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Ann Liv Young
Theater (2019) 49 (2): 4–29.
Published: 01 May 2019
..., Branden Jacobs-Jenkins, Ann Liv Young, and Robert Woodruff, Bruin combines Benjamin, Aristotle, and the art criticism of Hal Foster, using theory to illuminate how the depiction of abjection, what Aristotle called “the scene of suffering,” prepares the spectator for end-times and civilizational...
Theater (2019) 49 (2): 76–87.
Published: 01 May 2019
...Ann Liv Young Copyright © 2019 Yale School of Drama/Yale Repertory Theatre 2019 ...
Theater (2012) 42 (1): 108–114.
Published: 01 February 2012
..., or actual cum by the work’s conclusion. Understandably, this resume has compelled many critics to classify Young within the condescendingly titled genre of shock art: “The performer-writer Ann Liv Young belongs to the movement in the arts that was labeled Sensation in the 1990s,” begins...
Theater (1969) 2 (2): 88–91.
Published: 01 May 1969
... Village apartment, typing on a rickety and Ann-Margret enters, carrying, of portable. He is an attractive oaf, your course, the usual sack of groceries. She usual Hollywood lap-dog, with twin spot- smiles at the young genius' back and tip- lights of dedication in his eyes...
Theater (2015) 45 (3): 89–107.
Published: 01 November 2015
... wrote about the public confrontation of two artists (Ann Liv Young and Rebecca Patek) at the 2014 Ameri- can Realness festival, which caused a lot of discussion and was part of a larger debate, and Sara Wookey wrote an open letter to the field about labor practices responding to Marina Abramović’s...
Theater (1986) 17 (2): 69–74.
Published: 01 May 1986
... but all too predictably toward frustrated rage while Frankie (Aidan Quinn) does little more than react to the crazincss around him. Two seemingly minor characters, Sally (Karen Young) and Meg (Ann Wedgeworth), are the real surprises of this production. Sally seems an extension of May...
Theater (1985) 17 (1): 32–39.
Published: 01 February 1985
... produced by liv- rights of Italian prisoners who were often in- tionship between these two people is a com- ing authors; consequently, one is allowed to carcerated, tortured and maltreated for plex one that affects their personal and infer that Franca Rame has called the atten- years...
Theater (2019) 49 (3): 107–117.
Published: 01 November 2019
... that allow queer people to discover other ways of being in the world. A framewerQ* (SNAP!) gives us a cloak of anonymity so that we can taste and log into queerness, all from the purview of the closet. As I was coming into my own as a young queer sissy in black Saint Louis, Aunt Mildred always fasci- nated...
Theater (2016) 46 (2): 7–33.
Published: 01 May 2016
... suddenly real, and his very presence — more Gillette than Barrymore — chastens the young lovers’ frivolous passions. He simply “stands near the door up L. waiting, without effort to be precise or formal, but nevertheless being entirely soldierly” (77). With all emotion forced underground...
Theater (1979) 10 (3): 21–32.
Published: 01 November 1979
..., Pernell Roberts and Anne Meachum performing there. Alan Schneider began his association with the Arena in 195 1. Zelda Fichandler received her M.A. from George The present home of Arena Stage, just off the Maine Avenue Washington University...
Theater (1979) 11 (1): 4–63.
Published: 01 February 1979
... that filled my whole room so that no one could get in.”4 The young enthusiast drew upon “all of world drama” for his solitary productions: “I staged Lucky Per’sJourney...
Theater (1973) 4 (3): 40–68.
Published: 01 November 1973
... (London 1745). George Winchester Stone, Jr., 'AMidsummer Night's Dream in the hands of Garrick and Coleman," PMLA, LIV, 2 (June 19391,467482. 'The Fairies'2nd ed. (London 1755). Paget Toynbee, ed. The Letters of Horace Walpole, II I (Oxford 19031,288...