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valenced perception

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Journal Article
The Philosophical Review (2021) 130 (4): 481–531.
Published: 01 October 2021
... is a conjunction of realism (colors are really out there in the objects to be perceived) and perceptualism (color experiences are perceptions of colors). But this is not the case with respect to the values allegedly revealed by p-valences. Pretheoretically, it’s far from obvious that Ethan’s pleasant visual...
Journal Article
The Philosophical Review (2012) 121 (3): 317–358.
Published: 01 July 2012
.... In chemistry textbooks, atoms are described as having valences, or valency numbers, which measure the number of bonds they can form. For example, an atom with a valence of 1 is missing an electron and can form a bond with another atom with a valence of 21 since the latter would have an electron to spare...
Journal Article
The Philosophical Review (2000) 109 (2): 290–293.
Published: 01 April 2000
..., in that it is a thesis about the char- acter of the truth conditions of assertions. It holds that truth conditions are determinate, but neither knowledge-transcendent (“recognition-tran- scendent” as Tennant sometimes put it) nor bivalent (or at least, that bi- valence may not be asserted...
Journal Article
The Philosophical Review (2010) 119 (3): 381–384.
Published: 01 July 2010
... features of art has concerned the extent to which aesthetic valence tracks moral valence—is a morally repugnant feature of an artwork thereby a pro tanto aesthetic flaw, for example? Guyer argues forcefully that neither Shaftesbury nor Kant employ the concept of aesthetic disinterest in a way...
Journal Article
The Philosophical Review (2010) 119 (3): 384–391.
Published: 01 July 2010
... contemporary interest in the ethical features of art has concerned the extent to which aesthetic valence tracks moral valence—is a morally repugnant feature of an artwork thereby a pro tanto aesthetic flaw, for example? Guyer argues forcefully that neither Shaftesbury nor Kant employ the concept...
Journal Article
The Philosophical Review (2010) 119 (3): 391–394.
Published: 01 July 2010
... features of art has concerned the extent to which aesthetic valence tracks moral valence—is a morally repugnant feature of an artwork thereby a pro tanto aesthetic flaw, for example? Guyer argues forcefully that neither Shaftesbury nor Kant employ the concept of aesthetic disinterest in a way...
Journal Article
The Philosophical Review (2010) 119 (3): 394–398.
Published: 01 July 2010
... features of art has concerned the extent to which aesthetic valence tracks moral valence—is a morally repugnant feature of an artwork thereby a pro tanto aesthetic flaw, for example? Guyer argues forcefully that neither Shaftesbury nor Kant employ the concept of aesthetic disinterest in a way...
Journal Article
The Philosophical Review (2010) 119 (3): 398–401.
Published: 01 July 2010
... features of art has concerned the extent to which aesthetic valence tracks moral valence—is a morally repugnant feature of an artwork thereby a pro tanto aesthetic flaw, for example? Guyer argues forcefully that neither Shaftesbury nor Kant employ the concept of aesthetic disinterest in a way...