...Dmitrii Chernyakov; Nina Chusova; Yelena Gremina; Mindaugas Karbauskis; Viktor Ryzhakov; Kirill Serebrennikov Genesis-2, directed by Viktor Ryzhakov, 2004. Photo: Viktor Sentsov Art Is Not for Fear Russia’s New Directors in Conversation Dmitrii Chernyakov, Nina Chusova, Yelena Gremina...

...Jacob Gallagher-Ross Jacob Gallagher-Ross introduces the text of Big Art Group's SOS , a piece recently staged at the Kitchen in New York City. He analyzes and situates the company's mediatized aesthetic within the context of contemporary consumer culture and the economic implosion of 2008. ©...

... to impromptu road soccer matches conducted with a flaming ball— aimed at reclaiming the city, resisting processes of gentrification, homogenization, and corporatization. © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 David Freedlander Urban Folk Art Performance, Politics...

... an arbitrary 25 percent reduction in all national spending, Arts Council England took a 30 percent cut. In order to protect regularly funded institutions such as the tourist-­friendly Royal Shakespeare Company (which only had to trim by 6.6 percent), hundreds of smaller organizations lost funding...

... Art as Participatory Performance Surveillance, that sociopolitical fixture in our contemporary world, is, by design, par- ticipatory. Its many forms — from publicly installed cctv cameras on streetlamps and traffic lights to online credit checks, personalized Google advertising, and Facebook...

...Helen Jaksch © 2014 by Helen Jaksch 2014 Mondo Bizarro’s Loup Garou, City Park, New Orleans, 2009. Photo: Libby Nevinger It’s the Art in Concert W i t h Nick Slie Interviewed by Helen Jaksch Navigating a post-­Katrina landscape in the helen...

...C. B. Coleman Copyright © THEATER 1991 1991 BULGAKOV’S THE CRIMSON ISlE THE ART OF SATIRE IN THE AGE OF SOCIALIST REALISM...

...Lola Arias; Bertie Ferdman © 2014 by Yale School of Drama/Yale Repertory Theatre 2014 Lola Arias’s Mi vida después, Teatro Sarmiento, Buenos Aires, 2009. Photo: Lorena Fernandez The Work of Art Is a Parasite Lola Arias Interviewed and translated by Bertie Ferdman lola...

... (which makes use of any given venue’s basements, stairwells, backstage areas, and corridors) in two loca- tions, first for performances in Saint-Denis and subsequently at the 104 art center in wealthier, whiter, central Paris. Why would festival...

..., 1978). 7. Vinaver, Errits sur le thidtre, 130. 8. Bradby, 282. 72 INDUSTRIAL ART tences, two discourses, two or more characters who are, in themselves, anodyne. In the montage.”6 Montage as a literary technique is a trademark of the modernist movement...

...Gabrielle Cody ART FOR AWE’S SAKE GABRIEL L E CODY ne exalted the appeal of a chimerical Wild West, the and Annie Oakley followed this epoch...

...James Leverett © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Productions James Leverett mon up the forgotten female core of himself. She does exactly that, using the magic of U Zaw Model City/Model Art...

... additionally summarize critiques of Rau’s practice from other thinkers and artists and Rau’s response to these critiques. Milo Rau s Lam Gods, ntgent Schouwburg, Ghent, Belgium, 2018. Photo: Michiel Devijver Peter M. Boenisch and Lise Sofie Houe Mil o Rau s Wor k as Artistic Director of NTGent Toward an Art...

...David Bruin The Temptation of St. Antony , Larks Four , Basic Flowers , Los Angeles , August 2016 Copyright © 2017 Yale School of Drama/Yale Repertory Theatre 2017 David Bruin Adaptation, Mnemonic Art, and Ekphrasis The Temptation of St. Antony Four Larks Basic Flowers...

... curation Yale School of Drama dramaturgy criticism theater journalism publishing Albany Park Theater Project and Third Rail Projects Learning Curve, Ellen Gates Starr High School, Chicago, 2016. Photo: Liz Lauren 1Tom Sellar Discussion, Dream, Art, People Fifty Years of Theater This issue...

...Big Art Group Big Art Group Opacity System, installation, sound, and text by Caden Manson and Jemma Nelson Developed with the Digital Devising Lab at the Carnegie Mellon University School of Drama: Caitlin Ayer, Stephen M. Eckert, Philip Gates, Rachel Karp, Sara Lyons, Kevin...

...Art Borreca Copyright © THEATER 1985 1985 “Idi Amin Was the Supereme Actor An Interview with Wole Soyinka Art Borreca Wok Soyinku’s patron Yoruba god, Ogun, is approprdely the god...

...Art Borreca Copyright © THEATER 1986 1986 Grasping at Fugard’s Truths: Russell Vandenbroucke’s TTuths the Hand Can Touch Art Borreca was published in 1977...

...Art Spiegelman; Phillip Johnston; Jean Randich © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 The Ephemeral Page Meets The Ephemeral stage: Comix in Performance Art Spiegelman, Phillip Johnston, and Jean Randich, Interviewed by Alice Rebecca Moore Art Spiegelman’s...