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Journal Article
Theater (2000) 30 (3): 76–81.
Published: 01 November 2000
...Kim H. Kowalke © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 08-The30.3-Kowalke.ak 76-81 10/18/00 11:30 AM Page 76 Kim H. Kowalke Kurt Weill’s American Dreams When Life Magazine ran a feature...
Journal Article
Theater (2000) 30 (3): 83–95.
Published: 01 November 2000
... of The Eternal Road at the Manhattan Opera House. Photo: Edward Steichen. Courtesy of Michael Wager. 09-The30.3-Kowalke al.ak 82-95 10/18/00 11:30 AM Page 83 The Eternal Road and Kurt Weill’s German, Jewish, and American...
Journal Article
Theater (2002) 32 (1): 1–21.
Published: 01 February 2002
... © 2002 by Yale School of Drama/Yale Repertory Theatre 2002 Up Front American Theaters Reflect on the Events of September 1 1 We are five first-year students in Yale s Dramaturgy and Dramatic Criticism program. At noon every Tuesday, we have a two-hour Theater magazine workshop. No one...
Journal Article
Theater (2003) 33 (1): 44–57.
Published: 01 February 2003
...Jonathan Kalb © 2003 by Yale School of Drama/Yale Repertory Theatre 2003 Jonathan Kalb The Death (and Life) of American Theater Criticism Advice to the Young Critic A Lecture to Students at Barnard College and New York University, Fall 2002 Theater criticism is an art (some...
Journal Article
Theater (1976) 8 (1): 25–34.
Published: 01 February 1976
...James Hatch Copyright © by yale/theatre 1976 1976 Speak to Me in Those Old Words, You Know, Those La=LaWords, Those Tung-Tung Sounds (Some African Influences on the Afro American Theatre) James Hatch BZk Love Song #I by Kalmu Ya Salaam begins with a Black woman intoning...
Journal Article
Theater (1990) 21 (1_and_2): 68–73.
Published: 01 February 1990
...Eric Bentley THE AMERICAN OTHELLO ERIC BENTLEY Paul Robeson by Martin Bauml Duber- if in conflict with him, automatically admissions of ignorance or so often ad...
Journal Article
Theater (1977) 8 (2_and_3): 104–111.
Published: 01 May 1977
...Sandy Boynton The History of American Acting: A Detour By Sandy Boynton Why should our thoughts to distant countries roam, When each refinement may be found at home? -Royall Tyler, in The Contrast, 1787, the first American comedy With no intended irony...
Journal Article
Theater (2003) 33 (2): 100–101.
Published: 01 May 2003
... punishment for a se- has a troubling consequence when applied to an rial rapist and a low-level drug dealer? issue as deŽned by racism as the American We can make the innocence argument, death penalty. While lesser-known actor Charles but we need to make all ofthese argu- Brown, as the eloquent...
Journal Article
Theater (2008) 38 (3): 5–21.
Published: 01 November 2008
...John Houchin In this article, John Houchin, author of Censorship of the American Theater in the Twentieth Century, continues his exploration of censorship and its social ramifications. In censorship battles throughout history, debates may have been addressed in two or three newspaper articles, only...
Journal Article
Theater (2009) 39 (3): 91–105.
Published: 01 November 2009
...David Adjmi; Christine Evans; Charlotte Meehan; Lisa Schlesinger; Christopher Shinn; Naomi Wallace Caridad Svich moderates a virtual panel of American playwrights—David Adjmi, Christine Evans, Charlotte Meehan, Lisa Schlesinger, Christopher Shinn, and Naomi Wallace—in a discussion about the abuses...
Journal Article
Theater (2010) 40 (1): 31–37.
Published: 01 February 2010
...Thomas F. DeFrantz Thomas F. DeFrantz Performing the Breaks Notes on African American Aesthetic Structures Many forms of African American expressive culture derive their aesthetic capaci- ties from the manipulation of rhythm. In these modes, subjectivity emerges in high contrast...
Journal Article
Theater (2010) 40 (2): 114–120.
Published: 01 May 2010
...Alan Ackerman © 2010 Yale School of Drama/Yale Repertory Theatre 2010 The American Play: 1787–2000 by Marc Robinson 2009: Yale University Press Books Alan Ackerman The American Play and Its Discontents The American Play: 1787 – 2000 by Marc Robinson 2009...
Journal Article
Theater (1968) 1 (2): 12–16.
Published: 01 May 1968
...David Copelin, translated by The Theatre on American lPo~itnca~ life A Symposium On March 15, 1968, a midnight teach-in and screamed "Yes, strike!" and then and discussion on the place and relevance they all went out and worried about taxi...
Journal Article
Theater (1968) 1 (2): 81–90.
Published: 01 May 1968
...Susan Yankowitz Lowell's BENITO CERENO: An Investigation of American Innocence by Susan Yankowitz Time present and time past Are both perhaps present in time future, And time future contained in time past. - T.S. Eliot The complex of family, friends, schooling...
Journal Article
Theater (1989) 20 (3): 5–6.
Published: 01 November 1989
...Afanasy Salinsky; Timothy D. Sergay, translated by Copyright © THEATER 1989 1989 To THE AMERICAN READERS OF THEATER AFANASY SALINSKY...
Journal Article
Theater (1969) 2 (2): 81–90.
Published: 01 May 1969
...Susan Yankowitz Lowell's BENITO CERENO: An Investigation of American Innocence by Susan Yankowitz Time present and time past Are both perhaps present in time future, And time future contained in time past. -T.S. Eliot The complex of family, friends, schooling...
Journal Article
Theater (1984) 15 (2): 4–5.
Published: 01 May 1984
...Jonathan Kalb; Kim Powers; Joel Schechter AMERICAN DIRECTORS...
Journal Article
Theater (2015) 45 (3): 77–87.
Published: 01 November 2015
...Sarah Benson; Simon Dove; Meiyin Wang; Tom Sellar © 2015 by Yale School of Drama/Yale Repertory Theatre 2015 City Farm: Where Are You Growing?, Eagle Street Rooftop Farm, Brooklyn, 2010. Photo: Kate Glicksberg Can We Talk? Toward A Critical Discourse for American Theater...
Journal Article
Theater (1985) 16 (3): 22–28.
Published: 01 November 1985
...Walter Bilderback Copyright © THEATER 1985 1985 Beyond Teacups and Wallpaper: The American Ibsen Theater Walter Bilderback an increasingly rich theater environment here...
Journal Article
Theater (1985) 16 (3): 7–11.
Published: 01 November 1985
... Theater did when he started a second Goodman group called, appropriately enough, “The New Theater of Argument: Company.” Still, many small new ensembles undoubtedly hope to become as well-endowed, capacious and old as the Goodman’s first A New American theater...