... . Woolf Virginia . 1927 . To the Lighthouse . Project Gutenberg Australia , September 2008 . https://gutenberg.net.au/ebooks01/0100101.txt . Special Section: Mobilizing Creativity, Part 1 Helen Palmer The Light of Which It Speaks Creativity, Modality, Perception PLOT FAMILIENGRÄBER...

..., is that each of these newer philosophies exhibits a very strong humanism and a rather traditional ontology in that they claim to hear things “speak,” recording things’ voices, registering their presence, and heeding their indifference. Indeed, this ontology is so traditional as to be just another instance...

..., however, is ultimately ambivalent because it depends on his position as an artist-critic; thus, rather than endorsing an alternative method, the essay, following Coetzee's imperative to “speak without authority,” simply leaves the question provocatively open. Works Cited Attwell David . 2006...

... or speaking English as a second (or third or fourth) language. The term global Englishes refers to a multiplicity of distinct but mutually intelligible dialects or strands of English adapted to the specific locale and usage of a given population. Examples include Singlish (Singapore), Turklish (Turkey...

... the material possibilities of “common singularity” to entwine and illuminate specific traditions of radical thought, which might speak to a commonism in more than name. Copyright © 2019 Virginia Tech 2019 commons Marxism communism singularity Communist Manifesto Works Cited Caffentzis...

... and profoundly affected by how individual professors interpret their freedom to teach, conduct research, disseminate scholarship, speak in public on controversial issues, or criticize institutional policies and practices. Given that college professors use various definitions of academic freedom...

...Imre Szeman Does it make sense to speak of a global cultural studies? This review essay examines the apparent critical aversion to such a category by exploring the approaches taken by two books that consider the state of cultural studies in the global era. Ackbar Abbas and John Nguyet Erni's...

...Peter Zhang Thematically speaking, this theoretical article draws on Vilém Flusser’s work on dialogue, the apparatus, and functionalism and Gilles Deleuze’s work on control societies, cybernetic machines, and lines of flight to problematize creativity. While promoting creativity, autocreativity...

... monographs in different ways speak to this transitional and contradictory period in American literary production: Stephen Schryer’s Fantasies of the New Class: Ideologies of Professionalism in Post-World War II American Fiction (2011), Michael Szalay’s Hip Figures: A Literary History of the Democratic Party...

..., that is, an apologia for science. The subject composing and Bühlmann 97 delivering this apologia is science itself, science being subjected to science. The apologia at stake is one that can only be formulated by nature a s a p ublic affair, a nd i n defense of itself, by speaking up through science...

...Adam Day © 2016 Adam Day 2016 Adam Day From an Interview with Kenzaburo Oe, with Stage Directions from Synge’s Riders to the Sea During the Battle of Okinawa       the Japanese    army (spinning the wheel rapidly): order the people (speaking very...

..., equally confounding, sense of its limits?2 We might see anthropos and its related term anthropogenic, then, as words that speak to the nonidentity and internal estrangement that accompany this species-wide agency. If, as Dipesh Chakrabarty has argued, the Anthropocene necessitates a new...

... quantum-swappings of electric charges. It is inadequate to speak of exchange here, as there is no reference state that is well balanced and that could be approximated —​at least ideally. And by the same token, it is no longer a metaphoric manner of speaking when we say that messages are being...

... on the lyric shows a strong preoccupation with Emman- uel Levinas’s notion of radical alterity, the New Lyric Studies tends to eschew questions about the Other in favor of questions about com- munity.8 “In what circumstances and in what terms might the poet speak of ‘we writes Bonnie Costello in her...

..., so I too can let go. Of hate. Let go. Tell me. We are torn. The teeth of a locust are the teeth of a lion are the teeth of carbon. The pattern maker. Maybe you are free because you are free to remember or because you remember as if you were a mother. I can t remember which is true. You speak every...

... to speak back, provoking and triggering our imagination. It challenges our imagination as well. What we do with plastic is also what we cannot think of doing with it. Plastic, in its historical and affective ways, builds both transparency and opacity; the opacity comes from the unknown and unrealized...

...) and Laura Jean McKay's more recent novel The Animals in That Country ( 2020 ) step readers directly into the terrain of multispecies heteroglossia where language simultaneously speaks to and of multiple, multispecies perspectives. Short stories such as Isaac Bashevis Singer's “Cockadoodledoo” (1978...

...-American Case I was recently invited to speak on a panel entitled “The Intergenerational Transmission of Trauma” as part of a conference hosted by the International Trauma Studies Program in New York. I’m a writer, and my first two novels have explored the intergenerational effects...

... that the humanities actually are influencing public policy and that, among other things, they give the corporate world a set of ideas and ways of speaking that it pursues mercilessly and, of course, profitably. In other words, you don’t see the liberal arts as irrelevant to business and the state...

... and also speak to refugitude, Khatharya Um s and the Critical Refugee Stud- ies Collective s articulation of material and existential refugee experi- ences, which represent much more than mere politico-legal statuses (see Um and Gaspar 2016; Critical Refugee Studies Collective n.d The articles...