...Colette Brooks Copyright © by yale/theatre 1976 1976 Talk Is Cheap Colette Brooks They Are Dying Out By Peter Handke Eyre Methuen, London. 1975. Translated by Michael Roloff in collaboration with Karl Weber. (American edition to be published by Farrar, Straus 8c Giroux...

...Peter Handke; Gitta Honegger, translated by Copyright © Theater 1993 1993 The Hour We Knew Nothing of Each Other Peter Handke Translated by Gitta Honegger...

...Tom Sellar Voyage to the Sonorous Land, or The Art of Asking and The Hour We Knew Nothing of Each Other by Peter Handke, Translated by Gitta Honegger, 1996: Yale University Press. Copyright © Theater 1997 1997 BOOKS by Shaw. This new Shaw-Pascal collection can continues...

...Tom Sellar The Jukebox and Other Essays on Storytelling by Peter Handke Translated by Ralph Manheim, and Krishna Winston 1994: Farrar Straus and Giroux Copyright © Theater 1995 1995 SELLAR concentrated in the Williams chapter. One specifically excludes...

...Michael Whaley A Sorrow Beyond Dreams , Peter Handke, Adapted and directed by Dan Freudenberger, Phoenix Theatre, New York Copyright © Yale/Theatre 1977 1977 147 Handke in the Melting Pot By Michael Whaley A Sorrow Beyond Dreams Peter Handke Adapkd and directed...

... of themselves, they help one another (me, at least . -Peter Handke: Fantasies of Repetition, 1983 Peter Handke’s most recent work for the theater, The Hour We Knew Nothing of Each Other, is a play without words. It takes place in a square, inspired by the piazza...

..., and sterile roadsides - into “the land of ques- Vvage to the Sonorous Land, or The Art of Asking tions” situated somewhere beyond the steppes and The Hour We Knew Nothing rfEach Other of an unnamed country. To get there, they must by Peter Handke pass through the detritus...

... allowed to see a play that had provoked healthy political debate in London. (Plans are underway to present it at a different theater in the future.) In late April, France’s Comédie-Française canceled outright a revival of a play of Peter Handke. This decision came after the Austrian...

.... Jelinek‘s less a play than a thoughtfbl monologue. BOOKS Not compiled as a survey of the best plays dramas would be difficult to stage for written in German during the past ten years American audiences since they would need a (missing are works by Peter Handke, Thomas good deal...

... into the nature of the study itself. The tradi- by Peter Handke tional division of scholarly writing on the the- Translated by Ralph Manheim ater into writing about the written text and and Krishna Winston writing about the physical performance is 1994: Farrar...

... they unwittingly evoke contemporaneity, a sense also evident, of course, in Marxist critic Walter Benjamin's incisive view of history. SchaubGhne stagings of new plays by Peter Handke, Franz "There is no reason why a lucid and remorseless dissatisfac- Xaver Kroetz, Heiner MGller, and others...

... theater Fluxus Peter Handke Antonin Artaud spectatorship surveillance John H. Muse Virtual Theater, Virtual Spectatorship On Jonathan Ball’s Clockfire All Their Words Actors approach the audience, taking their hands, leading each onlooker away to a separate...

... gave way quickly to Peter Handke’s eminently Schiller), were rejected by the very class that spawned the bourgeois play, The Ride Across Lake Constance, which Enlightenment and paved the way for such a progressive was anything but meaningful for a socialist revolution if it theater. has...

... production of August Wilson’s Fmes. Andrea Huysscn teaches German and Comparative Literature at the Books Recently Received University of Wisconsin-Milwaukee, and is an editor of Nno cmnm? Critique. He served as dramaturg for Theatre X’s production of Peter Handke’s Alan Aykbourn by Michael...

... production of August Wilson’s Fmes. Andrea Huysscn teaches German and Comparative Literature at the Books Recently Received University of Wisconsin-Milwaukee, and is an editor of Nno cmnm? Critique. He served as dramaturg for Theatre X’s production of Peter Handke’s Alan Aykbourn by Michael...

... production of August Wilson’s Fmes. Andrea Huysscn teaches German and Comparative Literature at the Books Recently Received University of Wisconsin-Milwaukee, and is an editor of Nno cmnm? Critique. He served as dramaturg for Theatre X’s production of Peter Handke’s Alan Aykbourn by Michael...

...: Bernhard and Peter Handke. No mean achievement, particularly for a woman-as she is quick to point out. The wrath with which she smashes the icons and taboos of Austrian self-esteem is not the only thing that connects her to Bernhard. More important is the power of her language, exploding...

... of ninety-three. 2. Peter Handke, Theater Heute, March 1968. 3. Quoted in Geoffrey H. Hartman, The Fateful Question of Culture (New York Columbia University Press, 1997), 163. For the Jelinek play, see my translation, Death~alley/Mountain,in DramaContemporary: Germany, ed...

... have arisen through theory, but only was Peter Handke’s Kaspar in 1970. He first mally verbal or borrowed theater is to be through the experiences we’ve gone did the play straight and found it had only a related, perhaps, to the inability to ar- through together.” And what they do limited...

... of scenario, he does not sufficiently investigate Death at the Schaubuhne in Berlin in 1991using Duras’ ambivalence toward theatricality itself. Peter Handke’s translation. Since then he has Wilson teases histrionics out of a text that assembled a new cast that toured Europe per- openly resists full...