...Laurens De Vos Laurens De Vos examines the ways in which director Milo Rau incorporates the poetic and aesthetic techniques of alienation theorized and pioneered by German director Bertolt Brecht for purposes similar to but distinct from Brecht’s. Like Brecht, De Vos argues, Rau exploits...

... to Bertolt Brecht, Rau is not an idealogue, exposing inconsistencies rather than promoting any single ideology in his work. Milo Rau directing The New Gospel, Matera, Italy, 2019. Photo: Gianni Cipriano Helga Kraft Milo Rau as Influencer A New Realism in Theater With the rapid expansion of the media...

...Bertolt Brecht; John Willett, translated by Diaries, 1920-1922 Bertolt Brecht Bertolt Brecht kept a private diary September lst, 1920 a green light, green angels preparing the for a few years of his life, in his early I went with Briistle...

...Bertolt Brecht Copyright © by yale/theatre 1975 1975 Der Jasager Bertolt Brecht Copyright 0 1975 by Stefan S. Brecht. All rights reserved. School Opera in Two Acts Text by Bertolt Brecht Music by Kurt Weill Based...

...Bertolt Brecht Copyright © THEATER 1986 1986 ~mowiido\\ n half‘ of’ Europe and one finds It’s not like it used to be, when they just let matters is the last button because wars are oneself in exile in Finland: that is a non- you rot. Kow the state cares. For example, won by means...

...Gitta Honegger Books Gitta Honegger Brecht, Switzerland, and the Hunt for the Lost Suitcase Bertolt Brecht und die Schweiz (Bertolt Brecht and Switzerland) by Werner Wüthrich 2003: Chronos Verlag I knew people looking for apartments in big cities who checked the obituaries...

...Joel Schechter Brecht and Other Dramaturgs Joel Schechter Anecdotes about Bertolt Brecht's career as a dramaturg have oc• 1920's, Brecht was by no means opposed to artists' collectives, casionally appeared in memoirs and essays; what follows...

... FROM BRECHT:HE NEVER COULD BE A COMMUNIST. Bertolt Brecht and .Eric Bentley outside the Zurich Schauspielhaus, 1948...

...Gitta Honegger Ich fragte nicht nach meinem Anteil: Elisabeth Hauptmanns Arbeit mit Bertolt Brecht by Sabine Kebir 1997: Aufbau Verlag Copyright © 1999 by Yale School of Drama/Yale Repertory Theatre 1999 BOOKS year...

... since the mid-4os, which issued in his Seven Phys by Bertolt Brecht in 1961. Grove Press followed this with its rapid publication of more Bentley versions and other translations in the next few years, and a rash of productions broke out everywhere. The Tuhne Drama Review brought out its first...

...Eric Bentley Copyright © THEATER 1983 1983 Bertolt Brecht and Eric Bentley in Zurich, 1948. THE E...

...- cided with the postwar recognition of Bertolt Brecht’s genius. Critics took at face value Brecht’s few published statements that he was responsible not only for the shape of their collaborations but actually for some of Weill’s melodies as well. Without any...

.... ‘unpolitical’ means only to ally itself consisting of three parts: The Institute with the ‘ruling group (Bertolt Brecht) for Social and Cultural Studies, The Art strives for an integrated...

... combination of popular mask troupes of the Soviet Union. In the same period bankelsang and puppet aesthetics, community-based performance, and drew the attention of German artists like Otto Dix, George reliance on socially responsive and even spiritual themes Grosz, and Max Beckmann. Bertolt Brecht...

...: Edward Arnold, 1962 . Brecht , Bertolt Brecht on Theater: The Development of an Aesthetic . Trans. and ed. Willett, John. London: Methuen, 1973 . Brecht , Bertolt The Good Person of Szechwan . Trans. Ralph Manheim. Brecht: Collected Plays, Volume 6. Eds. Manheim, and John Willett. New...

..., the socialist project of social, intellectual, Elisabeth Hauptmanns Arbeit mit Bertolt Brecht and sexual emancipation. And the collaborative by Sabine Kebir process of developing a play was and still can 1997:Aufbau Verlag be -as many of us involved in it know...

... Brecht in Ncw York, 1946 time will come again. The poet who would sing in “dark times” has no occasion in our era for silence. Thirty years after his death, Bertolt Brecht continues to write new...

... that a professional theater “dedicated to the work, working methods, and influence of Bertolt Brecht“ would stake its ground in a university community. Most...

...Michael Evenden © 2000 by Yale School of Drama/Yale Repertory Theatre 2000 07-The30.3-Evenden.ak 62-75 10/18/00 11:29 AM Page 62 Bertolt Brecht and Kurt Weill at rehearsal for Die Dreigroschenoper, Berlin, 1928...

... ably changed. The road to this production had American collaborator (Lost in the Stars), may given new meanings to eternity. have been a nicer fella than Bertolt Brecht, but Which doesn’t explain—or excuse— maybe that’s just...