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Compassion
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Journal Article
Theater (2021) 51 (2): 108–125.
Published: 01 May 2021
...Milo Rau; Lily Climenhaga © 2021 by Milo Rau 2021 Milo Rau s Mitleid: Die Geschichte des Maschinengewehrs, Schaubühne Berlin, 2015. Photo: Daniel Seiffert Milo Rau Edited by Lily Climenhaga from English supertitles provided by the Schaubühne Berlin Compassion: The History of t he Mac hine Gun...
Journal Article
Theater (2017) 47 (1): 116–136.
Published: 01 February 2017
..., poetics, and the ethical compass that guides them, with the demands of integrated worldwide capitalism and its contemporary power in the field of art. © 2017 by Suely Rolnik 2017 performance curation colonial-capitalistic unconcious postcolonial studies knowing-body Lygia Clark Caminhando...
Journal Article
Theater (1974) 5 (2): 82–89.
Published: 01 May 1974
...Elaine May © yale/theater 1974 1974 Elaine May as a PTA
chairwoman, Compass,
Chicago, 1956.
Theodore J. Flicker.
Compass, St. LOUIS,
A Compass Scenario
The Real You
Elaine May
84...
Journal Article
Theater (2021) 51 (2): 96–107.
Published: 01 May 2021
... compassionate person is the best person, the most inclined to all social virtues, to all kinds of generosity10 writes Lessing, and thus makes the arousal of compassion the central task of (European!) theater. Of course, Rau s performance transcends these cultural and historical boundaries and shows its audience...
Journal Article
Theater (1974) 5 (2): 128–151.
Published: 01 May 1974
...Lee Gallup Feldman © yale/theater 1974 1974 A Brief History
of Irnprovisational Theatre
in the United States
Lee Gallup Feldman
Chicago The Compass Theatre...
Journal Article
Theater (1974) 5 (2): 26–55.
Published: 01 May 1974
... © yale/theater 1974 1974 Paul Sills and R. G. Davis
A Dialogue
26 DAVIS: Something Paul calls the Body Politic. . . Compass
Theatre.
SILLS: Compass...
Journal Article
Theater (2021) 51 (2): 24–37.
Published: 01 May 2021
... globalen Realismus [Berlin: Alexander Verlag, 2019 The following are selected segments from these lectures relat- ing to the various genres Milo Rau embraces and to his play Compassion (Mitleid), which also appears in this issue. i. During the last few years since the foundation of the International...
Journal Article
Theater (1974) 5 (2): 10–25.
Published: 01 May 1974
...
about. I only hope I do now.
I didn't "discover" improvisation until 1964,
a rather dormant phase of its development, if not an impasse. The
Compass, the country's first and vanguard improvisational theatre...
Journal Article
Theater (1974) 5 (2): 56–65.
Published: 01 May 1974
... in America agrees that without David Shepherd there
would have been no Compass Theatre, no Second City, no Premise
or Committee or Proposition. It was Shepherd who formed this
country's first improvisational companies and yet while the members...
Journal Article
Theater (1974) 5 (2): 6–9.
Published: 01 May 1974
... in this country might
do better following the example of Compass, Second City and The
Premise-small, highly flexible theatre groups that related to the
issues and concerns of the particular communities in which they
played-than in seeking some sort of national theatrical institution
ruled by a Czar...
Journal Article
Theater (1984) 16 (1): 75–79.
Published: 01 February 1984
... that the play still provokes an ache, it is
deference, he patiently endures the stripping pertinent to ask if compassion on stage is
of his pride. He swallows hard and is fired. enough today. Among other things, Dedh of
As his mask falls, the frenzy...
Journal Article
Theater (1979) 10 (3): 101–103.
Published: 01 November 1979
... that in calls his characters Mouth and Auditor.
helpless compassion. ’’ These silent gestures
Judging from these “names” alone, we im-
the next few years American critics...
Journal Article
Theater (2021) 51 (2): 48–61.
Published: 01 May 2021
... activism, identifying Rau’s utopian goals as well as the criticisms leveled against him. © 2021 by Piet Defraeye 2021 Milo Rau International Institute of Political Murder ( iipm ) Hate Radio The Congo Tribunal Five Easy Pieces Compassion Bukavu Piet Defraeye Milo Rau in Africa Milo...
Journal Article
Theater (2004) 34 (3): 84–99.
Published: 01 November 2004
... is the compassionate sigh. daily bread!
(The sound of wind, thunder.) narrator For war-torn peasants with
shrapnel embedded in their flesh!
Look—Oh gods!—
It rains again outside! baron Prisoners and invalids who cannot
Sleet, wind...
Journal Article
Theater (1975) 6 (2): 30–34.
Published: 01 May 1975
.... Compassion, seemingly lacking in the
text, is supplied for all the characters by Weill’s music - even, as David Drew
32
points out’, for the Three Students, those unpleasant servants of custom.
Here individualism is seen as fundamentally goodhearted (the Boy wants to
get medicine...
Journal Article
Theater (1974) 5 (2): 66–81.
Published: 01 May 1974
...-and he was
going to Chicago to start The Compass, and
taking my good friend Severn Darden with
him. That's when I met Mike; he was taking
Mike with him. And we stayed in touch...
Journal Article
Theater (2021) 51 (2): 62–73.
Published: 01 May 2021
... city of Liège, the dialectically necessary dark side of the creative destruction inherent in global capitalism (Joseph Schumpeter), is staged so obtrusively that the spectators, as beneficiaries of the current economic system, feel their complicity. Compassion, Experience, and Dialectics...
Journal Article
Theater (1969) 2 (3): 39–42.
Published: 01 November 1969
... notices two
the final choice of "either you're part of things. The first is that the strategies seem
the solution or you're part of the prob- to bracket the traditional manner of en-
lem;" one longed for subtlety; yet some- compassing a dramatic event. Agit-prop
thing...
Journal Article
Theater (2017) 47 (3): 19–35.
Published: 01 November 2017
... with compassion We could try.
What do you call a black person with a PhD?
A nigger. wib Some said
Toward the end of the jokes, the graces, wib, jealousy He won’t put it down.
and man...
Journal Article
Theater (2017) 47 (1): 101–115.
Published: 01 February 2017
... subjectivity, and colonialist rapacity cannot and will
not digest. What? Who? Stefano Harney and Moten answer point blank: “The fat ones.
The ones who are out of all compass however precisely they are located.”16
Out of compass, out of time, time to invoke now one particularly powerful mode...
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