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watercolor

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Journal Article
South Atlantic Quarterly (2021) 120 (2): 363–367.
Published: 01 April 2021
...Finn Enke Watercolor and ink help me dwell with the porousness of all morphologies emerging through birth/death, living/nonliving, dis/ability, interbeing, visible and nonvisible embodiments, and the passages of time. In real life, numerous non-trans people have told me that gender transition gives...
Journal Article
South Atlantic Quarterly (1967) 66 (2): 195–203.
Published: 01 April 1967
.../4x39-3/8" (Nolde Foundation, Seehill), 1917. Windmill on the Shore Lithograph (printed in black from two stones); 23-7/8x30-13/16" (collection, The Museum of Modern Art, N. Y 1926. Blue Iris Watercolor; 19x14" (collection, Mrs. Bliss Parkindon, N. Y Scribes !'Siv "Woman in Bright Light...
Journal Article
South Atlantic Quarterly (2007) 106 (3): 533–542.
Published: 01 July 2007
... with Rifles). Henry Darger (1892–1973). Chicago, Illinois; mid-twentieth century. Watercolor, pencil, and carbon tracing on pieced paper. 24 × 743/4 inches. Collection of American Folk Art Museum, New York. Gift of Nathan and Kiyoko Lerner. 1995.23.1b. Copyright Kiyoko Lerner. Photo by Gavin Ashworth...
Journal Article
South Atlantic Quarterly (2017) 116 (1): 33–37.
Published: 01 January 2017
... to several nylon straps taken from a couple of old duffle bags. I strap the makeshift unit on my chest over my 1 winter coat and center the camera over my sternum. I grab my 10” x 14 /8” pad of heavyweight watercolor paper, close the door...
Journal Article
South Atlantic Quarterly (1952) 51 (2): 246–252.
Published: 01 April 1952
... gallery also showed paintings, watercolors, and drawings by the immensely gifted Egon Schiele, an artist who forms a link between the neoromantic Klimt and the exuberant expressionist Kokoschka. In 1951 the gallery showed the work of Roswitha Bitterlich, who in the thirties was hailed as a child prodigy...
Journal Article
South Atlantic Quarterly (1999) 98 (4): 655–668.
Published: 01 October 1999
... are both the grand tradition oflandscape in art and the works best able to withstand long periods of public exhibition, watercolors, drawings, lithographs, engravings, and photographs all have very different things to say about landscape with no loss of aesthetic quality. Prints were signifi­ cant...
Journal Article
South Atlantic Quarterly (1970) 69 (4): 461–468.
Published: 01 October 1970
... Gallery to fifty-nine of the master s oils, pastels, gouaches and watercolors, ranging from a Fauve still life of 1907 to pictures com­ pleted just before his death. Reviewing this show, the Arts Maga­ zine critic singled out for praise especially the futurist-cubist pic­ tures Weber had done after his...
Journal Article
South Atlantic Quarterly (1948) 47 (3): 405–406.
Published: 01 July 1948
... discovered nor named on July 20, 1793 (p. 62). 406 The South Atlantic Quarterly Across the Wide Missouri is an interesting book, and, in Spite of the crowding, a readable one. The ninety-six pages of contemporary watercolor paintings sumptuously disclose a phase of Western life that may well appeal...
Journal Article
South Atlantic Quarterly (1948) 47 (3): 406–407.
Published: 01 July 1948
... of the crowding, a readable one. The ninety-six pages of contemporary watercolor paintings sumptuously disclose a phase of Western life that may well appeal to everyone. Harry R. Stevens. Men of Law: From Hammurabi to Holmes. By William Seagle. New York: The Macmillan Company. 1947. Pp. 391. $5.00. This book...
Journal Article
South Atlantic Quarterly (1986) 85 (1): 89–90.
