Search Results for Hate Radio

...Piet Defraeye Piet Defraeye explores Milo Rau’s work in Central Africa, focusing on 2011’s Hate Radio and 2015’s The Congo Tribunal . Defraeye suggests that while Rau’s interest in Central Africa is not based on any personal connection, it began before the founding of his company, the International...

... will not allow himself, or those who surround him, to be numbed by habit. Sébastien Foucault Actor, Director, and Teacher (Performer in Hate Radio and La reprise) Beyond its political reach, what I like about Milo s work is its ability to bring together on the stage direct and indirect witnesses to the crimes...

... climenhaga Milo Rau s But Rau s genre of political theater does not emerge from a void. Productions like Montana, Hate Radio (2011 13), Empire (2016), The Congo Tribunal (Das Kongo Tribunal; 2015 17), Theaterhaus Köln, and La reprise: History(s) of Theater (I) (La reprise: Histoire[s] du théâtre [I]; 2018...

... of the rela- Karwasz tionships between the participants, of their limitations by the given power structure or historical context, of their interior and exterior struggles, of their loyalty and, yes, of their fear of the spectator (who may be distressed, as was the case during Hate Radio s performances...

... to Bertolt Brecht, Rau is not an idealogue, exposing inconsistencies rather than promoting any single ideology in his work. © 2021 by Helga Kraft 2021 Milo Rau influencers The Last Days of the Ceaușescus Zurich Trials Orestes in Mosul Moscow Trials Hate Radio The New Gospel Milo...

..., and not only in their stereotyping. Sometimes they further contribute to evil with their 64 play with consequences? dramatizations how funny Hate Radio s radio program is, how convincing the trial of the evil Ceau escu is, how logical the argumentation in Breivik s Statement (Breiviks Erklärung) seems...

..., motion picture, recitation, lecturing, public reading, radio and television broadcasting, and translation into foreign languages, are strictly reserved. Permission for production, etc., in German should be obtained from Suhrkamp Verlag, Lindenstraße...

... gravitate toward. But the British don’t you see. I don’t know what their reaction is. It is bad taste. When we did Laughter at the Royal Court, I used to go into performances, and I felt waves of hate coming out of the audience. They actively loathed it. Actively. It came out like steam...

... the door bell An old radio, an old record phyer possible moment The trouble I had yesterday KARL: (glasses hanging around his neck, (looksfor thefile undn the man’s wardrobe) making it up the stairs dressed in winter undcnuear, crawling...

... for the audience. I’ve never written for the feebleminded, only for actors like Minetti, who are intellectuals, even though imbeciles have often acted in my plays. The audience is the enemy of the spirit, which is why I don’t care about it. It hates...

... reading, radio and television broadcasting, and translation into foreign languages, are strictly reserved. Permission for production, etc., in English should be obtained from Ruth Juliet Wikler, 2440 Commonwealth Ave., Madison, WI 53711. Aplastar...

... in a vindictive and Americanized Maoist. In the New York Times pseudofeminist rage. Lahr said, “This transition is forum on Oleanna, Enrique Fernandez, of jarring but intentional.” Either way, it destroys the National Public Radio, called Carol “a kind...

... is subject to royalty. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and translation into foreign languages, are strictly reserved. Particular emphasis is laid on the questions of readings, permission for which must...

... to non-racist members: 10.Recognize the media tactics and don’t react to buzzwords: White Supremacists; Bigots; Nazis; Tax Protesters; Cultists; Religious Separatists and other words which the masses are conditioned to hate. After the media has demonized...

..., taut radio play, To Have Done with the Judg- table and then dumping in quantities of powder-keg of a play. Each theme or idea ment of God. milk and sugar that send liquid cascading...

..., amateur, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and translation into foreign languages, are strictly reserved. Particular emphasis is laid on the questions of readings, permission for which must be secured from the author’s representative: Josh Fox...

... the Dominion of Canada, and all Susljik, and Sergej other countries of the Copyright Union, this play is subject to royalty. All rights, including professional, amateur, Trifunovic at Atelje motion picture, recitation, lecturing, public reading, radio...

... rights, including pro- fessional, amateur, motion picture, recitation, lecturing, public reading, radio and television broadcast- ing, and translation into foreign languages, are strictly reserved. Particular emphasis is laid on the ques- tions of readings, permission for which must be secured from...

... of smoke and light. This is the ALIEN,a creature from a far star-system, sealed in his own atmosphere. The Alien has learned our language, and you hear him over speakers mounted in the tent. He’s giving a speech about the nature of the universe, and life on earth as he sees it. ‘7 hate your...

... audience, who, being in their late 50s and early 60s, were, Charles reasoned, younger than Marlene, then in her 70s, but looked older and therefore hated her and refused to respond to her performance, out of jealousy and spite-to Conduct Unbecoming, a “rattling good” play, a thriller set (in aspic...