...Walter Bilderback Copyright © THEATER 1985 1985 Beyond Teacups and Wallpaper: The American Ibsen Theater Walter Bilderback an increasingly rich theater environment here...

... Theater did when he started a second Goodman group called, appropriately enough, “The New Theater of Argument: Company.” Still, many small new ensembles undoubtedly hope to become as well-endowed, capacious and old as the Goodman’s first A New American theater...

... American Style: play. This emphasis is probably less a com• promise than it is a basic performance value; Mark Lamas' for Akalaitis' primary concern, I believe, is asserting the "now" of the theater event, the fact that the spectacle happens with some...

...Jonathan Kalb Copyright © THEATER 1986 1986 An American Quartet Jonathan Kalb ceaseless hovering of haunting ghosts ly silly (to us) details from a bourgeois of all the authors...

...Mark Bly Copyright © THEATER 1986 1986 American Production Dramaturgs: An Introduction But here was Alan Schneider...

...W.D. King Copyright © THEATER 1986 1986 “NAILED TO A CIRCUS OF BLOOD”: AJAX AT THE AMERICAN NATIONAL THEATER...

...Louis Lappin Copyright © THEATER 1986 1986 production). Even if our government was no longer CHEKHOV AND THE involved in covert and overt military ac- tivities in Latin America, Spaid36 AMERICAN IMAGINATION would serve...

...Gitta Honegger Copyright © THEATER 1988 1988 HOW AMERICAN IT IS: LESSONS FROM THE MELON PATCH GITTA HONEGGER...

...Susan Yankowitz Copyright 1968 by yale/theatre 1969 Lowell's BENITO CERENO: An Investigation of American Innocence by Susan Yankowitz Time present and time past Are both perhaps present in time future, And time future contained in time past. -T.S. Eliot The complex...

...William Kleb Founded by William Ball in 1965, the American Conservatory Theatre settled permanently in San Francisco in 1967; it is now one of the largest and most successful regional repertory companies in the nation, presenting a season of nine classical and modern plays in nightly rotation over...

...Alan Ackerman © 2010 Yale School of Drama/Yale Repertory Theatre 2010 The American Play: 1787–2000 by Marc Robinson 2009: Yale University Press Books Alan Ackerman The American Play and Its Discontents The American Play: 1787 – 2000 by Marc Robinson 2009...

...Sarah Benson; Simon Dove; Meiyin Wang; Tom Sellar © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 City Farm: Where Are You Growing?, Eagle Street Rooftop Farm, Brooklyn, 2010. Photo: Kate Glicksberg Can We Talk? Toward A Critical Discourse for American Theater...

...John Houchin In this article, John Houchin, author of Censorship of the American Theater in the Twentieth Century, continues his exploration of censorship and its social ramifications. In censorship battles throughout history, debates may have been addressed in two or three newspaper articles, only...

...David Adjmi; Christine Evans; Charlotte Meehan; Lisa Schlesinger; Christopher Shinn; Naomi Wallace Caridad Svich moderates a virtual panel of American playwrights—David Adjmi, Christine Evans, Charlotte Meehan, Lisa Schlesinger, Christopher Shinn, and Naomi Wallace—in a discussion about the abuses...

...Thomas F. DeFrantz © 2010 by Yale School of Drama/Yale Repertory Theatre 2010 Thomas F. DeFrantz Performing the Breaks Notes on African American Aesthetic Structures Many forms of African American expressive culture derive their aesthetic capaci- ties from the manipulation...

...David Copelin, translated by Copyright 1968 by yale/theatre 1968 The Theatre on American lPo~itnca~ life A Symposium On March 15, 1968, a midnight teach-in and screamed "Yes, strike!" and then and discussion on the place and relevance they all went out...

...Susan Yankowitz Copyright 1968 by yale/theatre 1968 Lowell's BENITO CERENO: An Investigation of American Innocence by Susan Yankowitz Time present and time past Are both perhaps present in time future, And time future contained in time past. - T.S. Eliot The complex...

...Afanasy Salinsky; Timothy D. Sergay, translated by Copyright © THEATER 1989 1989 To THE AMERICAN READERS OF THEATER AFANASY SALINSKY...

...Roman de la Campa Copyright © THEATER 1980 1980 Though Latin Americans know Enrique Buenaventura well, it is only The New Latin recently that this Colombian has become...

...Judith Weiss Copyright © THEATER 1980 1980 Mutunaim, directed by Mario de Andrade for Grupo de Arte Pau- Brazil, 1979 Latin American Theater Today: An Introduction Judith Webs If any one factor has affected the development of Latin Because directors Boal, Buenaventura...