In this article, Elizabeth Son discusses the broader social and political implications of the cross-cultural mode of collaboration employed by American choreographer Dean Moss and Korean sculptor Sungmyung Chun in co-creating their dance-installation piece, Nameless forest.
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Elizabeth W. Son; Touching Worlds: Performing the Cross-Cultural in and Through Nameless Forest. Theater 1 February 2012; 42 (1): 33–43. doi: https://doi.org/10.1215/01610775-1436517
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