This article examines the various limits of knowledge in Chaucer’s Pardoner’s Tale as a critique of finitude in object-oriented philosophy and speculative realism. The phrase “death shall be dead” is the form of the receding limits that emerge when finitude is revoked, the lack of content that is a sign of a finitude still to come. The materialisms of the Tale assert a limit that does not arrive because they begin with the inexhaustible limitations of form.
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© 2013 Virginia Tech
2013
Issue Section:
Special Focus: The Medieval Turn in Theory
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