... on what the focus of their discussion should be. As the lizards become more creatively inspired, several other characters appear and add their own perspective, and through the liveliness of conversation and the difference of voices there emerges a kind of “chameleonics” in which multicolored light...

...Kiene Brillenburg Wurth; Iris van der Tuin; Nanna Verhoeff Special Section: Mobilizing Creativity, Part 1 Kiene Brillenburg Wurth, Iris van der Tuin, Nanna Verhoeff Introduction to Mobilizing Creativity, Part 1 A Humanities Perspective Every inventive nature continuously produces one shape...

...Coco Kanters This article analyzes efforts to institute professionally designed alternative currencies in European cities as acts of creative experimentation. The alternative currency consultants, or “the Money Makers,” experiment profusely with alternative moneys. As such, they have instituted...

...Véronique Richard; Vlad Glăveanu; Patrice Aubertin Creativity is not linear, but writing about it often is. Creativity is messy; writing about it is not. Creativity lives in the in-between; writing about it points to the space within. Creativity involves movement—it is, in fact, a form of movement...

...D. N. Rodowick This article argues in favor of misreading as a creative act. There is something involuntary in every creative act, and this involuntariness is itself a force of creation that arrives at the threshold of every act of repetition in and through time. Creativity is always shaped...

...Anna Poletti This article considers zine making as a form of independent literary production that can offer new insights into the understanding of creativity in literary studies and the humanities more broadly. It situates zines as a form of literary writing, reading, and distribution that cannot...

... in the Humanities: A Rough Guide . Toronto : University of Toronto Press . Bennett Eric . 2015 . Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War . Iowa City : University of Iowa Press . Brillenburg Wurth Kiene . 2023 . “ Creativity .” In Key Concepts...

...Elaine Frantz In the 2010s social justice workers and incarcerated men of color worked on a book project that would be published as Life Sentences in 2019. As one of the editors of Life Sentences , the author of this article looks back at the process, considering its authors, creativity behind bars...

...Peter Zhang Thematically speaking, this theoretical article draws on Vilém Flusser’s work on dialogue, the apparatus, and functionalism and Gilles Deleuze’s work on control societies, cybernetic machines, and lines of flight to problematize creativity. While promoting creativity, autocreativity...

...? Or, the Culture Wars Didn’t Go Away: A Conversation with Martha Wilson .” ASAP/Journal 5 , no. 3 : 597 – 614 . Copyright © 2022 Virginia Tech 2022 [email protected] Jonathan P. Eburne What Will You Make? The Bookstore as a Critical-Creative Act All organizing is science fiction. Walidah...

... Simon J. . London : Penguin . Copyright © 2022 Virginia Tech 2022 [email protected] Nicholas Royle Creative Critical Creative critical is not a term I have ever used. I would prefer not to. In the same breath I imagine Bartleby saying so too, for example, when he is confronted...

...Ranjan Ghosh Copyright © 2022 Virginia Tech 2022 [email protected] Special Section: Revaluation Ranjan Ghosh Introduction to the Special Focus Section Creative Critical To Be or Not to Be What and how does one write for a journal of creative and critical writing ? A creative...

.... Wade at a national level. The primary motif of this poem is the work of eighteenth-century Dutch still-life painter Rachel Ruysch. Through creatively rendering (or reworking) her images, alongside other sources, into lyric verse, the poet attempts to produce textual and sonic arrangements akin...

...Jessica Pressman This article is part reflection on how academic disciplines can stymie creative scholarship and part critical effort to break out of that orientation to reclaim the author’s personal passion for mermaids as subject for scholarly analysis. Pressman argues that contemporary mermaid...

... by owners but rather upon tenuous control over the commons and creativity of the multitude. Examining the concept of general intellect through a comparison of the readings of such writers as Michael Hardt, Antonio Negri, Paulo Virno, Nick Dyer-Witheford, and Greg de Peuter with Marx's theorization...

... to perform across a perceived divide and audiences to make direct comparisons of avian and human musicians. As songbird aesthetics emerge in the concert hall, they challenge hierarchies of creative power. Night Songs folds concepts of multispecies justice into storytelling. This rich, varied, and often...

... Contributors Creative Daniel Biegelson is an instructor of creative writing and literature at Northwest Missouri State University, where he also serves as director of the Visiting Writers Series and an editor for the Laurel Review. He is the author of the chapbook Only the Borrowed Light. His...

... Contributors Creative Samuel Amadon is the author of Listener and Often, Common, Some, and Free. He directs the MFA program at the University of South Carolina, where, with Liz Countryman, he edits the poetry journal Oversound. Raegan Bird (cover artist for this issue) is a writer and artist...

... Copyright © 2023 Virginia Tech 2023 Contributors Creative Mara Beneway is a writer, visual artist, and teacher from New York. Her p oems h ave a ppeared or a re f orthcoming i n t he B ennington Review, Conduit, Foglifter, and elsewhere. Her collection of linked flash fiction, Grandma June...

...Loren Glass © 2009 the minnesota review 2009 Works Cited Adams J. Donald . “A New Voice in American Poetry.” New York Times Book Review 29 July 1934 : 1 . Bradbury Malcolm . “The Bridgeable Gap: Bringing Together the Creative Writer and the Critical Theorist...