...Art Borreca Copyright © THEATER 1985 1985 “Idi Amin Was the Supereme Actor An Interview with Wole Soyinka Art Borreca Wok Soyinku’s patron Yoruba god, Ogun, is approprdely the god...

...Linda Walsh Jenkins; Susan Ogden-Malouf Copyright © THEATER 1985 1985 The (Female) Actor Prepares ~- Linda Walsh Jenkins and Susan Ogden-Malouf Actors are rnore powerfully affected by a play than...

...Joel Schechter Copyright © THEATER 1987 1987 TURNING GREEN: CONFESSIONS OF AN ACTOR POLITICIAN JOEL...

...Roger Copeland Copyright © by yale/theatre 1973 1973 Notes on Joe Chaikin's The Presence of the Actor Atheneum $6.95 161 pages ...

.... Vospominaniia o Mikhaife Bulgakove . Moscow, 1988 . Eikhenbaum , B. O literature: paboty raznyx let . Moscow, 1987 . Bulgakov , Mikhail : P'esy 20-x godov , ed. A. Ninov. Leningrad, 1989 . Stanislavsky , K. S. Sobranie sochinenii . Moscow, 1961 . "I'M AN ACTOR...

...Jean-Pierre Ryngaert; Sandra Boynton Copyright © THEATER 1977 1977 Festival du Nancy '77; The Actor in Search of Doubles Jean-Pierre Ryngaert I have no idea whether it was a coinci- like the name 'Uber-marionette' until it doubles. These refer to the actual...

...Steve Ben Israel Copyright 1969 by yale/theatre 1969 An actor prepares by Steve Ben Israel This workshop was held early Saturday morning, 28 Sept., 1968, in response to stu- dent interest in the rehearsal methods of the Living Theatre. Steve Ben Israel filled...

...Nancy Kauffman Copyright © Yale/Theatre 1977 1977 Merce Cunningham, Actor By Nancy Kauffman “An is intelligence functioning at intuitional velocity.” -c. e. cummings “Dance is a spiritual exercise in physical form.” -Merce Cunningham Composer John Cage tells...

...Colette Brooks Copyright © Yale/Theatre 1977 1977 And Society -Plat0 -Jean-Jacques Rousseau -Jean - Pa u 1 Sart re In Pursuit of the Self: the Actor and Society By Colette Brooks...

...Duccio Bellugi-Vannuccini Yale School of Drama/Yale Repertory Theatre 2006 Duccio Bellugi-Vannuccini A Sun Rises in Afghanistan: An Actor’s View When Théâtre du Soleil went to Australia with Tambours sur la digue, Ariane was very touched and very moved...

...Theodore Shank Political Theater, Actors and Audiences: Some Principles and Techniques Theodore Shank The traditional purpose of Western theater in the twentieth cen• Western Europe and the Americas. Often...

... Copyright © THEATER 1982 1982 Performing Dead End Kids: Statements by Mabou Mines Actors If someone i5 reading this in the distant future of course) some communal sense of continuity ta could really say was: “Let’s...

...Russell Vandenbroucke Copyright © THEATER 1982 1982 Athol Fugard: The Director Collaborates with His Actors Editor’s note: The following essay is exerptedfiom Truths the Hand Can Touch: The Theatrical World of Athol Fugard...

...Sara Harvey; Anna Sollazzo Sara Harvey and Anna Sollazzo A Constellation of Perspectives Molière in the Eighteenth Century, as Told by the Actors of the Comédie-F­ rançaise Molière is the first, but it would be unjust et ridiculous not to consider Le Joueur on a level with the best of his plays...

...Frederick J. Marker; Lise-Lone Marker Copyright © THEATER 1990 1990 BERGMAN AND THE ACTORS: AN INTERVIEW FREDERICK J. MARKER...

...Shonni Enelow Shonni Enelow asks, “What can we learn from looking at actors about the ways that surveillance has shaped contemporary life?” Her article examines performances in Leos Carax’s Holy Motors (2012), as well as works within the performance exhibition We’re Watching at Bard College (2017...

... choose to make statements about themselves and the intent of their work. This piece is not, then, a review of Actors Theatre's “Classics in Context” festival, and will not comment on its quality. It seeks instead to examine the theoretical constitution of such a festival from the standpoint of dramaturgy...

... the theatrical motif to examine three separate issues. The first concerns Stalin's chameleon-like behavior towards all who came into contact with him. He goes on to describe the masterful staging of the Moscow Purge Trials during which virtually all the key actors - the defendants, witnesses, prosecutor, judge...

...Denis Salter Le Théâtre Repère was founded by the director Jacques Lessard in 1980 in Québec City. A theater of research, not a permanent acting troupe, Repère creates a special company of actors for each project it undertakes. Robert Lepage joined Lessard and Repère in 1983 and stayed until...

...Erika Munk The following interview was done backstage at the Sarajevo Youth Theater, August 25, 1993, with actors from its productions of Alkestis and Waiting for Godot. Haris Pasovic—professor at Sarjevo's Performing Arts Academy, Alkestis's director, and head of the Sarajevo Theater Festival...