...Mia S. Willis Mia S. Willis A DESCRIPTIVE GRAMMAR ABOUT GENDER. a. boy and boi are homophones distinguishable only by their context. ex. police officer to my father: where are you coming from, boy? ex. lover s hand to my cheek: where are you coming from, boi? b. the sequence of sounds [t...

...Mia You “Rouse the Ruse and the Rush” is a long poetic sequence the author composed between 2020 and 2021, amidst various waves of COVID-19 outbreaks and the acceleration of “pro-life” efforts in the United States to restrict access to abortions at local levels and, ultimately, to overturn Roe v...

... Babilonia was translated into English by Aaron Robertson and released 2019, with an introduction by Jhumpa Lahiri.) She is the edi- tor of the literary anthology Anche Superman era un rifugiato (Even Superman Was a Refugee) (2018). Her autobiographical/nonfiction works La mia casa è dove sono (My Home...

..., Moon City Review, Passages North, and Fairy Tale Review. Mia S. Willis is a Black performance poet from Charlotte, North Caro- lina, whose work has been featured in Adroit Journal, homology lit, 140 the minnesota review VIDA Review, Narrative Northeast, Recenter Press Poetry Journal, Slam- find...

... chickens next year. I still love teaching English, I tell Tina, but the love of my life is our ten-month-old poodle, Mia, who smiles literally smiles! when I come home from work. Remember Heritage Pointe? Tina says. She pronounces Pointe Pointee the way we did as teenagers when we worked...

... media combines perspectives from (digital) media and performance studies and contributes to the interdisciplinary methodological development of the creative humanities. Contributors 155 Mia You teaches Anglophone literature at Utrecht University and is a tutor in the Critical Studies program...

.../merpeople narratives in Hooked on Mermaids: Recuperating Personal Passion as Scholarly Research. Finally, Mia You in Mobilizing Still Life and Still Lives through Lyric: On Rouse the Ruse and the Rush uses the creative mode of linguistic inquiry, poetry, to build a new vocabulary for attending...

... censura e rapporti di potere nelle autobiografie collaborative .” Between 5 , no. 9 : 1 – 28 . Rothberg Michael . 2019 . The Implicated Subject: Beyond Victims and Perpetrators . Stanford, CA : Stanford University Press . Scego Igiaba . 2010 . La mia casa è dove sono . Milano...

... (2016) and coeditor of a special issue of Scholar and Feminist Online titled Feminist and Queer Afro-Asian Formations (2018). Igiaba Scego is the author of numerous works of fiction and nonfiction, and her memoir La mia casa è dove sono won Italy s prestigious Mondello Prize. She is a frequent...

... was so intense every last man was vaporized and all they could find later on were tiny pieces of metal, hair and bone matted together like some new animal. They couldn’t find his dog tags so they listed him MIA ’til ’55 when they finally declared the whole unit KIA...

... of bub- bles that instantly disappear inside her palms. That is when I see it. Her hairline sits slightly askew. I step into the water, holding my breath as I do, afraid that what- ever is hurting Marnie will now seep into me. * She grabs the car keys and ushers me out the front door. An arrhyth- mia, I...

... in 1930s New Jersey, a bedraggled housewife named Cecila (Mia Farrow) finds relief from privation and a loveless marriage by going to the movies and indulging fantasies about lives more privileged and glamorous than her own. Much of the popular culture of the Depression seems escapist...

.... It means the guy who did this was a fucking moron. I broke his ass in two when I saw what he did. He told me how it was misspelled, how it should have been MIA for his friends who were Missing in Action, but some day he d have kids and name them Powell and Mai and everything would be all right. You...