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vampire

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Journal Article
the minnesota review (2016) 2016 (86): 61–80.
Published: 01 May 2016
... critique, the film executes its social crisis through the logic of vampiric speciology, immunizing the present against the threat of radical transformation and restoring a “natural” social order. However, the biopolitical writings of Roberto Esposito offer us a way to discern the ineradicable utopian...
Journal Article
the minnesota review (2016) 2016 (86): 57–60.
Published: 01 May 2016
... in Buhle’s essay (to which Smith explicitly refers in his concluding paragraph) in a highly original reading of the 2009 dystopian vampire film Daybreak- ers. Smith focuses in particular on the film’s figuration of contempo- rary biopolitical and economic crises through its treatment of its three...
Journal Article
the minnesota review (2006) 2006 (65-66): 193–202.
Published: 01 November 2006
...); that process then repeats—indeed it can keep repeating ("nature" 156)—and the representation and contextualization of second nature appears as a third nature (153-56). Likewise hacking is "the production of production" ("production" 158), and abstract finance is the vampire of the vampire...
Journal Article
the minnesota review (2015) 2015 (84): 92–101.
Published: 01 May 2015
... . “ Gentrification and Its Discontents: Notes from New Orleans .” NewGeography.com (blog) , March 1 , www.newgeography.com/content/003526-gentrification-and-its-discontents-notes-new-orleans . Clayton Jace . 2010 . “ Vampires of Lima .” In What Was the Hipster? A Sociological Investigation , edited...
Journal Article
the minnesota review (2008) 2008 (70): 199–205.
Published: 01 May 2008
... Industry. Jason Miller: Profit of Doom: Of Vampires, Parasites and the Demise of Capitalism. Michael Ray Fitzgerald: Imperialim for Dummies. G. M. Tamás: A Capitalism Pure and Simple (from “East European Socialism” to Neo-Liberalism). SPECIAL SECTION: San Francisco International Poetry Festival...
Journal Article
the minnesota review (2009) 2009 (71-72): 269–276.
Published: 01 May 2009
... with Halloween costumes to the appeal of the carnivorous Alice Cooper, the seductive androgyny of Mick Jagger, and the sexual thrill of vampire movies. Fiedler’s straying from literature culminated in what was to be his final critical work, 1982’s What...
Journal Article
the minnesota review (2008) 2008 (70): 141–151.
Published: 01 May 2008
... numerous screen-credits form an eclectic mix: the horror-fantasies Mark of the Vampire (1935) and Devil Doll (1936), the noir-romance Tomorrow is Another Day (1951), the Academy Award-nominated Story of G.I. Joe (1945), and The Song of Russia(1944), a US-government...