Skip Nav Destination
Close Modal
Search Results for
9/11
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 423 Search Results for
9/11
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Journal Article
Theater (2024) 54 (1): 84–97.
Published: 01 February 2024
...Khalid Y. Long [email protected] © 2024 by Khalid Y. Long 2024 Glenda Dickerson s Kitchen Prayers Peace Archive exhibit, Duderstadt Gallery, Ann Arbor, mi, 2007. Khalid Y. Long Post-9/1 1 Theat er and Transnat ional Feminism Glenda Dickerson s Kitchen Prayers Series On September 11...
Journal Article
Theater (2019) 49 (2): 88–103.
Published: 01 May 2019
...Andrew Friedman Andrew Friedman considers and contextualizes Jim Findlay’s most recent work, Electric Lucifer— an adaptation of Bruce Haack’s rock-opera concept album from 1970. Against the backdrop of a post-9/11 New York City, Friedman elaborates on Findlay’s experimental theatermaking amid...
Journal Article
Theater (2005) 35 (1): 1–5.
Published: 01 February 2005
... future, but also to look back. As Mark Lord points out
in these pages, the “failures of the imagination” cited in the 9/11 Commission Report
ought to prompt the theater community to rethink its timidity and self-satisfaction.
For even though press reports of a “moral values” voter revolution turned...
Journal Article
Theater (2009) 39 (1): 41–43.
Published: 01 February 2009
... it into a tidy story.
How has the political impact of this play changed
since 9/11, and is this in fact a play about America?
The Communist Dracula Pageant has been
under development for many years. What was the washburn...
Journal Article
Theater (1994) 25 (1): 115–116.
Published: 01 February 1994
... of Course’: J. R. Ackerley
and Self-Dramatization,” no. 2, 76-87. Mann, Jessica, “Up Front: Indecent Appeal” [on
the NEA], no. 2, 9-11.
Cohen, Elizabeth, “Feminist Re-Visions” [book
review: Upstaging Big Daddy, eds. Ellen McCauley, Robbie...
Journal Article
Theater (2006) 36 (1): 45–47.
Published: 01 February 2006
... of the week we all came to the conclusion that the text was
only half the piece, that Ivan’s collaboration with Viktor Ryzhakov and his own acting
had completed the event in Russia. Moreover, the play was so Russian in its under-
standing of post-9/11 issues that it appeared to need extensive rewriting...
Journal Article
Theater (2020) 50 (3): 1–3.
Published: 01 November 2020
... opportunities, but this resigna- tion alternated with fear. With no earned income, no public subsidy, and philanthropic donations vanishing amid a global economic meltdown, theaters not only contended with temporarily dark houses (as they did after 9/11); after just a few brutal, disorienting weeks, some...
Journal Article
Theater (2024) 54 (3): 29–69.
Published: 01 November 2024
... it just seems more big like more (gestures) big death drew Got it, and now the Eclipse? hailey Kind of koey Nothing in between? marta I don t feel anything drew y2k didn t do that for me, but 9/11 did koey Noooooooo! drew Yes, hailey Like drew It was sooo real, y2k was soooo fake, like that was a dumb...
Journal Article
Theater (2005) 35 (1): 40–42.
Published: 01 February 2005
... out various settings and degrees of seriousness. Not
until George W. Bush became president and, in the wake of 9/11, started blithely sub-
verting the Bill of Rights did I fully understand what Müller no doubt saw right away:
the extremity of Mauser’s circumstances isn’t negotiable. Mauser’s...
Journal Article
Theater (2020) 50 (2): 63–77.
Published: 01 May 2020
... people. Spool backward. To November 2001, In Aberystwyth by the sea, In the afterglow of 9/11 Lin Hixson reads some old books she finds on a shelf. I particularly liked the instructions in the repair manual on how to re- grip a tennis goat island 67 Goat Island s When will the September roses bloom...
Journal Article
Theater (2021) 51 (1): 1–2.
Published: 01 February 2021
... book Theory of the Border, three decades after the uptick in economic globalization with its promises of mobility, there are now more, not fewer, borders. The events of 9/11 and the wars that followed vastly expanded systems of surveillance and control to maintain divided zones. Contemporary social...
Journal Article
Theater (2007) 37 (2): 55–65.
Published: 01 May 2007
...
about the Taliban in it. There were two large
kelly stuart In the Caryl Churchill play nonprofit theaters considering the play; both
Far Away, two workers sit making elaborate had shown interest, but after 9/11, both the-
whimsical hats...
Journal Article
Theater (2007) 37 (2): 117–120.
Published: 01 May 2007
... — of such
performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the
American theater’s relevance in times of national crisis by recalling how mainstream
productions in New York City provided healing spaces in the weeks following 9/11.
Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 121–124.
Published: 01 May 2007
... — of such
performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the
American theater’s relevance in times of national crisis by recalling how mainstream
productions in New York City provided healing spaces in the weeks following 9/11.
Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 125–129.
Published: 01 May 2007
... — of such
performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the
American theater’s relevance in times of national crisis by recalling how mainstream
productions in New York City provided healing spaces in the weeks following 9/11.
Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 130–135.
Published: 01 May 2007
... — of such
performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the
American theater’s relevance in times of national crisis by recalling how mainstream
productions in New York City provided healing spaces in the weeks following 9/11.
Each facet of Román’s project is neatly...
Journal Article
Theater (2006) 36 (2): 1–3.
Published: 01 May 2006
..., Guatemala, El Salvador, and, of course, Chile.”
He was careful, however, to distinguish his political objections from the general
anti-Americanism sweeping through Europe since 9/11. “Thousands, if not millions,”
of American people, he added, are “sickened, shamed, and angered” by their govern...
Journal Article
Theater (2010) 40 (3): 9–23.
Published: 01 November 2010
... of online video? And is it all about the technology? How might the
popularity and intrigue of flash mobs be fueled by post-9/11 apprehensions about urban
vulnerability? In an era of terrorist-threat advisory levels, antigovernmental militias,
and Tea Party demonstrations, is it possible to stage...
Journal Article
Theater (2010) 40 (1): 47–55.
Published: 01 February 2010
...
43
1 Yvonne Rainer
2
3
4
5
6 Where’s the Passion?
7
8 Where’s the Politics?
9
10 Or, How I Became Interested in Impersonating,
11
12 Approximating, and End Running around My Selves and Others’,
13
14 and Where Do I Look When You’re Looking...
Journal Article
Theater (1992) 23 (2): 15–20.
Published: 01 May 1992
... of 9- 11 year which the participants' suggestions and concerns move the
olds, who chose to work on the issue of conflict between drama forward. I find the British approach a more useful
students and teachers. Using only the props available in educational model because of its potential...
1