The following account of the final exchanges between The Living Theater and Paul Goodman is part of a biography of Goodman being written by Taylor Stoehr. For more than two decades Goodman, “the philosopher of the New Left,” as some called him, had been a supporter and collaborator with Julian Beck and Judith Malina, who had staged four of his plays and pointed to his anarchist thought as one of the sources of their revolutionary theater.

The text of this article is only available as a PDF.
You do not currently have access to this content.