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arm
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Journal Article
Theater (1990) 21 (3): 21–25.
Published: 01 November 1990
... to learn than the description of torture.
The murderer has fallen into the trap
The sergeant clasps his prize in his arms,
Now you can sleep. Tomorrow’s another day.
- HEINER mLER
translated by Jonathan Kalb
22
SELF-PORTRAIT IN BERLIN FIVE O’CLOCK IN THE AFTERNOON
On ApnZ 20,1989...
Journal Article
Theater (1993) 24 (1): 93–105.
Published: 01 February 1993
..., on and on: from a standing jump, face unmoved,
Pause. instant transformations into running like a rabbit,
In the background someone walks across the knocking dirt off shoes, spreading arms, shielding eyes,
square. As he is strolling along, he continuously...
Journal Article
Theater (1987) 18 (2): 5–13.
Published: 01 May 1987
.... . . . . the arms is contrasted to provide max-
Everything languishes in the melan- imum picturesque balance.
choly man: the head, heavy and feeble, Maggie Mitchell (1832-1918) was
reclines on the part of the body near...
Journal Article
Theater (2019) 49 (3): 133–139.
Published: 01 November 2019
... featured does not try to emulate normal ; she ±nds the spe- ci±c beauty in how her body interacts with the objects she moves with and the obstacles she encounters. Her crutches become extensions of her arms, her legs; they are crossed in front of her neck and held under her arms to push herself and her...
Journal Article
Theater (1968) 1 (1): 70–71.
Published: 01 February 1968
... other, everything.)
of liars.
Halt! (They halt.) Present arms!
Murray: Who would have believed it?
Ivy: What arms? We don't have any
(Ivy starts to die quite...
Journal Article
Theater (1974) 6 (1): 8–59.
Published: 01 February 1974
..., runs to
the bed, grabs Velma from it, links her arm through her daughter's and
drags her back to the chorus line. Immediately, music begins, Sally
starts singing, and the entire group dances and kicks in rhythm.
Sally: (Singing) Wake...
Journal Article
Theater (1993) 24 (2): 99–111.
Published: 01 May 1993
...
AMALIA looks around.
America. ROB enters. He stands on the up left cor-
ner. He carries a newspaper under his arm. Here’s
GEORGIApointing to a picture in a brochure. See...
Journal Article
Theater (2004) 34 (1): 67–123.
Published: 01 February 2004
... course of
odysseus Badly, Antilochus. On these fields action.
you can see This virgin, armed with weapons to the teeth,
The armies of the Greeks and Amazons Who drops out of the blue into the middle
Fighting with each other like two angry Of our conflict...
Journal Article
Theater (2012) 42 (1): 33–43.
Published: 01 February 2012
... and affective manifestations, abounds. The five other
performers eagerly surround dancer Aaron Hodges like animals ready to lick his flesh.
Yet there is also something tender and gentle about the way their hands caress his body
and guide his falling body into their arms. Someone’s hand keeps Hodges’s head...
Journal Article
Theater (1973) 4 (1): 133–141.
Published: 01 February 1973
... and
S02H4
MR. BLUEBLUE toubo matapo the viceroys of the
nights
they have lost their arms
mounca nga ma
they have lost their arms...
Journal Article
Theater (1969) 2 (1): 53–84.
Published: 01 February 1969
.... Violence is breaking the hymen to initiate new life. Violence is
cutting off a diseased arm or leg. Violence presumably has a purpose beyond itself
and an ultimate kindness in its intention. Violence with no purpose is known by
other names: savagery, lust, insanity. The Theatre of Cruelty...
Journal Article
Theater (1973) 5 (1): 108–118.
Published: 01 February 1973
.... This is Groucho: Is Karl the old crow behind
London. the caws?
Groucho (putting arm around Mannie: What are you saying?
Mannie): Speaking of capitol, where's
the Palace bank? We only came here...
Journal Article
Theater (1972) 3 (3): 99–105.
Published: 01 November 1972
.... But there
exists another universe, a moral one, and the Revolution is its natural catastro-
phe: "The forces that move the universe make use of our arms in the world of
the spirit just as in the physical world they make use of volcanoes and floods."
He flows along, unstoppable, a machine building up wind...
Journal Article
Theater (2021) 51 (1): 9–21.
Published: 01 February 2021
... arm into a hole in the wall. On the other side, Basel is seated. He touches the audience s arm, massages it, and draws on it. While being marked by Basel, the audience listens through a pair of headphones to Basel s voice, first introducing himself, then narrating a story, and finally rapping a song...
Journal Article
Theater (1992) 23 (2): 82–87.
Published: 01 May 1992
... stretching-out of arms, fingers effortless and graceful, almost
connection with the audience in “real extended to caress her knees. Her “natural” to the woman in dress and
time” to overturn our expectations of arched back - now collapsed in a heels (modeling swishes...
Journal Article
Theater (1978) 10 (1): 66–69.
Published: 01 February 1978
... by tinkling
necessarily inferior to the "full-length." Chaikin's words. Only Shepard's bare, bells, which also seemed to describe the
Tongues, presented by San Francisco's sinewy arms were visible as he reached out moment of dying: "There was this moment
Magic Theatre for five nights only Gune to pick...
Journal Article
Theater (1986) 18 (1): 94–97.
Published: 01 February 1986
... it’s all about - nature of Spain (where the voice of God
the writing partially funded by a them against us.” The two factions are is spoken by a woman with a child in her
Roc ke fe 11 e r Fo u n d a t io n P 1ay w r i gh t s immediately apparent. The protagonists arms) and intimate scenes...
Journal Article
Theater (2022) 52 (2): 83–121.
Published: 01 May 2022
... and impressionable. He has cerebral palsy and uses a wheelchair. mar Marlena in full. 30s, poc. mal s wife and fellow climber; fiery and witty. She was born with one arm. prentis 60s, poc. A retired daredevil, calculated yet poetic. He recently acquired a spinal cord injury. One Act. Breaks are throughout where...
Journal Article
Theater (1987) 18 (3): 35–42.
Published: 01 November 1987
...-’
arms enclosing 21 flat cut-out face:
feet tall, initiated a sequence of prc
sions with a long (10 minute...
Journal Article
Theater (1994) 25 (1): 104–106.
Published: 01 February 1994
...
It is the head and upper torso, more than and Moustique face upstage reaching for home
20 feet high, of a black man. At first, its colossal with outstretched arms and a sense of redemp-
size suggests the image of a god or a king, but tion, Bill T. Jones intervenes one last time...
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