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Forced Entertainment

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Journal Article
Theater (2016) 46 (3): 15–29.
Published: 01 November 2016
...Tim Etchells © 2016 by Tim Etchells 2016 Forced Entertainment’s First Night, Rotterdam, Netherlands, 2001. Photo: Hugo Glendinning Tim Etchells By Means of the Future Forced Entertainment, Prediction, and the Community of Audience To tell it as one might find it in a book...
Journal Article
Theater (2016) 46 (3): 31–45.
Published: 01 November 2016
... 35 36 Forced Entertainment’s 37 (Let the Water Run Its Course) to the Sea...
Journal Article
Theater (2016) 46 (2): 35–53.
Published: 01 May 2016
... and those post- ing on the official Forced Entertainment account. Tweets of the “look @me looking @ForcedEnts!” genre abounded; many added descriptions and depictions of their view- ing locations, ensuring that fellow live tweeters would know not only that they were watching but also where and how...
Journal Article
Theater (2016) 46 (3): 47–61.
Published: 01 November 2016
...Forced Entertainment; Tim Etchells; Robin Arthur; Richard Lowdon; Claire Marshall; Cathy Naden; Terry O'Connor © 2016 by Tim Etchells with the Forced Entertainment Company 2016 Forced Entertainment’s Tomorrow’s Parties, Belluard Bollwerk, Fribourg, Switzerland, 2011. Photo: Hugo...
Journal Article
Theater (2020) 50 (1): 63–91.
Published: 01 February 2020
...Amiri Baraka; Julian Beck; Rustom Bharucha; Robert Brustein; Una Chaudhuri; Tucker Culbertson; Thomas F. DeFrantz; Annie Dorsen; Erik Ehn; Dario Fo; Forced Entertainment; Ren Frutkin; Joan Holden; Tony Kushner; Michael Kustow; M. Lamar; David Levine; Judith Malina; Teresa Marrero; Jean McMillan...
Journal Article
Theater (2016) 46 (3): 1–3.
Published: 01 November 2016
... for the stage, as diverse as prospective new architectures for performance, Afrofuturism, and Forced Entertainment’s bold temporal speculations. One of the biggest surprises, as these proj- ects came together on the page, was to see how closely knotted future visions are to the past. Even in art, history...
Journal Article
Theater (2011) 41 (2): 9–29.
Published: 01 May 2011
... saw by the British experimental company Forced Entertainment. Eco’s book explores the list as a structuring principle in visual and liter- ary art throughout history: from Homer’s lengthy catalogue of the Greek military lead- ers in The Iliad, to Baroque and Renaissance paintings depicting...
Journal Article
Theater (2016) 46 (2): 1–5.
Published: 01 May 2016
...Miriam Felton-Dansky; Jacob Gallagher-Ross © 2016 by Yale School of Drama/Yale Repertory Theatre 2016 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Forced Entertainment’s 12 a.m. Awake & Looking Down, Tate Modern...
Journal Article
Theater (1973) 4 (3): 69–81.
Published: 01 November 1973
... forced entertainment to move outdoors-from the saloons to the parks, from supper clubs, restaurants, and ballrooms to hotel roofs and gardens. . . . On that May day Noble Sissle and Eubie Blake formed a songwriting partnership that miraculously still endures. Anyone reading this story...
Journal Article
Theater (2002) 32 (1): 87–99.
Published: 01 February 2002
... media-saturated world. Some of the most interesting people I’ve worked with have been trying to bridge the divide between theory and practice, and to find a new creative and critical discourse. Writers and performers like Tim Etchells (of the U.K.-based company Forced Entertainment), Lois...
Journal Article
Theater (2017) 47 (1): 17–37.
Published: 01 February 2017
.... For us, it within shows. In Forced Entertainment’s was very interesting to see what concepts did twelve-­hour shows, which they did in Ger- emerge. I think a lot of artists at the moment many, you spent five...
Journal Article
Theater (2009) 39 (3): 91–105.
Published: 01 November 2009
... specific responses to this level, until we’re willing to face the thing we in performance — some of Forced Entertain- won’t admit is real because it would under- ment’s work really puzzles over and enacts mine the foundation of who we are — then the relationship between...
Journal Article
Theater (2013) 43 (2): 5–25.
Published: 01 May 2013
... fix them — influenced many artists, among them Vito Acconci and Sophie Calle, who infiltrated public space for perfor- mance storytelling, as well as a group of contemporary artists working in theater —  Wrights and Sights, Forced Entertainment, Rotozaza, and Skewed Visions, among others...
Journal Article
Theater (2023) 53 (1): 30–41.
Published: 01 February 2023
... shows begins with explanations of what the audience can expect. The strategy, used by companies like Forced Entertainment and Gob Squad, disarms audiences by demystifying the theatrical artifice. It also functions as a deceptive contract. As Weiss explains, What better way to set an expectation than...
Journal Article
Theater (1980) 11 (3): 108–112.
Published: 01 November 1980
... a powerful and influential force in entertainer, or as useless as the entertain• If Evita is fake theater, then Harold Argentinian politics: she controls and ment industry, a bit of indulgence, of easy Prince's staging is fake Brecht. The techni• directs government expenditures of health self...
Journal Article
Theater (2014) 44 (2): 63–71.
Published: 01 May 2014
... of the there are important artworks that are being major relationships. described, and so I have a sense of that. We have someone talking about the first time they I think this is something that’s coming up with ever saw a Forced Entertainment show, or many of the curators we’re interviewing. The arts when...
Journal Article
Theater (1992) 23 (1): 58–62.
Published: 01 February 1992
... and write out their official standards? Are we willing to sacrifice all of the hard-won reports. I myself saw one car run the stop sign, but the advances achieved in the last fifty years to a false, other car was clearly driving too fast down the narrow misunderstood concept of “entertainment...
Journal Article
Theater (2015) 45 (1): 11–31.
Published: 01 February 2015
... goes on expecting — and perhaps yearning for — more. Notes 1. Sara Jane Bailes, Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service (London: Routledge, 2011), 2. 2. Yvonne Rainer, “The Mind Is a Muscle,” in A Woman Who...
Journal Article
Theater (1971) 3 (2): 59–65.
Published: 01 May 1971
... theatre is thus robbed of one of its most natural functions, and is forced to de- pend on individual ingenuity to invent people and events. Particularly in Amer- ica, where there are few folk tales common to all the public and where individual and corporate dreams take the place of mythological...
Journal Article
Theater (1999) 29 (2): 146–153.
Published: 01 May 1999
... proba- causing problems. We know how to handle bly be stuck on the side of the road for the next that-we’ve been forced to learn how because eight hours. Life on the road is getting better, we have this policy of openness. though we haven’t been able to afford a new ve- hicle. We have a van...