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Volume 20, Issue 1

Winter 1988

ISSN 0161-0775

EISSN 1527-196X

In this Issue

New Translators, New Translations
The Play
The Back of the Book

New Translators, New Translations

Editor's Notes: New Translations, New Depression

Joel Schechter

PRINCES OF THE Clouds: JULIUSZ SLOWACKI AND KORDIAN

Marc Robinson

VICTIMS OF THE Rococo: MARIVAUX AND THE TRIUMPH OF LOVE

James Magruder

LOVE IN THE DURASIAN World: AN INTRODUCTION TO AGATHA

Gabrielle Cody

Sarraute's Silences

Liza Henderson

LENINGRAD MALY THEATER Company's BROTHERS AND SISTERS

Elise Thoron

NOT EXACTLY Disney: Gozzi's THE BLUE MONSTER

Mead Hunter

Gozzi in the Mainstream

Albert Bermel

The Smile of Guan Yin

Meiling Cheng

BREAKING THE Silence: NAWAL Assadawi's AL-Insan

Rachel Shteir

Poetry in the Theater: An Interview with Joseph Brodsky

Liza Henderson

The Play

The San Francisco Mime Troupe's: The Mozamgola Caper

Joan Holden; John O'Neal; Robert Alexander; Bruce Barthol

AN ANSWER TO THE Question, “WHEN ARE YOU GOING TO TRY WRITING A REAL Play?”

Joan Holden

The Back of the Book

Good and “B-a-D-D-D-D” Storytelling: John O'neal's Junebug Jabbo Jones

W.D. King

THEATER IN Hamburg: A MONSTER Tragedy/a TRAGEDY OF Monsters: PETER Zadek's LULU

John Rouse

From the Playwright's Hammer

Susan Yankowitz

Index to Volume Xix, 1987–88

Notes on Contributors

Books Recently Received

Photo Credits

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Table of Contents
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Ghent Manifesto

Play with Consequences?: Milo Rau’s Aesthetic of the Experience of Evil in Five Easy Pieces, The 120 Days of Sodom, and La reprise

Milo Rau in Africa

Milo Rau as Influencer: A New Realism in Theater

The Historical Feeling: Excerpts

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