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music

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Journal Article
The Philosophical Review (1 January 2000) 109 (1): 141–144.
Published: 01 January 2000
...Gary Iseminger MUSIC IN THE MOMENT. By Jerrold Levinson. Ithaca and London: Cornell University Press. 1997. Pp. xiv, 183. Cornell University 2000 BOOK REVIEWS states his case and ignores some important challenges to it, his book is always fresh and...
Journal Article
The Philosophical Review (1 October 2000) 109 (4): 608–614.
Published: 01 October 2000
...Jerrold Levinson THE AESTHETICS OF MUSIC. By Roger Scruton. Oxford: Oxford University Press, 1997. Pp. xx, 530. Cornell University 2000 BOOK REVIEWS The Philosophical Review, Vol. 109, No. 4 (October 2000) THE AESTHETICS OF MUSIC. By...
Journal Article
The Philosophical Review (1 January 2000) 109 (1): 138–141.
Published: 01 January 2000
... we should not seek to un- derstand literature by drawing analogies with other art forms. Thus, liter- ature should not be construed in general as a representational art like painting. Nor should literature be compared to absolute music on the grounds that its content is...
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 139–143.
Published: 01 January 2013
...Jenefer Robinson Kivy Peter , Antithetical Arts . New York : Oxford University Press , 2009 . vii +240 pp . © 2013 by Cornell University 2013 References Newcomb Anthony . 1984 . “ Once More ‘between Absolute and Program Music’: Schumann’s Second Symphony...
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 119–122.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 122–125.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 125–128.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 129–131.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 132–134.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 135–139.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 January 2013) 122 (1): 144–147.
Published: 01 January 2013
Journal Article
The Philosophical Review (1 October 2000) 109 (4): 614–617.
Published: 01 October 2000
... submit that inability to recognize significant musical value in Philip Glass or U2 is indicative of a failure of taste as much as inability to recognize the admittedly greater musical value of Bach, Jana- cek, or Cole Porter. Nor does Scruton succeed in convincing me that the musical impulse...
Journal Article
The Philosophical Review (1 October 2013) 122 (4): 657–661.
Published: 01 October 2013
... understand ‘sufficient reasons’ in NIR to denote reasons in the narrower sense. A devoted father might have sufficient reasons to spend thousands of dollars on music lessons for his daughter and decisive reasons not to spend the money on a racehorse for himself (although he has a pro tanto prudential...
Journal Article
The Philosophical Review (1 January 2000) 109 (1): 135–138.
Published: 01 January 2000
... absolute music on the grounds that its content is indistinguishable from its form, as A. C. Bradley claimed. On the one hand, form is quite distinct from content in literature, and on the other hand, absolute music does not have a content, and a fortiori its content cannot be indistinguishable from...
Journal Article
The Philosophical Review (1 January 2000) 109 (1): 144–147.
Published: 01 January 2000
... has to offer. Another key figure in “analytic” aesthetics, Arthur Danto, has drawn increasingly on Hegel in his recent “end of art” writings. All that said, there remain interesting essays here, many by scholars well known in analytic aesthetics. Peter Kivy traces the role of music in...
Journal Article
The Philosophical Review (1 October 2006) 115 (4): 415–448.
Published: 01 October 2006
Journal Article
The Philosophical Review (1 October 2003) 112 (4): 580–586.
Published: 01 October 2003
... themes. It is also useful, I think, to regard paper 11 (“Making Music Our Own”) as making its contribution in this area. This paper, Sibley’s sole extended excursion into the philosophy of music, tries to show how extra-musical descriptive language is appropriate in musical inter- pretation, and thus...
Journal Article
The Philosophical Review (1 October 2006) 115 (4): 549–555.
Published: 01 October 2006
...: Lexington. xix + 249 pp. Lines, David K., ed. 2005. Music Education for the New Millennium: Theory and Practice Futures for Music Teaching and Learning. Malden, MA: Blackwell. vii + 150 pp. 552 BOOKS RECEIVED Lizza, John P...
Journal Article
The Philosophical Review (1 January 2001) 110 (1): np.
Published: 01 January 2001
... Reason, reviewed by Michelle Grier 135 Gregory Landini, Russell’s Hidden Substitutional Theory, reviewed by James Levine 138 BOOKS RECEIVED 143 Correction In the last paragraph ofJerrold Levinson’s review of Roger Scruton’s Aesthetics of Music...
Journal Article
The Philosophical Review (1 January 2010) 119 (1): 127–133.
Published: 01 January 2010
... the Ancient Quarrel between Literature and Music. Oxford: Clarendon Press. ix + 275 pp. Koepsell, David. 2009. Who Owns You? The Corporate Gold Rush to Patent Your Genes. Blackwell Public Philosophy. Chichester: Wiley-Blackwell. ix + 187 pp. Korsgaard, Christine M. 2009. Self...