...Sophia A. McClennen; Christian P. Haines; Peter Hitchcock The violence that surrounded the 2016 Standing Rock protests was clearly a sign of a militarized police state protecting profit over people, but it was also a reminder of a long legacy of systemic racism toward the first peoples...

... about genuine value precisely because they have attended so closely to the markets structuring cultural production. What ultimately stands out in recent scholarship on economics and literature is its turn away from complex accounts of the nature of literary form and its turn toward considerations...

... is that wounded (white) masculinity stands in need of healing through a return to battle and conquest. Copyright © 2019 Virginia Tech 2019 celebrity masculinity wounding innocence violence Works Cited Baldwin James . 1993 . Nobody Knows My Name . New York : Vintage . Barthes...

.... This article considers the use of the idea of a commons in water and atmosphere in the 2016 protest on the Standing Rock Sioux Reservation against the construction of the Dakota Access Pipeline. It also contextualizes the concept of the commons in relation to the historical expropriation of land from native...

...—while writing—and reading—about it makes us stand still. Creativity is represented by ideas on the move, messy, nonlinear, embodied, and in-between. And so, if ideas could describe this movement, what would they say? glaveanu@webster.ch paubertin@enc.qc.ca veronique_richard03@hotmail.com...

... next to another a being, a number of breaths, breathing a number of lives The poem wrote itself: it was light * Candlelight. We stood here, circled for Deah, Yusor, and Razan. Candlelight. We stand in the same circles for names we don t know yet. My Twitter is blowing up (as a Muslim I can t say...

... the horn in first because it gives everything more flavor. “God lover,” Bev says, and she belts him in the arm. Walter stands there, straddling his ten-speed and rubbing his arm. “I don’t get it,” he says. Bev yanks him off his ten-speed and puts him into a headlock and starts cranking...

... all. But you probably don’t know about the jealousy and the lob- bying, the politics of who gets whom and who stands where. There is a lot of this. After all, once the females leave, there is not much left for us to do. So at first, I refuse to believe it. Clearly the work of an under...

...Suzanne Roszak © 2015 Suzanne Roszak (née Hopcroft) 2015 Suzanne Roszak Copyright She is a body, and she is not at rest. When she hugs and then abuses and then hugs the microphone stand, throwing its welterweight to stage left with a ritual...

.... The first half of The Prosthetic Impulse deals with the relationship between language and the corporeal. Vivian Sobchack, in “A Leg to Stand On,” observes that prosthesis as language has saturated the reality of lived experience. In her discussion of the athlete/model Aimee Mullins, Sobchack...

... from the dollar store until next month. Past the lemon and orange shake-up stands, the band shell where tonight the revival band will sing in glittering sequined jackets. Past the old wooden stadium where pigeons question the rafters and a few kids roam the splintering bleachers, pinging...

... them, their guards in sartorial navy blue can only say: Excuse me, could you please stand back stand back please. ...

... the hands are dark, outside a man stands inside night Jesus walks in black, land so flat blue presses down, teach us how to rise, anoint with oil the feet and jeweled crown of Clifton Chenier as Gabriel gives Satchmo his horn to blow us through the whirlwind, Kingdom come, Jesus...

...Eric Gudas © 2006 the minnesota review 2006 24 the minnesota review Eric Gudas 945 Pecan Place Since ten you’ve been standing behind a cash register, passing vermicelli, skim milk, chicken breasts, and bottles Of carbonated water over...

... to their conversations with other people. For Robbins, the problem of the intellectual begins on that social level, with Said’s trope of “The great modern or, if you like, post-modern fact, that of standing outside of cultures” (Robbins 62). Because she must always establish a distance from...

... above the glass so they don t leave smears, you stand on your dad s chair and trace the rainbow of dots scattered across the water. January is blue, a small chart in the bottom corner tells you. May is green. Red for June. Orange for July. Brown and purple and black into autumn. They cluster around...

... pale blue: and tall, a good foot taller than I was —​am —​with an unnoticing grace. I am nineteen, standing behind the Coach counter at Macy’s Herald Square. This feels like my first real job: I take a bus to the city; I wear a suit. I ask strangers if I can help them...

..., noting places she had hoped to visit. She traced a line on the page, from the place where she was standing to a spot on the opposite bank of the river. Looking over the turrets of the Louvre, she calculated that it was about a mile and a half away. She started walking. Eric had blind-sided...

... —​a relationship that, in contemporary terms, would be understood as an aesthetic —​is rarely made explicit in medieval texts. Medieval accounts of sensation focused instead on the relationship between the human senses and divinity as various thinkers sought to under- stand the meaning of embodiment...

... carrying buckets of paint cans to the back when Sunday yells from the other side of the fence. “All this stuff. How can you stand it? You’re gonna get rats.” She puts one arm on top of the other, covering the lion at the top of the gate. In her red shorts, Sunday’s skin presses through...