Published: 01 January 1986
... is one of his favorite words). He likes to quote the poets and describe watercolors picked up in Norwich antique shops. He is as devoted as Dickens to colorfully aged characters in cozy locales: There are some grand old folk in these parts [the Cotswolds]. By the famous old church at Campden are some...
Journal Article
South Atlantic Quarterly (1942) 41 (1): 76–87.
Published: 01 January 1942
... taking which brings to thousands the unparalleled beauty of Au­ dubon s great watercolors. The writer, who has lived for over twenty years with a dozen or so of the great folio aquatints hung on the walls of his house, can testify that the natural charm of their birds and flowering shrubs, each plate...
Journal Article
South Atlantic Quarterly (1969) 68 (3): 343–362.
Published: 01 July 1969
.... The subjects are landscapes, almost all with figures involved in work or activities typical of Lafayette County in the late nineteenth and early twentieth centuries. For example, there are watercolors entitled Weighin In (of cotton), Grabling (a form of fishing), and Carnival Time: Balloon Ascension...
Journal Article
South Atlantic Quarterly (2010) 109 (1): 197–219.
Published: 01 January 2010
... 16, 1976, I did not dig them up. I left them behind. Coming to my house and sitting in the cool shade of my veranda, I took out some watercolor paper and a box of fiber-tip pencils with watercolors that had been given to me earlier by a friend. I began to draw in complete abstraction, simple...
Journal Article
South Atlantic Quarterly (2007) 106 (3): 543–551.
Published: 01 July 2007
.../00382876-2007-013  © 2007 Duke University Press 544  José Esteban Muñoz new book, Tony Sleeping.1 The small orange book is made up of twelve images, all of my friend sleeping. Included are two color photos, five black- and-white photos, one watercolor painting, one oil painting...
Journal Article
South Atlantic Quarterly (2001) 100 (1): 15–39.
Published: 01 January 2001
... and Renaissance epics. Figure  reproduces Theodor de Bry’s engraving of John White’s image of a Pictish woman warrior that White included in his series of watercolors depicting the lost colony at Roanoke. De Bry’s first volume of America...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 505–527.
Published: 01 July 2010
... Salahi, The Embryo, the Child, and the Bird, from They Always Appear series, 1964–65. Oil on canvas, 30.5 by 45.5 centimeters 516 Chika Okeke-​Agulu Figure 5. Jacob Lawrence, Untitled [Woman Sewing], 1964. Watercolor and gouache on paper, 9 by 8 inches. Courtesy of High Museum of Art, Atlanta...
Journal Article
South Atlantic Quarterly (1952) 51 (4): 528–536.
Published: 01 October 1952
... with such delicacy and suppleness of tone that the treatment suggests a watercolor. No consideration of the Court dwarfs and idiots would be ade­ quate without a glance at the sinister ugliness of Don Sebastian de Morra, such a monster as the hydrocephalous Nino de Vallecas, and the vacuous amusement of the poor...
Journal Article
South Atlantic Quarterly (2003) 102 (1): 153–177.
Published: 01 January 2003
... and is not Tseng 2003.2.21 07:22 162 Wai Chee Dimock 6820 THE SOUTH ATLANTIC QUARTERLY / 102:1 / sheet 166 of 286 Figure . William Blake, Newton, Color print (Watercolor,  x cm). Tate Gallery, London. Used...
Journal Article
South Atlantic Quarterly (1996) 95 (1): 145–170.
Published: 01 January 1996
... redcoat. Even the speaker/ walker is drawn implicitly into the distant dream beyond the frame of poem and watercolored engraving alike, into the perspective from which a pale blue divides downhill into thin air on a distant dream of Bow Lane and Basin Lane.47 In organizing his sequence, Kinsella...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 529–543.
Published: 01 July 2010
... Articulating North African Modernity in Art 537 Figure 3. Osman Waqialla, Sudan, Untitled, 1991. Collage and watercolors, 58 by 41 centimeters. From the permanent collection of the Jordan National Gallery of Fine Arts 538 Nada M. Shabout Figure...