Search Results for access

... of communication might change not only how we talk to one another but also what long-lost phantoms we might be able to access anew.” 79 Miriam Felton- Dansky From a Weather Report High Winds, Insomnia, and the Theater of Sylvan Oswald 1 . High Winds did not begin as a text for theater. It began, in 2015...

..., they consider what the company—and theater in general—has learned from the COVID-19 pandemic: namely, the challenges and possibilities of producing work online and that addressing accessibility presents rich opportunities for artistic discovery. Sins Invalid s We Love like Barnacles: Crip Lives in Climate Chaos...

... questions: What hap- pens when a festival is organized around access? Or, when messiness is just a part of charne 134 rigor? What happens when disability aesthetics is where the questions start, not where they end? In 2010, Tobin Siebers published Disability Aesthetics, a book that changed the conversation...

... major arts institutions are reexamining their collections through the lens of disability, others have limited the presence of disability in their discussions of diversity, equity, and inclusion to accessible programming for disabled communities and physical affordances such as touch tours. While access...

... to subvert our society s mainstream assumptions of Blindness, staging performances that are accessible for Blind performers and audiences, and asserting herself as an educated and driven Queer Blind woman in the face of narratives of Disability that would cast her as weak. On March 13, 2020, Ontario...

... historical evi- dence, and the very characteristics of the documents themselves. Theater and perfor- mance historians increasingly use digital databases to store, search, and retrieve all kinds of historical data accessible from anywhere in the world (as opposed to a single archive) and to create...

... teenage clerk checks his Twitter feed. More positive reward structures have also come to be linked to surveillance: if you check in religiously on Foursquare, allowing your “friends” (and those with access to the Four- square database) to track your movement through the establishments you frequent...

... Keidan has served as its director ever since. 14. Live Art Development Agency, “What Is Live Art www.thisisliveart.co.uk/about /what-­is-­live-­art/ (accessed September 1, 2013). 15. Leslie Hill, “Mapping the Territory: Introduction,” in Performance and Place, ed. Leslie...

... to contribute meaningfully to the protests. Theater com- panies, whose doors have otherwise been shuttered during the health crisis, joined in, announcing that they would provide water, snacks, and restroom access for Black Lives Matter protestors. There was a flurry of support from New York based cultural...

... would not be surprised if this becomes one of Lacroix’s future ventures. 108 productions Notes 1. See poemhunter.com/quotations (accessed September 29, 2006). All translations of quoted material from French...

... would not be surprised if this becomes one of Lacroix’s future ventures. 108 productions Notes 1. See poemhunter.com/quotations (accessed September 29, 2006). All translations of quoted material from French...

... and their aftermaths, enabling those people who have been denied rights or have experienced limitations in their access to political power to act. The two projects were both conceived as long-­term projects to exceed the duration of the reenactment performances itself. They involved months of collabora- tion...

... is that it can encourage people lacking the access, financial means, or courage needed to pursue avant-­garde playwriting to spend time inventing microdramas featuring fish and anachronistic robots. While these plays at times resemble historical antecedents like newspaper faits-­divers or Futurist synthe...

.... 41 son Notes 1. Dean Moss, “Projects: Nameless forest (2011 Gametophyte, Inc., www.gametophyte .org (accessed October 21, 2011). 2. Nameless forest press kit, “Sungmyung Chun,” mapp International Productions, http mappinternational.org/artists/view/49 (accessed...

... publicity, this insert is archived on the theater s page at issuu.com/ntgent (accessed September 6, 2020). 3. Milo Rau, Wir Sklavenhalter, Theater Heute Yearbook (2020): 40; our translation. 94 milo rau s work as artistic director of ntgent 4. ntgent s dramaturg Lara Staal refers to the speculative...

..., this intense period of protests and surrounding debate has been followed by a slew of racist incidents in South Africa. The combina- tion of a poorly performing government, unchecked racist attitudes, and widespread access to social media has permitted...

.... Moving through these spaces with minimal dances, I hoped to open the site of the United Nations to others who would never have access to it, specifically on the Day of Solidarity with the Palestinian people, and to reject the thought that colonialism is a thing of the past. In memory of the deceased...

... on the conundrum: to increase women’s access to the profession, does one work first to transform society, or the dance world? Engagement Féminin focuses on transforming the dance world by offering regular éditions, or training sessions, exclusively for women. While later editions have involved guest...

..., the lack of quality food access for him and his family and advocates greater variety 2012. Photo: in the proliferating vending machines, such as “fruit that kids will eat; like fruit roll-­ David Commander ups.” Meanwhile the super in the boiler room pleads with residents to bring all avail- able...

... in the Midwest, readings by dissidents in Thailand, and secret readings in China (where organizers feared government repri- sal).16 If the Lysistrata Project shared the ancient Greek popular theater’s emphasis on accessibility and active public engagement in collective creation and democratic poli...