In this article, Emily Coates proposes the concept of “intercultural kinesis” to describe the transnational collaborations; temporary, embodied onstage communities; and surprising juxtapositions of cultural heritages present in three productions brought to Yale University by the World Performance Project: Dean Moss and Sungmyung Chun's Nameless forest, Maria Jerez's The Case of the Spectator, and the Rude Mechs' The Method Gun.
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Emily Coates; Moving Between, Among, in the Midst: Intercultural Kinesis. Theater 1 February 2012; 42 (1): 11–19. doi: https://doi.org/10.1215/01610775-1436499
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