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Volume 52, Issue 3
November 1, 2022
Issue Cover
Issue Editors
Benoît Bolduc
Benoît Bolduc
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Sylvaine Guyot
Sylvaine Guyot
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Christophe Schuwey
Christophe Schuwey
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Tom Sellar
Tom Sellar
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ISSN 0161-0775
EISSN 1527-196X
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Decentering Molière

Up Front

Decentering Molière?
Tom Sellar
View articletitled, Decentering Molière?
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Articles

Decentering Molière: An Introduction
Christophe Schuwey; Sylvaine Guyot; Benoît Bolduc
View articletitled, Decentering Molière<span class="subtitle-colon">: </span><span class="subtitle">An Introduction</span>
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Le Plateau à l’œuvre: Staging Molière in a Time of Commemorations
Martial Poirson; Amanda Gann
View articletitled, Le Plateau à l’œuvre<span class="subtitle-colon">: </span><span class="subtitle">Staging Molière in a Time of Commemorations</span>
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A Constellation of Perspectives: Molière in the Eighteenth Century, as Told by the Actors of the Comédie-Française
Sara Harvey; Anna Sollazzo
View articletitled, A Constellation of Perspectives<span class="subtitle-colon">: </span><span class="subtitle">Molière in the Eighteenth Century, as Told by the Actors of the Comédie-Française</span>
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Molière and Mnouchkine: Figuring the Future through Filming the Past
Judith G. Miller; Rachel M. Watson
View articletitled, Molière and Mnouchkine<span class="subtitle-colon">: </span><span class="subtitle">Figuring the Future through Filming the Past</span>
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Queer Molière?
Lewis C. Seifert
View articletitled, Queer Molière?
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Decentering Disability: Louis Béjart’s Crip Social Gain, Onstage and Off
Jennifer Row
View articletitled, Decentering Disability<span class="subtitle-colon">: </span><span class="subtitle">Louis Béjart’s Crip Social Gain, Onstage and Off</span>
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Women Playwrights in the Time of Molière: A Gynocentric Vision of French “Classical” Theater
Edwige Keller-Rahbé; Amanda Gann
View articletitled, Women Playwrights in the Time of Molière<span class="subtitle-colon">: </span><span class="subtitle">A Gynocentric Vision of French “Classical” Theater</span>
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Molière and “Indiennes”: Taste in Louis XIV’s France
Faith E. Beasley
View articletitled, Molière and “Indiennes”<span class="subtitle-colon">: </span><span class="subtitle">Taste in Louis XIV’s France</span>
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Molière in Constantinople
Frédéric Tinguely; Amanda Gann
View articletitled, Molière in Constantinople
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The Mufti at Home
Rebekah Ahrendt
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Democracy versus Autocracy: A Re-examination of the Role of Company Leader (1658–80)
Jan Clarke
View articletitled, Democracy versus Autocracy<span class="subtitle-colon">: </span><span class="subtitle">A Re-examination of the Role of Company Leader (1658–80)</span>
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Acting the Rehearsal: Movement, Discourse, and Sentiment in Elvire Jouvet 40
Mark Franko
View articletitled, Acting the Rehearsal<span class="subtitle-colon">: </span><span class="subtitle">Movement, Discourse, and Sentiment in <em>Elvire Jouvet 40</em></span>
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What If “MOLIÈRE” Did Not Exist?: A Thought Experiment
Guy Spielmann
View articletitled, What If “MOLIÈRE” Did Not Exist?<span class="subtitle-colon">: </span><span class="subtitle">A Thought Experiment</span>
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Artist Roundtable

Everything Moves: Theater Artists on Molière and the Decentered Stage
Elizabeth LeCompte; Faustin Linyekula; Peter Sellars; Ashley K. Tata; Kate Valk ...
View articletitled, Everything Moves<span class="subtitle-colon">: </span><span class="subtitle">Theater Artists on Molière and the Decentered Stage</span>
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Productions and Events

Three Theatrical Games
Nicholas Orvis
View articletitled, Three Theatrical Games
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