...Tom Sellar; Claudia Rankine; Will Rawls; John Lucas; Julieta Cervantes Portfolio What Remains Claudia Rankine, Will Rawls, John Lucas Photos by Julieta Cervantes What Remains, a performance collaboration by poet Claudia Rankine, choreographer Will Rawls, and video artist John Lucas...

..., Annie Dorsen, Hasan Elahi, Michelle Ellsworth, Claudia Rankine/Will Rawls/John Lucas, Samuel Miller, Alexandro Segade, and their collaborators) sit adjacent to, and develop from, the artists covered in Morrison’s book (for example, Essam Attia, Wafaa Bilal, Zac Blas, Edit Kaldor, Jill Magid...

...- reographer Will Rawls and poet Claudia Rankine collaborated on What Remains, an exploration of blackness and the gaze. In Opacity, Big Art Group contemplates inti- macy and queerness experienced through technological metrics and means. Future St., Alexandro Segade’s dramatic fantasia, hallucinates...

... to fill it. Like Chautauqua! The Provenance of Beauty — conceived by Foundry artistic director Melanie Joseph and poet Claudia Rankine, who also composed the accompanying text —  seizes on a winning formal device. Provenance attempts to educate its audiences using that most educational of leisure...

... to fill it. Like Chautauqua! The Provenance of Beauty — conceived by Foundry artistic director Melanie Joseph and poet Claudia Rankine, who also composed the accompanying text —  seizes on a winning formal device. Provenance attempts to educate its audiences using that most educational of leisure...

... to fill it. Like Chautauqua! The Provenance of Beauty — conceived by Foundry artistic director Melanie Joseph and poet Claudia Rankine, who also composed the accompanying text —  seizes on a winning formal device. Provenance attempts to educate its audiences using that most educational of leisure...

... all that she listens while she tries to understand. She thinks of Claudia Rankine and Citizen, which suggests some similar lines of dissent that are usually unvoiced. “It helps to hear these thoughts voiced,” the listener says. Another person notes that, “If race is a construct, then doesn’t...

... works with artists who had similar interests and wanted to actually use the city: Aaron Landsman’s Open House (2009), a play that raised questions around gentrification, which we performed in people’s living rooms across the five boroughs; and The Provenance of Beauty (2009) by poet Claudia...