...Adam Versenyi Copyright © THEATER 1985 1985 Embracing the Audience: The Festival Latino in New York Adam Versenyi The Festival Latino presented...

...Tim Etchells © 2016 by Tim Etchells 2016 Forced Entertainment’s First Night, Rotterdam, Netherlands, 2001. Photo: Hugo Glendinning Tim Etchells By Means of the Future Forced Entertainment, Prediction, and the Community of Audience To tell it as one might find it in a book...

...Christian DuComb © 2016 by Christian DuComb 2016 Underground Railroad Game Jennifer Kidwell and Scott Sheppard Fringe Festival, Philadelphia September 2015 Productions and Events Christian DuComb Embarrassing the Audience Underground Railroad Game Jennifer Kidwell...

...Tom Sellar © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Ben Folds concert on Chatroulette Web site, 2010. Photo: Ryan M. Davis Up Front Audience...

... Subway Ride , as well as Bill Wasik's flash mobs and International Pillow Fight Day , among others. Muse considers the many types of audiences—live and mediated—that observe flash mobs and uses their relationship to these new types of participatory performance as clues to understanding spectatorship...

...Joel Schechter Copyright © by yale/theatre 1976 1976 On Not Offending the Audience: Brecht at Lincoln Center Joel Schechter The Threepenny Opera By Bertolt Brecht Music by Kurt Weill Directed by Richard Foreman Translation by John Willett and Ralph Manheim Vivian...

... the greater continued to flourish and came to be the pre- public reacted than in the (rather conservative) dominant theatrical form. Green’s three central views of the small proportion of the audience chapters cover the period from the end of the that read the opinions of the even smaller fifth...

...—site-specific one-on-one performances in Hamlin Park and an ensemble performance turned social dance at Links Hall—stage “two dreams of contemporary dance”: “One is the urge to dissolve the boundary between performer and audience; the other is to intensify that distinction.” Kramer probes...

...Bonnie Marranca Einstein on the Beach , Robert Wilson and Philip Glass, Metropolitan Opera House Copyright © Yale/Theatre 1977 1977 The Avant-Garde and the Audience By Bonnie Marranca Einstcin on the Beach Robert Wilson and Philip Glass Metropolitan Opera House...

.... © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Audience at an Itinerancias performance, Pamplona, 2009. Photo: Adam Horowitz Adam S. Horowitz Colombia’s National Audiences I. Street Theaters and Pedestrian Publics Common wisdom says not to walk the streets...

... in the new South Africa; Savas Patsalidis considers the elusive question of who actually is the “audience” for theater festivals; Max Glauner examines new models of tailoring festival experiences to individual spectators; Barbara Orel parses the situation of national arts festivals in an increasingly...

...Theodore Shank Political Theater, Actors and Audiences: Some Principles and Techniques Theodore Shank The traditional purpose of Western theater in the twentieth cen• Western Europe and the Americas. Often...

... the manner in which the theatrical performance “manipulates” audience understanding. This analysis is followed by a far more detailed discussion, published here, of the opposite movement, the process whereby the audience itself takes charge of the task of assigning meaning to a performance. Copyright ©...

...Sue-Ellen Case In this article, Sue-Ellen Case parses the different modes of spectatorship prompted in audience members by Maria Jerez's The Case of the Spectator , an intermedial performance inspired by pulp-crime novels, Hitchcock films, and midcentury Americana. © 2012 by Sue-Ellen Case 2012...

... appropriation and “celebration,” audience responses to them, and his evolving approaches to theater and society. Yale School of Drama/Yale Repertory Theatre 2009 Daniel Larlham Brett Bailey and Third World Bunfight Journeys into the South African Psyche “South Africa’s edgiest director.”1...

... is in the U.S., and the audience laughs nervously. For in the age af multinationals, worldwide computer networks and rampaging automation, auto and steel workers face the same kind of crises as Edgar and Hermann.” Copyright © THEATER 1984 1984 Kroetz in San Francisco: Oskar...

... of the theatrical event—instead, Rau seeks to make the representation itself real, blurring the line between fiction and reality to trouble and implicate the audience. © 2021 by Laurens De Vos 2021 Milo Rau La Reprise. Histoire(s) du Théâtre (I) Bertolt Brecht Lam Gods Ghent Altarpiece theater...

... reflected and problematized in Rau’s “theater of the real.” The analysis includes aesthetic consideration, an examination of Rau’s rehearsal and creation techniques, and the ways in which audiences and critics have responded to these provocations in different performances. © 2021 by Andreas Englhart 2021...

...Brian W. Robinson Copyright © Theater 1998 1998 WEREYou (PICKONE): ENT E RTAI N ED? ENE RVAT E D? ENLIGHT ENED ? by Brian W. Robinson I doubt that theater’s audience has changed much since 1968...

...Tanya Dean © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Ben Folds concert on Chatroulette Web site, 2010. Photo: Ryan M. Davis Up Front Audience and Its Discontents Tom Sellar In the twenty-­first century potential audiences are everywhere, but paying custom...