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M. Lamar

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Journal Article
Theater (2019) 49 (2): 30–39.
Published: 01 May 2019
...M. Lamar; Tucker Culbertson M. Lamar and Tucker Culbertson elaborate on M. Lamar’s aesthetics of Negrogothic cinema, music, and performance. The Negrogothic, explain the authors, is an approach to representation in which the black body verges on disappearance and the interior of the black psyche...
Journal Article
Theater (2019) 49 (2): 40–44.
Published: 01 May 2019
...M. Lamar Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...
Journal Article
Theater (2019) 49 (2): 45–47.
Published: 01 May 2019
...M. Lamar; David Bruin Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...
Journal Article
Theater (2020) 50 (1): 63–91.
Published: 01 February 2020
...Amiri Baraka; Julian Beck; Rustom Bharucha; Robert Brustein; Una Chaudhuri; Tucker Culbertson; Thomas F. DeFrantz; Annie Dorsen; Erik Ehn; Dario Fo; Forced Entertainment; Ren Frutkin; Joan Holden; Tony Kushner; Michael Kustow; M. Lamar; David Levine; Judith Malina; Teresa Marrero; Jean McMillan...
Journal Article
Theater (2014) 44 (3): 86–93.
Published: 01 November 2014
...Sarah Bay-Cheng © 2014 by Sarah Bay-Cheng 2014 Oakwood Apartments By David Commander Surveillance Project and the Black Psyche By M. Lamar Special Effects festival New York, January 2014 Sarah Bay-Cheng­ Ready for My Close-Up­ Oakwood Apartments By David Commander...
Journal Article
Theater (2014) 44 (3): 1.
Published: 01 November 2014
... expressions of M. Lamar and David Commander, described in Sarah Bay-­Cheng’s review of the 2014 Special Effects festival, open spaces covered up by history or shielded from public view, while raising unsettling awareness of the continuum between audience and surveil- lance. And in After the Show...
Journal Article
Theater (2014) 44 (3): 2–3.
Published: 01 November 2014
... expressions of M. Lamar and David Commander, described in Sarah Bay-­Cheng’s review of the 2014 Special Effects festival, open spaces covered up by history or shielded from public view, while raising unsettling awareness of the continuum between audience and surveil- lance. And in After the Show...
Journal Article
Theater (2020) 50 (2): 5–19.
Published: 01 May 2020
... experimental Mr. Burns (2012), Branden Jacobs- Jenkins s Appropri- ate (2014), and the gothic countertenor M. Lamar s song cycle Funeral Doom Spiritual (2017) all works that stage cataclysmic destructions and demand new visions of the redeemed world on American soil.17 Borrowing the essential action...
Journal Article
Theater (2018) 48 (1): 5–19.
Published: 01 February 2018
... by artists David Commander and M. Lamar that Sarah Bay-­Cheng covered in The- ater 44:3 — the performances in We’re Watching function without the technologies them- selves as overt coplayers — there were no drones, no actors performing to or through cctv cameras, no Internet tele-­performances.5 While...
Journal Article
Theater (2017) 47 (2): 9–21.
Published: 01 May 2017
.... But still, sometimes that thing arises anyway, when blackwork emerges and you and I see 14 i am black it too differently. Your eyes narrow and you shift nervously back and forth and ask if I M. Lamar’s...
Journal Article
Theater (2019) 49 (3): 107–117.
Published: 01 November 2019
... unapologetic femme 109 ships, and fashion not only as ways of feeding ourselves but as forms of resistance, too. At least, that s always what I m seeking: how states of duress, emergency, and rejection are transformed into powerful aesthetics and world- making practices. I m reminded here of the work of LaMarr...
Journal Article
Theater (1986) 17 (3): 63–88.
Published: 01 November 1986
... as they search for ways to reconnect, to BERTHA: These biscuits be ready in a Reuben Mercer Casey Lydell Badger reassemble, togiveclear and luminous meaning to the minute. alternating with LaMar James Fedrick song which is both a wail and a whelp ofjoy. SETH: He done drew a big circle...