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9/11

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Journal Article
Theater (2019) 49 (2): 88–103.
Published: 01 May 2019
...Andrew Friedman Andrew Friedman considers and contextualizes Jim Findlay’s most recent work, Electric Lucifer— an adaptation of Bruce Haack’s rock-opera concept album from 1970. Against the backdrop of a post-9/11 New York City, Friedman elaborates on Findlay’s experimental theatermaking amid...
Journal Article
Theater (2005) 35 (1): 1–5.
Published: 01 February 2005
... future, but also to look back. As Mark Lord points out in these pages, the “failures of the imagination” cited in the 9/11 Commission Report ought to prompt the theater community to rethink its timidity and self-satisfaction. For even though press reports of a “moral values” voter revolution turned...
Journal Article
Theater (2009) 39 (1): 41–43.
Published: 01 February 2009
... it into a tidy story. How has the political impact of this play changed since 9/11, and is this in fact a play about America? The Communist Dracula Pageant has been under development for many years. What was the washburn...
Journal Article
Theater (1994) 25 (1): 115–116.
Published: 01 February 1994
... of Course’: J. R. Ackerley and Self-Dramatization,” no. 2, 76-87. Mann, Jessica, “Up Front: Indecent Appeal” [on the NEA], no. 2, 9-11. Cohen, Elizabeth, “Feminist Re-Visions” [book review: Upstaging Big Daddy, eds. Ellen McCauley, Robbie...
Journal Article
Theater (2006) 36 (1): 45–47.
Published: 01 February 2006
... of the week we all came to the conclusion that the text was only half the piece, that Ivan’s collaboration with Viktor Ryzhakov and his own acting had completed the event in Russia. Moreover, the play was so Russian in its under- standing of post-9/11 issues that it appeared to need extensive rewriting...
Journal Article
Theater (2020) 50 (3): 1–3.
Published: 01 November 2020
... opportunities, but this resigna- tion alternated with fear. With no earned income, no public subsidy, and philanthropic donations vanishing amid a global economic meltdown, theaters not only contended with temporarily dark houses (as they did after 9/11); after just a few brutal, disorienting weeks, some...
Journal Article
Theater (2020) 50 (2): 63–77.
Published: 01 May 2020
... people. Spool backward. To November 2001, In Aberystwyth by the sea, In the afterglow of 9/11 Lin Hixson reads some old books she finds on a shelf. I particularly liked the instructions in the repair manual on how to re- grip a tennis goat island 67 Goat Island s When will the September roses bloom...
Journal Article
Theater (2005) 35 (1): 40–42.
Published: 01 February 2005
.... Not until George W. Bush became president and, in the wake of 9/11, started blithely sub- verting the Bill of Rights did I fully understand what Müller no doubt saw right away: the extremity of Mauser’s circumstances isn’t negotiable. Mauser’s dramatic fuel is its sense of emergency; the action is set...
Journal Article
Theater (2021) 51 (1): 1–2.
Published: 01 February 2021
... book Theory of the Border, three decades after the uptick in economic globalization with its promises of mobility, there are now more, not fewer, borders. The events of 9/11 and the wars that followed vastly expanded systems of surveillance and control to maintain divided zones. Contemporary social...
Journal Article
Theater (2007) 37 (2): 55–65.
Published: 01 May 2007
... about the Taliban in it. There were two large kelly stuart  In the Caryl Churchill play nonprofit theaters considering the play; both Far Away, two workers sit making elaborate had shown interest, but after 9/11, both the- whimsical hats...
Journal Article
Theater (2007) 37 (2): 117–120.
Published: 01 May 2007
... — of such performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the American theater’s relevance in times of national crisis by recalling how mainstream productions in New York City provided healing spaces in the weeks following 9/11. Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 121–124.
Published: 01 May 2007
... — of such performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the American theater’s relevance in times of national crisis by recalling how mainstream productions in New York City provided healing spaces in the weeks following 9/11. Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 125–129.
Published: 01 May 2007
... — of such performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the American theater’s relevance in times of national crisis by recalling how mainstream productions in New York City provided healing spaces in the weeks following 9/11. Each facet of Román’s project is neatly...
Journal Article
Theater (2007) 37 (2): 130–135.
Published: 01 May 2007
... — of such performances as John Kelly’s Joni Mitchell drag re-creations. Third, he defends the American theater’s relevance in times of national crisis by recalling how mainstream productions in New York City provided healing spaces in the weeks following 9/11. Each facet of Román’s project is neatly...
Journal Article
Theater (2010) 40 (3): 9–23.
Published: 01 November 2010
... of online video? And is it all about the technology? How might the popularity and intrigue of flash mobs be fueled by post-­9/11 apprehensions about urban vulnerability? In an era of terrorist-­threat advisory levels, antigovernmental militias, and Tea Party demonstrations, is it possible to stage...
Journal Article
Theater (2006) 36 (2): 1–3.
Published: 01 May 2006
..., Greece, Uruguay, Brazil, Paraguay, Haiti, Turkey, the Philippines, Guatemala, El Salvador, and, of course, Chile.” He was careful, however, to distinguish his political objections from the general anti-Americanism sweeping through Europe since 9/11. “Thousands, if not millions,” of American...
Journal Article
Theater (1992) 23 (2): 15–20.
Published: 01 May 1992
... of 9- 11 year which the participants' suggestions and concerns move the olds, who chose to work on the issue of conflict between drama forward. I find the British approach a more useful students and teachers. Using only the props available in educational model because of its potential...
Journal Article
Theater (2010) 40 (1): 47–55.
Published: 01 February 2010
... 43 1 Yvonne Rainer 2 3 4 5 6 Where’s the Passion? 7 8 Where’s the Politics? 9 10 Or, How I Became Interested in Impersonating, 11 12 Approximating, and End Running around My Selves and Others’, 13 14 and Where Do I Look When You’re Looking...
Journal Article
Theater (2017) 47 (2): 1–7.
Published: 01 May 2017
... over large swaths of Times Square. In post-­9/11 New York, Mayor Michael Bloomberg, a self-­made billionaire and technocrat, poured money into the arts, espe- cially capital projects, while presiding over a runaway real estate market driven by com- mercial developers. The result was that large arts...
Journal Article
Theater (2008) 38 (3): 23–37.
Published: 01 November 2008
... and censorship at the University of London. Artistic controversies almost always illuminate the public anxieties of their par- ticular eras, and it is hard to imagine that these scandals — international in orienta- tion and often religious in character — aren’t a product of the post-9/11 landscape. “I...