...Milo Rau; Lily Climenhaga Milo Rau s Mitleid: Die Geschichte des Maschinengewehrs, Schaubühne Berlin, 2015. Photo: Daniel Seiffert Milo Rau Edited by Lily Climenhaga from English supertitles provided by the Schaubühne Berlin Compassion: The History of t he Mac hine Gun A Theater Essay Prologue I...

..., poetics, and the ethical compass that guides them, with the demands of integrated worldwide capitalism and its contemporary power in the field of art. © 2017 by Suely Rolnik 2017 performance curation colonial-capitalistic unconcious postcolonial studies knowing-body Lygia Clark Caminhando...

...Elaine May © yale/theater 1974 1974 Elaine May as a PTA chairwoman, Compass, Chicago, 1956. Theodore J. Flicker. Compass, St. LOUIS, A Compass Scenario The Real You Elaine May 84...

... mitleidigste Mensch ist der beste Mensch, zu allen gesellschaftlichen Tugenden, zu allen Arten der Großmut der auf- gelegteste ( The most compassionate person is the best person, the most inclined to all social virtues, to all kinds of generosity10 writes Lessing, and thus makes the arousal of compassion...

...Lee Gallup Feldman © yale/theater 1974 1974 A Brief History of Irnprovisational Theatre in the United States Lee Gallup Feldman Chicago The Compass Theatre...

... © yale/theater 1974 1974 Paul Sills and R. G. Davis A Dialogue 26 DAVIS: Something Paul calls the Body Politic. . . Compass Theatre. SILLS: Compass...

... segments from these lectures relat- ing to the various genres Milo Rau embraces and to his play Compassion (Mitleid), which also appears in this issue. i. During the last few years since the foundation of the International Institute of Political Murder (iipm), I have completed about fifty projects: I wrote...

... about. I only hope I do now. I didn't "discover" improvisation until 1964, a rather dormant phase of its development, if not an impasse. The Compass, the country's first and vanguard improvisational theatre...

... in America agrees that without David Shepherd there would have been no Compass Theatre, no Second City, no Premise or Committee or Proposition. It was Shepherd who formed this country's first improvisational companies and yet while the members...

... in this country might do better following the example of Compass, Second City and The Premise-small, highly flexible theatre groups that related to the issues and concerns of the particular communities in which they played-than in seeking some sort of national theatrical institution ruled by a Czar...

... that the play still provokes an ache, it is deference, he patiently endures the stripping pertinent to ask if compassion on stage is of his pride. He swallows hard and is fired. enough today. Among other things, Dedh of As his mask falls, the frenzy...

... to historically situate a Belgian neu- rosis as well as biographically frame Marc Dutroux, the legendary culprit of the sexual violence that is the play s focus.1 Compassion: The History of the Machine Gun (Mitleid: Die Geschichte des Maschinengewehrs; 2015) deals with the refugee crisis that came in the wake...

... that in calls his characters Mouth and Auditor. helpless compassion. ’’ These silent gestures Judging from these “names” alone, we im- the next few years American critics...

... is the compassionate sigh. daily bread! (The sound of wind, thunder.) narrator For war-torn peasants with shrapnel embedded in their flesh! Look—Oh gods!— It rains again outside! baron Prisoners and invalids who cannot Sleet, wind...

.... Compassion, seemingly lacking in the text, is supplied for all the characters by Weill’s music - even, as David Drew 32 points out’, for the Three Students, those unpleasant servants of custom. Here individualism is seen as fundamentally goodhearted (the Boy wants to get medicine...

...-and he was going to Chicago to start The Compass, and taking my good friend Severn Darden with him. That's when I met Mike; he was taking Mike with him. And we stayed in touch...

... of the creative destruction inherent in global capitalism (Joseph Schumpeter), is staged so obtrusively that the spectators, as beneficiaries of the current economic system, feel their complicity. Compassion, Experience, and Dialectics of Performative Evil According to Emmanuel Levinas, to overcome indifference...

... notices two the final choice of "either you're part of things. The first is that the strategies seem the solution or you're part of the prob- to bracket the traditional manner of en- lem;" one longed for subtlety; yet some- compassing a dramatic event. Agit-prop thing...

... with compassion We could try. What do you call a black person with a PhD? A nigger. wib Some said Toward the end of the jokes, the graces, wib, jealousy He won’t put it down. and man...

... subjectivity, and colonialist rapacity cannot and will not digest. What? Who? Stefano Harney and Moten answer point blank: “The fat ones. The ones who are out of all compass however precisely they are located.”16 Out of compass, out of time, time to invoke now one particularly powerful mode...