...John Sullivan © 2006 the minnesota review 2006 John Sullivan Kitty and Hal The second the slide popped into view, Kitty gave a little squeal. "Eeep!" she went, like a squeaky toy. Hal glanced over as the truck jostled them along—she was pressed into the passenger side...

... girdling her in a hal- lowed sheath. 6. Inscriptions Of It began with a girl that was once a ghoul, a stone, a goddess. Some- times, it began with a girl that was once a woman, but no one could say otherwise. # © 2021 M. L. Krishnan 2021 ...

... . 1996 . Evictions: Art and Spatial Politics . Cambridge, MA : MIT Press . e-flux journal , ed. 2010 . What Is Contemporary Art? Berlin : Sternberg . ———. 2011 . Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art . Berlin : Sternberg . Foster Hal , ed...

... the world for everyone. In this way hackers can redeem themselves too from their having taken part, rather willingly ("property" 196), in the production of HAL and iTunes. The vector is any means for transporting things and bringing about change (313). It is the potential to make anything...

... pragmatically unpleasant. Okay, okay, we’re getting ahead of you. Let’s take that piece of burned toast first. Baby steps, right? You might try The Cavalier, a smile we recommend for the professional on the go, so named after Frans Hals’s portrait The Laughing Cavalier, a smile that can’t be bothered...

... why. But since why is difficult to handle, one must take refuge in how.” —Toni Morrison, The Bluest Eye (1974) “Getting there is half the fun, being there is all of it.” —One of several taglines for Hal Ashby’s Being There (1979) PREQUEL Six of us were sitting in the living room...

... (2003), and Brokeback Mountain (2004). Alongside those, he has had a hand in producing a score of notable independent films by Edward Burns, Todd Haynes, Hal Hartley, Paul Schrader, Cindy Sherman, and Todd Solondz, such as Haynes’s Safe (1995), Burns’s She’s the One (1996), and Schrader’s...

....” But while the hard-driving 1977 action comedy Smokey and the Bandit (dir. Hal Needham) might seem a bizarre intertext for a futuristic vam- pire dystopia, the Firebird’s incongruous appearance functions here as a symbolic cultural shorthand that sutures the restorationist agenda of the surviving...