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Journal Article
Theater (1984) 15 (3): 69–73.
Published: 01 November 1984
...Sue-Ellen Case Copyright © THEATER 1984 1984 THEATER IN SEATTLE The German Festival Sue-Ellen Case In the Fall of 1983, The Intiman Theater blishment...
Journal Article
Theater (1992) 23 (2): 25–29.
Published: 01 May 1992
...Charlotte Canning Copyright © THEATER 1992 1992 EDUCATION AND POLITICS AT SEATTLE ICHILDREN’S THEATER CHARLOTTE CANNING f a theater...
Journal Article
Theater (1979) 10 (3): 64–74.
Published: 01 November 1979
...John Glore The Empty Space and the Seattle Rep; or, Dionysus Meets the Bourgeois Gentleman John .Glore Though some people may think of it as a lumberjack town, Seattle, A theater created to fill a space, and a space made from nothing Washington has, in the last...
Journal Article
Theater (2024) 54 (2): 71–87.
Published: 01 May 2024
...Jasmine Mahmoud Two early twenty-first century ensembles of color in Seattle—and their methods—anchor this article. The first: sis Productions, which started in 2000 as “Sex in Seattle,” an episodic and humorous theatrical series about the romantic relationships of Asian American women. Conceived...
Journal Article
Theater (1992) 23 (3): 94.
Published: 01 November 1992
...Joel Schechter The Age and Stage of George L. Fox by Laurence Senelick (University of New England Press, 1988). Mr. Fox: A Rumination on the Life of a Clown by Bill Irwin, with Geoff Hoyle and Friends (Seattle Rep, April, 1992). Copyright © THEATER 1992 1992 BOOK REVIEWS...
Journal Article
Theater (1992) 23 (3): 94.
Published: 01 November 1992
... according to Kelly, extended to the by Bill Irwin, with Geoff Hoyle and Friends ago: since then his name was virtually Russian Symbolists who, despite their (Seattle Rep, April, 1992). forgotten, until Senelick's commanding enthusiasm for "low" culture, tended...
Journal Article
Theater (1992) 23 (3): 94–95.
Published: 01 November 1992
... according to Kelly, extended to the by Bill Irwin, with Geoff Hoyle and Friends ago: since then his name was virtually Russian Symbolists who, despite their (Seattle Rep, April, 1992). forgotten, until Senelick's commanding enthusiasm for "low" culture, tended...
Journal Article
Theater (1989) 20 (2): 85–90.
Published: 01 May 1989
...- the huge multiplication of discourse human sciences and an unprecedented fected the course of the creation of the under supposed repression, woven in- intensification of interest in the human project. New City Theater in Seattle in- to every slip of our culture. They stag...
Journal Article
Theater (1986) 17 (3): 108.
Published: 01 November 1986
... major productions at Chicago's Goodman Theater and the Seattle Reper• Criticism Program at the Yale School of Drama. tory Theater. Both these plays, likeJoe 'Iianer, had been included in the Na• Mead Hunter has been a playwright...
Journal Article
Theater (1986) 17 (3): 108.
Published: 01 November 1986
... major productions at Chicago's Goodman Theater and the Seattle Reper• Criticism Program at the Yale School of Drama. tory Theater. Both these plays, likeJoe 'Iianer, had been included in the Na• Mead Hunter has been a playwright...
Journal Article
Theater (2009) 39 (1): 1–5.
Published: 01 February 2009
... with the Pomegranate, Ilkhom mixing clown sketches and commedia dell’arte with highly dramatic and provocative Theatre at ACT, scenes. His style was never “pure,” always a daring balance of the greatest possible Seattle...
Journal Article
Theater (2017) 47 (3): 1–2.
Published: 01 November 2017
... for the Humanities. Both agencies operate with miniscule bud- Project at Seattle Repertory Theatre. gets (in comparison to other democracies, or to other agencies in the United States) but Photo: Logan Riely they nonetheless sustain...
Journal Article
Theater (1984) 15 (3): 82.
Published: 01 November 1984
... and Bertolt Brecht respectively. Sue-Ellen Case, a frequent contributor to Theuter, teaches in the Theater Theatre Today! Arts program at the University of Washington in Seattle. She has also written for Theater hteand Pdoming Arts Jouml. Royston Coppenger recently received his MFA...
Journal Article
Theater (1995) 25 (3): 96–98.
Published: 01 November 1995
... Shawn-Marie Garrett circuit: Shamokin, Brawley, Hitchcock, Silver City, Wheeling, Butte, Grace, Bisbee, Pasadena, Eleanora Antinova Plays Seattle. by Eleanor Antin In recent years, however...
Journal Article
Theater (2001) 31 (3): 139–151.
Published: 01 November 2001
....” Photo: Tamiment Library, New York University. Theater 31.3-11 Oren.sh 10/16/01 11:47 AM Page 139 Claudia Orenstein Agitational Performance, Now and Then At the protests against the World Trade Organization (WTO) in Seattle...
Journal Article
Theater (1990) 21 (3): 57–61.
Published: 01 November 1990
.... to Minneapolis-St. Paul, and These are the ruminations of a spent the next few years with the Seattle dramaturg on a spring day Playwrights’ Center’s story-telling in 1990 sitting in a black box...
Journal Article
Theater (2001) 31 (3): 153–159.
Published: 01 November 2001
... and that’s all. We need to make in Seattle, in Washington, on April 16, and that something that moves people more deeply. we were making for the Republican Conven- And we need to ask, first of all, “What do we tion: the corporate...
Journal Article
Theater (1979) 10 (3): 85–86.
Published: 01 November 1979
... to deliberately opt for the daring and occasionally achieve it: each theater, including representative photos, a statement syn- Chelsea Theater Center, Seattle’s Empty Space, Mabou Mines, thesizing history and aesthetic intentions...
Journal Article
Theater (2008) 38 (2): 92–97.
Published: 01 May 2008
... such risks of interference, my own personal favorite being a story about Seattle Reper- tory Theatre’s former artistic director Daniel Sullivan: “In the late eighties . . . Sullivan was approached by a member of the Seattle Rep board who wished to form a com- mittee that would play a more active role...
Journal Article
Theater (2008) 38 (2): 98–103.
Published: 01 May 2008
... such risks of interference, my own personal favorite being a story about Seattle Reper- tory Theatre’s former artistic director Daniel Sullivan: “In the late eighties . . . Sullivan was approached by a member of the Seattle Rep board who wished to form a com- mittee that would play a more active role...