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Thomas Ostermeier

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Journal Article
Theater (1 May 2019) 49 (2): 48–61.
Published: 01 May 2019
...Aaron C. Thomas In his essay, Thomas analyzes and contextualizes Thomas Ostermeier’s adaptation of Édouard Louis’s second novel, Histoire de la violence . The production, Im Herzen der Gewalt , uses theatrical means to explore the questions of truth and untruth, reality and unreality, revision and...
Journal Article
Theater (1 February 2001) 31 (1): 35–39.
Published: 01 February 2001
...Thomas Irmer © 2001 by Yale School of Drama/Yale Repertory Theatre 2001 05-Irmer.final 5/2/01 10:50 AM Page 34 Matthias Matschke, Silvia Rieger, and Sir Henry in Dirty Hands at the Volksbühne, Berlin, 1998. Photo: David Baltzer. 05-Irmer.final...
Journal Article
Theater (1 November 2007) 37 (3): np.
Published: 01 November 2007
... Work of Helene Weigel), for which she received a 2003 Guggenheim Fellowship. Her other books in progress include Elfriede Jelinek: How to Get the Nobel Prize without Really Trying and a translation of Jelinek’s novel The Children of the Dead. Hedda Gabler, directed by Thomas Ostermeier...
Journal Article
Theater (1 February 2017) 47 (1): 171–176.
Published: 01 February 2017
... expressionist-­era Austrian actor Fritz Kortner’s quip “Fidelity to texts is stupidity!” Thomas Ostermeier’s might be a flag for the other pole. The battle is really between warring cultural cari- Richard III, catures: Anglophone...
Journal Article
Theater (1 November 2010) 40 (3): 116–127.
Published: 01 November 2010
... Pollesch (b. 1962), Michael Thalheimer (b. 1965), Stefan Pucher (b. 1965), and Thomas Ostermeier (b. 1968, his meteoric career began in 1996 as artistic director of the Baracke, Berlin’s Deutsches Theater’s experi- mental space; in 1999, at the age of thirty-­one, he became artistic director of the...
Journal Article
Theater (1 November 2007) 37 (3): 87–115.
Published: 01 November 2007
... of Thomas Ostermeier. The recent world we are accustomed to staid psychological worldwide eruption of interest in this prickly productions that uphold his canonical image as playwright cannot be explained away by the siz- a playwright of now-transcended nineteenth- able...
Journal Article
Theater (1 February 2015) 45 (1): 33–41.
Published: 01 February 2015
... The Fever was published in 2012 by Les Editions du Paquebot. Spregelburd is frequently called upon to translate for visiting productions, such as when Thomas Ostermeier’s version of Hamlet premiered at Buenos Aires’s international festival in 2011. 6. Qtd. in Jorge Dubatti, “Estudio crítico...
Journal Article
Theater (1 February 2016) 46 (1): 72–78.
Published: 01 February 2016
... seminal book, first published in German in 1999 and translated into English in 2006. Looking at the most important European performances of the last decade (Inferno by Romeo Castellucci, Hedda Gabler directed by Thomas Ostermeier), analyz- ing trends in contemporary dramaturgy, and recalling his own...
Journal Article
Theater (1 November 2005) 35 (3): 40–51.
Published: 01 November 2005
... wake of 9/11, New York’s entrenched provincialism has been steadily chal- lenged. The 2004–2005 season was especially strong for European auteurs: Ivo van Hove, Thomas Ostermeier, Jan Lauwers, Grzegorz Jarzyna, and Peter Brook all made appearances, and even Ariane...
Journal Article
Theater (1 February 2016) 46 (1): 15–35.
Published: 01 February 2016
... (2014) “must not turn into a year of vandalism, boorishness, and supposedly religious and xenophobic fundamentalism.” This followed an incident at the Maly Drama The- ater in which Cossacks dumped a pig’s head on the theater’s doorstep after it hosted a touring performance of German director Thomas...
Journal Article
Theater (1 February 2006) 36 (1): 131–149.
Published: 01 February 2006
... it’s a little different; it’s important to sion is to minimize the spectacle and make it listen and hear. I watch Thomas Ostermeier’s ascetic and not formally vibrant. productions and find them interesting, but I can illustrate this by telling you about...
Journal Article
Theater (1 November 2012) 42 (3): 11–29.
Published: 01 November 2012
... its largest installment of the Ibsen Stage Festival, featuring thirty productions imported from around the globe. Japan, India, China, Burkina Faso, and Romania were represented, as were some of the biggest names in European theater, including Thomas Ostermeier, Robert Wilson, Eirik Stubø, and...
Journal Article
Theater (1 February 2006) 36 (1): 27–43.
Published: 01 February 2006
... experimentation and director-auteurs found a warm reception in Russia’s historically strong director’s theater. Thomas Ostermeier and Christoph Marthaler are annually hailed for their touring productions, and the controversial playwright Marius von Mayenburg has been translated and...
Journal Article
Theater (1 February 1999) 29 (1): 4–25.
Published: 01 February 1999
...,2SportsturR at the bashing. The bourgeoisie is no longer their concern. They are interested in today’s Burgtheater, photo: movie audiences- the young crowd, says Jens Hillje, thirty-one, the dramaturg to fast- Andreas I’ohlrnann. HONEGGER rising star director Peter Ostermeier, who just...