In this article, Bertie Ferdman offers historical context for the recent prominence of curatorial practices in the presentation of performance. Discussing a range of alternative presenting models and bridges between the visual and performing arts, she traces the evolution of the performance curator from the logistic concerns of programming to more conceptual work.
Bertie Ferdman; From Content to Context: The Emergence of the Performance Curator. Theater 1 May 2014; 44 (2): 5–19. doi: https://doi.org/10.1215/01610775-2409482
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