Search Results for afghanistan

...Ariane Mnouchkine; Robert Kluyver; Anthony Richter Yale School of Drama/Yale Repertory Theatre 2006 Théâtre du Soleil in Afghanistan A discussion with Ariane Mnouchkine, Robert Kluyver, and Anthony Richter The following remarks are edited and condensed robert kluyver  One day...

...Duccio Bellugi-Vannuccini Yale School of Drama/Yale Repertory Theatre 2006 Duccio Bellugi-Vannuccini A Sun Rises in Afghanistan: An Actor’s View When Théâtre du Soleil went to Australia with Tambours sur la digue, Ariane was very touched and very moved...

... with an Afghani storekeeper), the other violent, sociopolitical, public (a short history of Afghanistan). Both shift from the linear to the tangential to the barely comprehensible and back again as if to anatomize the exhausted overflowing of a contemporary mind tangled, for want of a better diagnosis...

... Kafka Prize. She lives in Vienna and Munich. Les Choéphores, directed by Ariane Mnouchkine, Cartoucherie, 1991. Photo: Martine Franck Contents 1 Up Front 78 A Sun Rises in Afghanistan:   Tom Sellar An Actor’s View...

... chairman Robert S. Martin, who usually accepts such recommendations. But at the end of the month word of the grant leaked out and the New York Times reported that Martin was delaying his decision on the matter. It seemed likely that the play s politically sensitive subject Afghanistan was the source...

... clearly do. “To us,” the report says, for example, “Afghanistan seemed very far away. To members of al-Qaeda, America seemed very close. In a sense, they were more globalized than we were.” As I sit sipping my coff ee and staring at the paper, I can’t prevent my mind from associating the day’s...

... the persecution in his play Mountain Language). He has denounced oppressive regimes throughout Latin America and the U.S. government’s support for them (especially in El Salvador and Chile). For incurring civilian casualties in aerial bombing campaigns since the 1990s  — especially in Afghanistan...

... only put the nation at a greater distance from promises of truth and personal accountability. Denial mounts as the wearying campaigns in Iraq and Afghanistan continue under new leadership with little political redress or investigation of high-ranking officials. Perhaps b a m b i...

... American forces Žghting in Afghanistan by the or a ride to heaven; in this case, all Lysistrata time the show had opened, it was difŽcult to and her compatriot wives must do to get the view the play as anything other...

... American forces Žghting in Afghanistan by the or a ride to heaven; in this case, all Lysistrata time the show had opened, it was difŽcult to and her compatriot wives must do to get the view the play as anything other...

... American forces Žghting in Afghanistan by the or a ride to heaven; in this case, all Lysistrata time the show had opened, it was difŽcult to and her compatriot wives must do to get the view the play as anything other...

... on Afghanistan. Thus public speech itself becomes the subject, not as a documentary medium but as a reflection of what Norman Mailer once called “instant history”: the historical moment of the present, which is veiled but not yet completely revealed. It scarcely shows itself except in such speeches...

... or privilege we may find, are compassion — which until this time in history predicated on the subordination and repres- may not have been necessary. Now it is. sion of others. The distance between ourselves and those in Iraq, Afghanistan, occupied...

.... Or aspect of the project. As in the Athenian theater there is a wall, a the Ekkyklema could be the Television which nightly serves Cam• door and an Ekkyklema. They are unadorned and rest on the bodia or Afghanistan to the isolated individual in her/his living stage. Agamemnon's...

... of Afghanistan and the declaration of a nebulous global war on terror, this state of sensory deprivation was more than just an opportunity for Gutierrez to call attention to those shrouded operations. The unremitting physical stamina and its threat of failure also made the performance situation an intense...

... in foreign countries, in the stream of refugees from all over the world. They are from Russia, the Ukraine, Afghanistan, Iran, Iraq, and Sudan—foreigners among foreigners in a foreign world— and are now actors on tour playing to foreign audiences. We hear them on tape, telling their stories in letters...

... in foreign countries, in the stream of refugees from all over the world. They are from Russia, the Ukraine, Afghanistan, Iran, Iraq, and Sudan—foreigners among foreigners in a foreign world— and are now actors on tour playing to foreign audiences. We hear them on tape, telling their stories in letters...

... in foreign countries, in the stream of refugees from all over the world. They are from Russia, the Ukraine, Afghanistan, Iran, Iraq, and Sudan—foreigners among foreigners in a foreign world— and are now actors on tour playing to foreign audiences. We hear them on tape, telling their stories in letters...

... in foreign countries, in the stream of refugees from all over the world. They are from Russia, the Ukraine, Afghanistan, Iran, Iraq, and Sudan—foreigners among foreigners in a foreign world— and are now actors on tour playing to foreign audiences. We hear them on tape, telling their stories in letters...

... is within touching distance. The lives we live now, what joy or privilege we may find, are predicated on the subordination and repression of others. The distance between ourselves and those in Iraq, Afghanistan, occupied Palestine, Colombia, is not as far as those in power wish us to believe. Occupations...