... additionally summarize critiques of Rau’s practice from other thinkers and artists and Rau’s response to these critiques. Milo Rau s Lam Gods, ntgent Schouwburg, Ghent, Belgium, 2018. Photo: Michiel Devijver Peter M. Boenisch and Lise Sofie Houe Mil o Rau s Wor k as Artistic Director of NTGent Toward an Art...

... of their comfort zone, forgetting about their acting skills and previ- 76 a tale of truth ously employed strategies. As mentioned, both nonprofessional and professional actors Milo Rau s Lam bring into the production stories and anecdotes from their own lives as building blocks Gods, ntgent to compose their own...

... of 2020. Photo: Armin elderly, unemployed, and pensioned people from the ddr. Smailovic We also see a similar combination technique in reclassification: Lam Gods (2018), Orestes in Mosul (2019), New Gospel (Nuovo Vangelo; 2019 20), and Antigone in the Ama- zon (Antigone im Amazonas; 2021...

...! Feodorchuk, you ought to be ashamedI lam Shame on you! Everyone I'll wear a gold chain on my belly Ach...

... make a 34 clam? I'll chew your little entrails. (He darts his tongue like a satyr. He puts his hands over his groin with a scared look) Can you make a clam? I don't mean st uffed c lam . l-rnean-rnake-a-clarn. What wo uld you like? A sho w of hands? All right. Let 's have a sho w of hands...

... rerendering. upon itself and the very tools of his lam- that we assume occurs in translation, Beckett’s bleaker translationrefuses to poon become subjects of the artist’s because it need not be a loss per se. As 72 it weakens him, it makes his work work that languishes on the desk work...

... in this section. Just as the lam- been reinvented. Yet Bond’s idea of violence is entation event looks like it’s going to come to a always symbolic, sometimes specifi cally social dead stop, Evan added huge energy to the next and symbolic. Why do they stone the child in move ment. It just ignited the action...

... no scene was always projected like Lucia di Lam- longer interested in the manipulative. And then mermoor, a crazy, demented scene. Now that it the play led me into coherence in a way I would...

... sitting before it, all suffering forgotten, turning its back on all the calamities of the world. Jean Lam- bert-Wild received visitors in his bed at the edge of the castle; Marina Abramovic takes her leave of the audience in a moment of universal calm. Have we moved from calamity to calm...

... outraged the that the time, expense, and our sober- troupe was that we were being lam- ing reception be turned to profit. I was basted for political reasons. What we not sure just what the significance of were presenting was certainly as good Nancy had been, but I had...

... hands iifr a stcriie shon. Hc lookcti like Santii Claus on the ROSA: No, Doctur, no injection. M‘ith my green phtic smock. Do I have to put this on? lam. And Hcavcn knobvs what she’s been luck. I’d get itn abscess. ORDERLY: Of course you do. (The doctor fceding him. Shc’s one of thosc hcalth...