...Kiene Brillenburg Wurth; Iris van der Tuin; Nanna Verhoeff i.vandertuin@uu.nl K.Wurth@uu.nl N.Verhoeff@uu.nl © 2023 Virginia Tech 2023 Works Cited and Selected Bibliography for This Issue Alexenberg Mel . 1981 . Aesthetic Experience in Creative Process . Ramat Gan...

...D. N. Rodowick This article argues in favor of misreading as a creative act. There is something involuntary in every creative act, and this involuntariness is itself a force of creation that arrives at the threshold of every act of repetition in and through time. Creativity is always shaped...

...Anna Poletti This article considers zine making as a form of independent literary production that can offer new insights into the understanding of creativity in literary studies and the humanities more broadly. It situates zines as a form of literary writing, reading, and distribution that cannot...

...Coco Kanters This article analyzes efforts to institute professionally designed alternative currencies in European cities as acts of creative experimentation. The alternative currency consultants, or “the Money Makers,” experiment profusely with alternative moneys. As such, they have instituted...

...Véronique Richard; Vlad Glăveanu; Patrice Aubertin Creativity is not linear, but writing about it often is. Creativity is messy; writing about it is not. Creativity lives in the in-between; writing about it points to the space within. Creativity involves movement—it is, in fact, a form of movement...

... on what the focus of their discussion should be. As the lizards become more creatively inspired, several other characters appear and add their own perspective, and through the liveliness of conversation and the difference of voices there emerges a kind of “chameleonics” in which multicolored light...

...Ranjan Ghosh weransum@yahoo.co.in Copyright © 2022 Virginia Tech 2022 Special Section: Revaluation Ranjan Ghosh Introduction to the Special Focus Section Creative Critical To Be or Not to Be What and how does one write for a journal of creative and critical writing ? A creative...

... : xiii – xxix . Wells H. G. (1910) 2005 . The History of Mr Polly , edited by James Simon J. . London : Penguin . Nicholas Royle Creative Critical Creative critical is not a term I have ever used. I would prefer not to. In the same breath I imagine Bartleby saying so too...

... Eburne Jonathan P. . 2020 . “ Whose Autobiography? Or, the Culture Wars Didn’t Go Away: A Conversation with Martha Wilson .” ASAP/Journal 5 , no. 3 : 597 – 614 . Jonathan P. Eburne What Will You Make? The Bookstore as a Critical-Creative Act All organizing is science fiction. Walidah...

... by owners but rather upon tenuous control over the commons and creativity of the multitude. Examining the concept of general intellect through a comparison of the readings of such writers as Michael Hardt, Antonio Negri, Paulo Virno, Nick Dyer-Witheford, and Greg de Peuter with Marx's theorization...

... © 2020 Virginia Tech 2020 Contributors Creative Daniel Biegelson is an instructor of creative writing and literature at Northwest Missouri State University, where he also serves as director of the Visiting Writers Series and an editor for the Laurel Review. He is the author of the chapbook...

... © 2023 Virginia Tech 2023 Contributors Creative Samuel Amadon is the author of Listener and Often, Common, Some, and Free. He directs the MFA program at the University of South Carolina, where, with Liz Countryman, he edits the poetry journal Oversound. Raegan Bird (cover artist...

...Loren Glass © 2009 the minnesota review 2009 Works Cited Adams J. Donald . “A New Voice in American Poetry.” New York Times Book Review 29 July 1934 : 1 . Bradbury Malcolm . “The Bridgeable Gap: Bringing Together the Creative Writer and the Critical Theorist...

... © 2021 Virginia Tech 2021 Contributors Creative D. M. Aderibigbe is from Lagos, Nigeria. His debut book of poems, How the End First Showed (2018), won the Brittingham Prize in Poetry and a Florida Book Award, and it was the finalist for the Glenna Luschei Prize for African Poets. He has...

... © 2017 Virginia Tech 2017 Contributors Creative Allison Adair’s recent poems appear in American Poetry Review, Best New Poets, Boston Review, Greensboro Review, Mississippi Review, Mis- souri Review, Shenandoah, Southwest Review, and Third Coast, among other journals. Adair...

... asunder. Smith s getting off the train and Mrs. Brown s sitting huddled in her emotions at the corner of the train throw a vibrant canvas at Woolf to imagine, think beyond the crustiness of the present, and experience a range of emotions and moments of creative transcendence. This is an overwhelming...

... has the potential to bring into productive dialogue critics and activists who variously emphasize economic exploitation, prioritize labor organizing, focus on intellectual and creative aspirations, and direct attention to research. With its unabashed commitment to social...

... Copyright © 2019 Virginia Tech 2019 Contributors Creative Bryce Berkowitz teaches at Butler University. His work has appeared or is forthcoming in Best New Poets, Sewanee Review, Ninth Letter, Third Coast, Nashville Review, Passages North, Pinch, Sugar House Review, Hobart, Barrow Street...

... © 2021 Virginia Tech 2021 Contributors Creative Sean Cho A. is the author of American Home, 2020 winner of the Autumn House Publishing Chapbook Contest. His work can be found in Pleiades, Penn Review, Massachusetts Review, Ninth Letter, and Nashville Review, among other publications. He...

... Contributors Creative Cameron Barnett holds an MFA from the University of Pittsburgh, where he was poetry editor for Hot Metal Bridge and co-coordinator of Pitt’s Speakeasy Reading Series. He currently is an associate poetry editor for Pittsburgh Poetry Review. His poems have...