde found such strife...

... everywhere, in all innocence, because of the widespread belief that blacks have only recently achieved any degree of prominence on the American musical stage. Many writers who ought to know better proclaim blithely that the Pearl Bailey-Cab Calloway version of Hello...

... Pulitzer Mkhize. So the mainstage included transfers Prize – winning image of a starved girl and a from the Cape such as Brett Bailey’s Big Dada, vulture in Sudan provoked both acclaim and a provocatively...

... for their sake. Other Burmese artists were not utterly cast aside, either. Many seized the chance to have private, not public, conversations with foreign artists about their respective practices. Rachael Swain and South African theater maker/artist Brett Bailey later told 74...

.... Marie-Claire Ropars-Weilleumeir, “On Unworking: The Image in Writing according to Blanchot,” in Maurice Blanchof: The Demand $Writing, ed. Carolyn Bailey Gill (London: Routledge, 1996), 149-50- 55 Copyright © 1999 by Yale School...

.... sense. That was crucial for the Quadrennial, Adela Vosickova Brett Bailey, a South African artist, made a because at that point we were trying to say, beautiful tiny maze. You had to go through okay, theater is not just models. It’s not just a the whole space by touching the wall, because stage...

... it. army of Beetle Bailey or M*A*S*H, nor is it the army that has become familiar They are all costumed in fatigues, and to us from the current run of vengeful their diction...

... the Theater Reaction Group Meeting Robert Sargeant 1966 To: Judson Church Board FROM: Theater Reaction Group SUBJECT: First meeting, October 13, 1966 THOSE PRESENT: Ron and Sue Bailey, Ed Brewer, Remy Charlip, Al Carmines, Miriam Corbett, George Dennison, Irene Fornes, Lee Guilliant, Jon Hendricks...