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Volume 23, Issue 1

Winter 1992

ISSN 0161-0775

EISSN 1527-196X

In this Issue

Re/Criticism
The Play
Back of the Book

Re/Criticism

Re/Criticism: An Introduction

Steven Oxman

Postmodernism, or the Revenge of the Onanists

Framji Minwalla

“MEMOIRS of Africa”-Performance/text/politics

Rustom Bharucha

Critic and Designer in Conversation: A Talk with Ming Cho Lee

Gordon Rogoff

“LISTEN TO THE Pictures”-Robert WILSON & GERMAN THEATER CRITICISM

Douglas Langworthy

Beyond the Mirror-Stage: The New Historicism and Theatrical Power

Jesse Matz

Reinventing Yeats

Karin McCully

FIGMENTS OF THE Imagination: GEORGE Steiner's REAL PRESENCES

Michael Kinghorn

“FOR Me Dance Is Theater”—the Theatrical Language of Martha Graham

Karen E. Lordi

Towards a New Poetic Realism in Contemporary Theater

James Schevill

The Play

JOHN O'neal: DO START HIM TALKING

David J. Derose

Don't Start Me to Talking or I'll Tell Everything I Know: Sayings from the Life and Writings of Junebug Jabbo Jones

John O'Neal; Ron Castine; Glenda Lindsay

Back of the Book

DIONYSUS IN SANTA Barbara: WALLACE Shawn's EURIPIDEAN FEVER

W.D. King

Native Playwright: Tomson Highway

Gitta Honegger

Notes on Contributors

Photo Credits

Index to Volume Xxii, 1990–1991

Cover Image

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Front Matter
Table of Contents
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Speculum Orum: Shackled to the Dead

Truth and Translation at the Heart of Violence

Up Front: Seeing Pain Anew

Lucifer Is a Love Angel: Jim Findlay and the Salve for Suffering

Staging Scenes of Suffering: Metaphoric Ruminations on Strategic Dysfluency

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