Search Results for animal

...Richard Beacham Copyright © THEATER 1985 1985 Fallow F-: Orwell’s Animal Farm at the National Theater Richard Beacharn Sir Peter Hall’s adaptation of George Orwell’s Animal Farm opened...

... suggests both placidity and resignation; she transfixing vision of a woman no longer in stands motionless, waiting. The first quiet control of her own body. Animations: strains of music fill the space and her dance Bruce Schwartz...

...Alexandra Ripp © 2017 by Alexandra Ripp 2017 Teatro de Chile’s Cristo, Sala Patricio Bunster, Santiago, 2008. Photo: Álvaro Benitez Alexandra Ripp Don’t Feed the Animals Manuela Infante and Teatro de Chile’s Zoo Before they had even graduated from university, Manuela...

... One simple exarnple of this comedy can still be seen at Durov's Theater of Animals in Moscow, currently directed by hen the Moscow Circus arrived in the Vladimir Durov's granddaughter, Natalia. Onstage...

..., and a mix of (other) exotic animals. At the Paula Cooper Gallery in New York, his featured portrait was of actress Winona Ryder as Winnie in Samuel Beckett’s Happy Days. After passing through an installation of snow owl portraits, we come into a huge room, darkened. A mood is set by synthesized...

..., and a mix of (other) exotic animals. At the Paula Cooper Gallery in New York, his featured portrait was of actress Winona Ryder as Winnie in Samuel Beckett’s Happy Days. After passing through an installation of snow owl portraits, we come into a huge room, darkened. A mood is set by synthesized...

..., and a mix of (other) exotic animals. At the Paula Cooper Gallery in New York, his featured portrait was of actress Winona Ryder as Winnie in Samuel Beckett’s Happy Days. After passing through an installation of snow owl portraits, we come into a huge room, darkened. A mood is set by synthesized...

... oscillate between the actual animal and the allegorical. I would argue that as witnesses to the production of empire, racial capitalism, and environmental catastrophe, cats from multiple and disparate geographies teach us queer methods for thinking about history and catastrophic conditions of living...

... in the future, there’ll just be . . . a leader — not exactly a king but more like a I don’t know . . . some animals probably, or kind of “chief” or “wise man” or “wise person” insects . . . with a group of advisers who would be nobles or merchants . . . r: Or maybe there won’t...

.... This route propels the visitor from the core space of the black male prison at Number Four, a dark interior animated, like the Robben Island Museum near Cape Town, by voices and other ambient sound from former prisoners, to the Memory Room where docents hover as visitors write comments...

... chosen for Story Theatre treatment because it deals quite a bit with animals, affording actors the oppor- tunity, through mime and gesture, to transform themselves into "animalness"; and also because it discovers the underside of human nature revealed through forms of violence, a subject...

... that looks for the animal, its original “being out- 38 the carnal power of theater Giulio Cesare...

...; someone learns about hands and feet. And parents or no parents. And earth and sky. one Or earth and no sky. two And trees and animals and insects. And saying no and saying yes. And wanting love. And seeing the sun and the moon. one And wanting love. 65 svich two And walking with their feet on the grass...

... to litera- interest lay in animal behavior and he trained ture as “ex-men.” As Durov described them, his beasts over long periods of time to per- “in aggregate, they gave the impression of form...

... tough pills to swallow for more than undergraduates. Their overwhelmingly positive critical reception is littered with trigger warnings. All of their three works are short bursts of cultural malaise synthesized by the memes that title their shows. [50/50] old school animation (2018) is a pair of twenty...

... by Ginsberg on a recent visit proved invaluable to her design formulation, which presented a dilapidated room pasted with torn, stained wallpapers. Midway through the performance, a visual tapestry of tattered stuffed animals was pinned to the upstage wall...

... of modern animals. Where Walcott was unable to ubiquitous, all-knowing appendage of retribution. reasonably “shoehorn“ the more exotic specimens into Kling split his childhood between Brookfield, Missouri, existing phyla, he resolved away any incongruities by where he was born, and Maple...

... to war - what again misery! Sometimes you can’t help envying the animals. ANFISA: As I was saying, Dunka makes it up to God himself. PAVLA: Just keep sowing sowing. He’s overjoyed: the first living person in heaven - he doesn’t MARFA: We can sow but what’s gonna grow...

... for the exhibition Indisposable: Structures of Support after the ada,1 curated by Ann Fox and Jessica Cooley. Combining animated diagrams, video and audio feedback processes, live performance, and expanded cinema techniques, it asks viewers to consider feedback systems as conceptual frameworks. It also reveals...

.... It does not become that speaking animal, the human. With a simple removal from the spectatorial position that props them up, the rabbits would pass over from living puppets to dead puppets. Indeed, the stage explicitly says as much. For not only do we clearly see the unresponsive chorus...