Skip Nav Destination
Close Modal
Search Results for
music
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 132 Search Results for
music
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Journal Article
The Philosophical Review (2000) 109 (1): 141–144.
Published: 01 January 2000
...Gary Iseminger Cornell University 2000 MUSIC IN THE MOMENT. By Jerrold Levinson. Ithaca and London: Cornell University Press. 1997. Pp. xiv, 183. BOOK REVIEWS
states his case and ignores some important challenges to it, his book is
always fresh...
Journal Article
The Philosophical Review (2000) 109 (4): 608–614.
Published: 01 October 2000
...Jerrold Levinson Cornell University 2000 THE AESTHETICS OF MUSIC. By Roger Scruton. Oxford: Oxford University Press, 1997. Pp. xx, 530. BOOK REVIEWS
The Philosophical Review, Vol. 109, No. 4 (October 2000)
THE AESTHETICS OF MUSIC...
Journal Article
The Philosophical Review (2024) 133 (2): 113–149.
Published: 01 April 2024
...Nick Riggle A theory of aesthetic value should explain what makes aesthetic value good. Current views about what makes aesthetic value good privilege the individual’s encounter with aesthetic value—listening to music, reading a novel, writing a poem, or viewing a painting. What makes aesthetic...
Journal Article
The Philosophical Review (2000) 109 (1): 138–141.
Published: 01 January 2000
...Jenefer Robinson Budd, Malcolm. 1995 . Values of Art: Pictures, Poetry and Music. London: Penguin. Cornell University 2000 PHILOSOPHIES OF ARTS: AN ESSAY IN DIFFERENCES. By Peter Kivy. Cambridge: Cambridge University Press, 1997. Pp. xi, 242. BOOK...
Journal Article
The Philosophical Review (2013) 122 (1): 139–143.
Published: 01 January 2013
...Jenefer Robinson Kivy Peter , Antithetical Arts . New York : Oxford University Press , 2009 . vii +240 pp . © 2013 by Cornell University 2013 References Newcomb Anthony . 1984 . “ Once More ‘between Absolute and Program Music’: Schumann’s Second Symphony...
Journal Article
The Philosophical Review (2013) 122 (1): 144–147.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 119–122.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 122–125.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 125–128.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 129–131.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 132–134.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2013) 122 (1): 135–139.
Published: 01 January 2013
...,” that is, the view that absolute music, defined as
“music without text, title or program,” is to be understood and appreciated as
simply a structure of tones “enhanced” by expressive qualities such as sad or
happy. Unlike representational works of art that are typically about objects,
people, and situations based...
Journal Article
The Philosophical Review (2000) 109 (4): 614–617.
Published: 01 October 2000
... submit that inability to recognize significant musical
value in Philip Glass or U2 is indicative of a failure of taste as much as
inability to recognize the admittedly greater musical value of Bach, Jana-
cek, or Cole Porter. Nor does Scruton succeed in convincing me that the
musical impulse...
Journal Article
The Philosophical Review (2021) 130 (2): 303–307.
Published: 01 April 2021
... concerns when a pleasant experience brings a new desire into being. Past fleeting experiences of pleasure cannot reach through time to cause desires months or years later; cause and effect must be temporally contiguous (T 1.3.15.3). Either my pleasant experience of hearing music last month immediately...
Journal Article
The Philosophical Review (2013) 122 (4): 657–661.
Published: 01 October 2013
... ‘sufficient reasons’ in NIR to denote reasons in the narrower sense. A devoted father might have sufficient reasons to spend thousands of dollars on music lessons for his daughter and decisive reasons not to spend the money on a racehorse for himself (although he has a pro tanto prudential reason to buy...
Journal Article
The Philosophical Review (2006) 115 (4): 415–448.
Published: 01 October 2006
...-
tinguish sharply between the term and its occurrence. Here the confu-
sion is traceable to a larger confusion between an entire sentence and its
occurrence in a discourse. Consider the following discourse fragment:
(4) (i ) A comedian composed the musical score for City Lights.
(ii...
Journal Article
The Philosophical Review (2020) 129 (2): 159–210.
Published: 01 April 2020
... grapes, but having found out that they are out of his reach, he loses that preference, perhaps convincing himself that they are not that sweet after all. 22 A teenager shows some talent in music and in philosophy. What she would want to do most is to compose great music. With time, though...
Journal Article
The Philosophical Review (2000) 109 (1): 135–138.
Published: 01 January 2000
... that we should not seek to un-
derstand literature by drawing analogies with other art forms. Thus, liter-
ature should not be construed in general as a representational art like
painting. Nor should literature be compared to absolute music on the
grounds that its content...
Journal Article
The Philosophical Review (2021) 130 (1): 149–154.
Published: 01 January 2021
... “Aesthetics of the Senses,” continues the argument of chapter 1. The undeniably correct thesis of this chapter is that “Herder proposes, specifically, that different art forms—in the first instance, painting, sculpture, music—be understood as differentiated because each addresses a different sense...
Journal Article
The Philosophical Review (2003) 112 (4): 580–586.
Published: 01 October 2003
...
paper 11 (“Making Music Our Own”) as making its contribution in this area.
This paper, Sibley’s sole extended excursion into the philosophy of music, tries
to show how extra-musical descriptive language is appropriate in musical inter-
pretation, and thus raises, for music, some of the same issues...
1