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Journal Article
Theater (1 February 2018) 48 (1): 33–53.
Published: 01 February 2018
...Big Art Group Copyright © 2018 Yale School of Drama/Yale Repertory Theatre 2018 Big Art Group Opacity System, installation, sound, and text by Caden Manson and Jemma Nelson Developed with the Digital Devising Lab at the Carnegie Mellon University School of Drama: Caitlin Ayer...
Journal Article
Theater (1 February 2003) 33 (1): 5–27.
Published: 01 February 2003
...Art Spiegelman; Phillip Johnston; Jean Randich © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 The Ephemeral Page Meets The Ephemeral stage: Comix in Performance Art Spiegelman, Phillip Johnston, and Jean Randich, Interviewed by Alice Rebecca Moore Art Spiegelman’s...
Journal Article
Theater (1 May 1985) 16 (2): 32–37.
Published: 01 May 1985
...Art Borreca Copyright © THEATER 1985 1985 “Idi Amin Was the Supereme Actor An Interview with Wole Soyinka Art Borreca Wok Soyinku’s patron Yoruba god, Ogun, is approprdely the god...
Journal Article
Theater (1 May 1986) 17 (2): 77–80.
Published: 01 May 1986
...Art Borreca Copyright © THEATER 1986 1986 Grasping at Fugard’s Truths: Russell Vandenbroucke’s TTuths the Hand Can Touch Art Borreca was published in 1977 by...
Journal Article
Theater (1 May 2010) 40 (2): 33–39.
Published: 01 May 2010
...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008...
Journal Article
Theater (1 November 2010) 40 (3): 25–41.
Published: 01 November 2010
... impromptu road soccer matches conducted with a flaming ball— aimed at reclaiming the city, resisting processes of gentrification, homogenization, and corporatization. © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 David Freedlander Urban Folk Art Performance, Politics, and the...
Journal Article
Theater (1 February 2012) 42 (1): 2–5.
Published: 01 February 2012
... arbitrary 25 percent reduction in all national spending, Arts Council England took a 30 percent cut. In order to protect regularly funded institutions such as the tourist-­friendly Royal Shakespeare Company (which only had to trim by 6.6 percent), hundreds of smaller organizations lost funding...
Journal Article
Theater (1 November 2013) 43 (3): 5–23.
Published: 01 November 2013
... Art as Participatory Performance Surveillance, that sociopolitical fixture in our contemporary world, is, by design, par- ticipatory. Its many forms — from publicly installed cctv cameras on streetlamps and traffic lights to online credit checks, personalized Google advertising, and Facebook...
Journal Article
Theater (1 February 2014) 44 (1): 57–65.
Published: 01 February 2014
...Helen Jaksch © 2014 by Helen Jaksch 2014 Mondo Bizarro’s Loup Garou, City Park, New Orleans, 2009. Photo: Libby Nevinger It’s the Art in Concert W i t h Nick Slie Interviewed by Helen Jaksch Navigating a post-­Katrina landscape in the helen...
Journal Article
Theater (1 May 2014) 44 (2): 31–45.
Published: 01 May 2014
...Lola Arias; Bertie Ferdman © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Lola Arias’s Mi vida después, Teatro Sarmiento, Buenos Aires, 2009. Photo: Lorena Fernandez The Work of Art Is a Parasite Lola Arias Interviewed and translated by Bertie Ferdman lola...
Journal Article
Theater (1 November 2015) 45 (3): 3–5.
Published: 01 November 2015
... to mount the project (which makes use of any given venue’s basements, stairwells, backstage areas, and corridors) in two loca- tions, first for performances in Saint-Denis and subsequently at the 104 art center in wealthier, whiter, central...
Journal Article
Theater (1 May 2002) 32 (2): 70–75.
Published: 01 May 2002
...James Leverett © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Productions James Leverett mon up the forgotten female core of himself. She does exactly that, using the magic of U Zaw Model City/Model Art...
Journal Article
Theater (1 February 2006) 36 (1): 131–149.
Published: 01 February 2006
.... Photo: Viktor Sentsov Art Is Not for Fear Russia’s New Directors in Conversation Dmitrii Chernyakov, Nina Chusova, Yelena Gremina, Mindaugas Karbauskis, Viktor Ryzhakov, Kirill Serebrennikov Interviewed by Tom Sellar and Yana Ross Translated by Yana Ross The following interviews...
Journal Article
Theater (1 May 1988) 19 (2): 32–34.
Published: 01 May 1988
...Gabrielle Cody Copyright © THEATER 1988 1988 ART FOR AWE’S SAKE GABRIEL L E CODY ne exalted the appeal of a chimerical Wild West, the and...
Journal Article
Theater (1 May 1991) 22 (2): 47–50.
Published: 01 May 1991
...C. B. Coleman Copyright © THEATER 1991 1991 BULGAKOV’S THE CRIMSON ISlE THE ART OF SATIRE IN THE AGE OF SOCIALIST REALISM...
Journal Article
Theater (1 February 1997) 28 (1): 69–73.
Published: 01 February 1997
... thtitre minimal,” Thilitre de Chambre (L‘Arche, 1978). 7. Vinaver, Errits sur le thidtre, 130. 8. Bradby, 282. 72 INDUSTRIAL ART tences, two discourses, two or more characters who are, in themselves, anodyne. In the montage.”6 Montage as a literary technique is a...
Journal Article
Theater (1 November 1981) 12 (3): 40–45.
Published: 01 November 1981
Journal Article
Theater (1 November 2017) 47 (3): 82–88.
Published: 01 November 2017
...David Bruin The Temptation of St. Antony , Larks Four , Basic Flowers , Los Angeles , August 2016 Copyright © 2017 Yale School of Drama/Yale Repertory Theatre 2017 David Bruin Adaptation, Mnemonic Art, and Ekphrasis The Temptation of St. Antony Four Larks Basic Flowers...
Journal Article
Theater (1 November 2016) 46 (3): 47–61.
Published: 01 November 2016
... and yel- It will all be very egalitarian. And people will low pills and green pills. mostly just do art. That’s what people will do. People will just do art. r: Or in the future people won’t eat pills and things like that, they’ll just...
Journal Article
Theater (1 November 1978) 9 (3): 72–73.
Published: 01 November 1978