...Patty Berne; Nomy Lamm Patty Berne (executive director/artistic director) and Nomy Lamm (creative director) discuss the work of their performance collective and disability justice advocacy group, Sins Invalid. They address their company’s attempts to implement the principles of disability justice...

...: January 2020 In January 2020, the Ford Foundation Gallery in New York City commissioned us to cocurate an art exhibition to reflect on the thirtieth anniversary of the Americans with Disabilities Act. We got right to work, excited that the Ford Foundation Center for Social Justice was going to prominently...

... of, by, and for disabled artists. Piepzna- Samarasinha s message of art as survival is a revelatory assertion of the power of poetry in the struggle for disability justice. For the disabled community particularly the black, brown, Asian, and lgbtq disabled community art is not supplemental: it is a crucial tool...

... of Drama at Yale/Yale Repertory Theatre 2022 Alex Bulmer Harbourfront Centre COVID-19 Disability Dramaturgy Disability Justice care work disabled artists blind artists Amy Amantea s Where s the ppe?, from Pandemic Postcards, Harbourfront Centre, Toronto, 2021. Video: Amy Amantea A white...

..., Bibliothèque nationale de France, httpark.bnf.fr/ark:/12148/cb38709649v. 14. Leah Lakshmi Piepzna-S­ amarasinha, Care Work: Dreaming Disability Justice (Vancouver, BC: Arsenal Pulp, 2018), 13. 15. Béjart n avait que quarante ans, et la troupe risquait de payer longtemps la pension, mais que pouvait...

... justice from Occupy to Tahrir Square, the Women s March, Black Lives Matter, and beyond. Their creative interventions have shifted public perceptions of con¢icts at pipelines, national borders, and more locally, at museums and cultural institutions. The centerpiece of this issue of Theater consists...

... be made available when quoting a text that is not written but 50 take this cord sensed. As a person living with disability, I know that the source text I read at the opening of every morning is the state of my bodymind. I do not need a doctor s note or diagnosis to feel what is happening here. I do...

... i am black demands working toward social justice outside of the confines of contemporary perfor- Thomas DeFrantz’s i am black (you have to mance. Black social dances, misplaced into theatrical contexts, do...

... of arsenic, which, he claimed, disabled him for the rest of his life. They also liberally treated him with the opium derivatives that turned him into a junkie. Instead of opt- ing for priesthood, he wisely decided to become an artist and left his native Marseilles in 1921 to try his luck in Paris...

..., mostly created by political structures that assumed “colored” versions of white practices of art making, gathering around art, and the becoming-­an-­artist of those committed to social justice as it was conceived at that time. After...

... a dream. This all just. An American dream. This all just. This all just. This all justice. It s just us. Hah! It s just a regular night, driving down the street not a jacker in sight. Hah! I got to calm too quick, I stopped at the light, saw a cop, oh shit. Uh! Play it cool my meng, everything s still...

... looks at me and asks the question . . . Oakland I ask a mother about environment she I meet her in Chicago tells me of guns She offers me watermelon Of emotionally disabled boys And I hear this guy singing...

... rebel and fight in front of me. for justice. I abhor you. (aside) In 16 weeks I booth I’ll drop you, devil diddler, Roman slay a tyrant. Bath House Slut...

... Court of Justice in the Hague declared the wall to be in breach of international law. This decision did not prevent its continued construction, incorporating massive areas of Palestinian land on the Israeli side. The Wall is yet another aspect of the ongoing Israeli occupation...

... perspective. This is indispensable also to be more efficient in macropolitical struggles to increase social and economic justice, an essential and unavoidable aim for the leftist tradition. The long detour we have made arrives here to its end. As said earlier, it was nec- essary in order to provide...

...: provocation and To the cop): You lock that door take out on the assembly line or cutting machine is violence resulting in harm to a defenseless and the key washed up after the age of fifty; he causes disabled individual incapable of taking slow-ups, accidents - he has to be gotten rid...

...? 9 Excerpts from the Comics Magazine Association of America Comics Code of 1954 Code for Editorial Matter general standards 1. Crimes shall never be presented in such a way as to create sympathy for the criminal, to promote distrust of the forces of law and justice, or to inspire others...

... and over body, what the boundaries of that body are, and how that body is afforded care, companionship, and, yes, love. Loving each other, in public, to remix an oft-­cited James Baldwin quote. And that feels like some kind of justice, indeed. And also, it does not feel like theater. It is, as I have come...

... always been in the down. name of truth and meaning, May, always in the cause of justice and honor, Fay, Zelda: Forecast is for thunder showers that we’ve battled ’gainst the indecencies through the afternoon. of rampant disarray and held licentious...

...-traditional” casting. In Beyond Tradition, non-traditional casting is defined as the “casting of ethnic, female, or disabled actors where race, ethnicity, gender, or physical capability are not necessary to the character’s or the play’s development.” Color-blind casting is only one of the many...