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Show Me the World
Theater (2017) 47 (1): 95–99.
Published: 01 February 2017
...Sigrid Gareis; Tilmann Broszat In this piece, Gareis and Broszat discuss the need for a cross-cultural exchange regarding the practice of live art curation, a conversation that culminated in the 2015 project Show Me the World and the spielart Festival in Munich. At spielart , six invited curators...
Theater (2014) 44 (3): 31–65.
Published: 01 November 2014
... practice word — try to Obviously, some of that decision is cast our audience within the world of the about totally understandable logistics, but you show, so that their presence is accounted for...
Theater (1978) 9 (3): 91–94.
Published: 01 November 1978
... be Antonin Artaud, not drive them to do things like that. Parts of in this world - or any other. He’s dead. those are in me. I’ve found a way to work He’s gone. All I’m going to be is a clever or on that: It’s called making plays. less clever copy, double, or whatever. Yet it feels...
Theater (1968) 1 (3): 76–86.
Published: 01 November 1968
...Robert S. Mandel Copyright 1968 by yale/theatre 1968 The 70 Shows: A Cradle Endlessly Rocking by Robert S. Mandel I. Untapped Resources 2) The acting was uneven at best and in• adequate at worst...
Theater (2010) 40 (1): 47–55.
Published: 01 February 2010
... Where’s the Passion? 7 8 Where’s the Politics? 9 10 Or, How I Became Interested in Impersonating, 11 12 Approximating, and End Running around My Selves and Others’, 13 14 and Where Do I Look When You’re Looking at Me? 15 16 17 Physiologists agree that...
Theater (2012) 42 (1): 21–31.
Published: 01 February 2012
... The Case of the Spectator, created and performed by Maria Jerez, Teatro outoff, Milan, 2009. Photo: Amedeo Novelli/ FotoUp Agency Sue-Ellen Case My Screens Are Killing Me, or Watching Hurts Maria Jerez and The Case of the Spectator Spectators...
Theater (2014) 44 (1): 5–23.
Published: 01 February 2014
... delivered in a harsh yet monotone speaking voice that narrate what is happening on the runway. The audio signature to Harrell’s performances can be mesmerizing. “People always ask me for the soundtrack to my shows,” Harrell told me. No need to...
Theater (2010) 40 (2): 147–155.
Published: 01 May 2010
... September 2009 Productions and Events Kathleen Cioffi Grotowski’s Anniversary, Grotowski’s Legacy Year of Grotowski Grotowski Institute, Wrocław, Poland January 2009 – January 2010 The United Nations Educational, Scientific and Cultural Organization unesco( ) gave the world a gift...
Theater (1992) 23 (1): 54–57.
Published: 01 February 1992
... the possibility of a theater of the future. theater” affirms and celebrates life while awakening in us History shows that the great theater of the world, the vital, natural forces. In his view, Graham’s style, whether in Greece or the Orient, had its roots in moving in the direction...
Theater (1976) 8 (1): 25–34.
Published: 01 February 1976
...James Hatch Copyright © by yale/theatre 1976 1976 Speak to Me in Those Old Words, You Know, Those La=LaWords, Those Tung-Tung Sounds (Some African Influences on the Afro American Theatre) James Hatch BZk Love Song #I by Kalmu Ya Salaam begins with a Black woman intoning...
Theater (1978) 9 (2): 149–151.
Published: 01 May 1978
...Oscar Giner Copyright © THEATER 1978 1978 Theater in New York Mark Me: The Dybbuk Directed by Joseph Chaikin Public Theater Oscar Giner There is a tradition in the modern theater spirit, which returns during the bridal currence which generates the dramatic...
Theater (1992) 23 (1): 71–82.
Published: 01 February 1992
...John O'Neal; Ron Castine; Glenda Lindsay Copyright © THEATER 1992 1992 DON’T START ME TO TALKING OR I’LL TELL EVERYTHING I KNOW SAYINGS FROM THE LIFE AND WRITINGS OF JUNEBUG JABBO JONES by John O’Neal...
Theater (2008) 38 (2): 5–7.
Published: 01 May 2008
... — designing and selling virtual property, houses, cars, clothes, and many of the other comforts from our “first” life. Visual artists have long been involved in Second Life, creating galleries to show art they made in the real world, as well as new virtual art. Recently, large museums have also gotten...
Theater (2003) 33 (1): 79–83.
Published: 01 February 2003
... production of “a near masterpiece,” and the Times dubbing it Jewish and who becomes the central target of Andorra, 2002. Photo: “one of the great plays of post-war theatre.” their subtle and not-so-subtle anti-Semitism. Gerry Goodstein After initial storms of controversy in the Ger- man-speaking world...
Theater (1990) 21 (1_and_2): 102–106.
Published: 01 February 1990
..., such out power, in and out of Eastern Europe. showed a character attempting to have talk sounds like cant. Havel establishes narrow definitions, the best of both worlds, official and op- Havel depicts a language besieged to then tests and qualifies all assertions. position, and his...
Theater (1991) 22 (3): 86–90.
Published: 01 November 1991
... of a is what propels Leopold into sense of familiarity struck me as I myriad of circumstances that absurdity, a step further along the listened to the protagonist, Leopold, defy rational factors.. .plot is journey Ivanov takes. As the titles repeat his piteous lamentations. The...
Theater (1969) 2 (2): 31–39.
Published: 01 May 1969
....) find me crackin'. Wait? I'll wait. Whatever they want, I'll Not another word. wait. World's full of tongues, six-pounders ain't Jamie? I'd scratch all those victories, all cheap, all makin' music but one more'll but the one last Fourth. Never was a bet...
Theater (2017) 47 (1): 101–115.
Published: 01 February 2017
...André Lepecki In a talk originally presented at the 2015 Munich conference for the “Show Me a World” project, scholar André Lepecki, drawing from postcolonial theory and critical black studies, puts forth a critique of the colonial tendencies within curatorial practice and the art system. Lepecki...
Theater (1988) 19 (2): 5–20.
Published: 01 May 1988
... villagers. ‘Not enough flair,’ he comments. Then he buys a mask after checking the price with his guide: ‘Is that what you would pay for it?’ Reassured, he asks his favourite question: ‘What else are you going to show me?’ It is getting dark and everyone is tired — the maestro, his Indian hosts, and the...
Theater (1990) 21 (3): 81–94.
Published: 01 November 1990
.... BLACK MAN WITH WATERMELON: in the whole entire known world - is BLACK WOMAN: 23 floors from uh Dont leave me hear. Dont leave me. dead. Major Gamble, born a slave, passin ship from space tuh splat on Hear? taught himself the rudiments of thuh pavement...