Search Results for afghan

... in French American Cultural Exchange, without Afghanistan. I thought, why and how did she whom none of this would have been possible, find all these Afghan actors? They were even Elizabeth and I thought it might be interest- speaking with Afghan accents, not even Ira- ing to introduce the Théâtre du...

...Jessica Rizzo Afghan Hound by Lilibeth Cuenca Rasmussen 2011: Venice Biennale © 2013 by Jessica Rizzo 2013 Productions and Events Kee-Yoon­ Nahm Selfless Acts Hot Pepper, Air Conditioner, and the Farewell Speech written and directed by Toshiki Okada chelfitsch...

... Can the Subaltern Perform? Afghan Hound by Lilibeth Cuenca Rasmussen 2011: Venice Biennale That most seemingly indestructible of talking points for Middle East hawks across the political spectrum — women’s rights — takes a critical hit in the Filipina-­Danish artist Lilibeth Cuenca...

... by the middleman to the merchant by filch or swindle or gunpoint or even murder; whether, for that matter, even Afghan in origin; and not Pakistani; or Peruvian; if not in point of fact made in London by children, aunts and elderly uncles in the third floor flat above the shop . . . : the hats...

... of’ considering the differences that existed bet- appropriate weapon to deal with the Soviet the blocking reminded me uncannily of ween the two men concerning the efficacy Union: the Afghan “rebels” and the “revolutionary” plays that I have seen in of satyugraha and the assumptions underly- members...

... of the Afghan wars, the Chechen revolt, and the American invasion of Iraq. Consisting of two parts, Le fl euve cruel (The Cruel Stream/River) and Origines et destines (Origins and Destinations/Destinies) by Mnouchkine’s longtime col- laborator Hélène Cixous, the epic performance was developed over several...

... of the Afghan wars, the Chechen revolt, and the American invasion of Iraq. Consisting of two parts, Le fl euve cruel (The Cruel Stream/River) and Origines et destines (Origins and Destinations/Destinies) by Mnouchkine’s longtime col- laborator Hélène Cixous, the epic performance was developed over several...

... of the Afghan wars, the Chechen revolt, and the American invasion of Iraq. Consisting of two parts, Le fl euve cruel (The Cruel Stream/River) and Origines et destines (Origins and Destinations/Destinies) by Mnouchkine’s longtime col- laborator Hélène Cixous, the epic performance was developed over several...

... of the Afghan wars, the Chechen revolt, and the American invasion of Iraq. Consisting of two parts, Le fl euve cruel (The Cruel Stream/River) and Origines et destines (Origins and Destinations/Destinies) by Mnouchkine’s longtime col- laborator Hélène Cixous, the epic performance was developed over several...

... boundaries (Afghan, Chinese, Mi kmaq, French, Togolese, Norwegian, Mapuche, Faroese, Khmer, 34 radical hope Uruguayan, Ethiopian, and so on), they have moved on, flowing throughout other countries and continents. . . . They are actors.9 Cixous argues that actors are beyond human in that they have...

... look: well dressed, smart looking, with stylish beards, and gel in their hair. It was as if it was her fault that they d I was almost embarrassed by my everyday had to flee. Someone made a phone call and, clothes. Maybe all Syrians and Afghans look half an hour later, the next air-­conditioned like...

... Afghan peasant, Sayid. Com- ing from the desert, Sayid dreams of proving himself to his bossy sister Shazzia and to the world, by making it as a flower farmer. Enchanted by a mysterious veiled woman, he leaps at her offer to work for a company that ‘exports poppies’ to the West. Unfortu- nately...