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Journal Article
South Atlantic Quarterly (2010) 109 (1): 197–219.
Published: 01 January 2010
... and autobiographical element to the legacy of political incarceration in Sudan. Yet, most of these memoirs tend to be in written form, and rarely have they been combined with visual representation or a stand-alone visual artistic work. The essay focuses on one such conspicuous exception, by zeroing in on a series...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 99–121.
Published: 01 January 2005
...Annegret Fauser 2005 by Duke University Press 2005 Annegret Fauser Visual Pleasures—Musical Signs: Dance at the Paris Opéra Among the more familiar images associated with the Paris Opéra are the ballet dancers...
Journal Article
South Atlantic Quarterly (1985) 84 (2): 228–230.
Published: 01 April 1985
...Cynthia L. Caywood The Snarling Muse: Verbal & Visual Political Satire from Pope to Churchill . By Caretta Vincent . Philadelphia : University of Pennsylvania Press , 1983 . Pp. x , 290 . $25.00 . Copyright © 1985 by Duke University Press 1985 228 The South Atlantic...
Journal Article
South Atlantic Quarterly (1971) 70 (3): 420–421.
Published: 01 July 1971
...David K. Kirby Henry James and the Visual Arts . By Winner Viola Hopkins . Charlottesville : The University Press of Virginia , 1970 . Pp. ix , 201 . $7.50 . Copyright © 1971 by Duke University Press 1971 420 The South Atlantic Quarterly inspiration behind the work...
Journal Article
South Atlantic Quarterly (2009) 108 (1): 147–169.
Published: 01 January 2009
... home, cultivating an active skepticism, effectively functioning as “furniture-to-think-with,” to quote Barbara Stafford. In this context, domestic space becomes integrated into an experimental process that tests the limits of the visual and introduces an element of doubt into the psychic structure...
Journal Article
South Atlantic Quarterly (2011) 110 (2): 465–486.
Published: 01 April 2011
... of Nations in Geneva, in 1923, John Mohawk's 1978 Basic Call to Consciousness , and more recently, Taiaiake Alfred's 1999 Peace, Power, Righteousness . These artists demonstrate the critical role they play in the ongoing formation of sovereignty as a visual or aesthetic issue in conjunction with its historic...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 567–586.
Published: 01 July 2020
...Colette Gaiter This article describes an under-reported success of the Black Panther Party for Self-Defense. Through a creative team led by the party’s Minister of Culture Emory Douglas, who was also the Black Panther (BP) newspaper’s designer and main illustrator, the Panthers visualized...
Journal Article
South Atlantic Quarterly (2017) 116 (1): 19–31.
Published: 01 January 2017
...Gary Tomlinson In a series of recent essays, Dipesh Chakrabarty has analyzed the Anthropocene as a problem of incommensurable conceptual scales and offered a historiographic meditation on the difficulty of visualizing its threat. After surveying Chakrabarty's analysis, this essay poses two thought...
Journal Article
South Atlantic Quarterly (2009) 108 (3): 541–562.
Published: 01 July 2009
.... If the concept of theft can be used to track deception in U.S. democracy, certain contemporary forms of lyrical and visual culture might enrich the academic study of politics, since they produce forms of “political distrust” that counteract the presumptions with which scholars in this disciplinary niche tend...
Journal Article
South Atlantic Quarterly (2023) 122 (3): 591–625.
Published: 01 July 2023
...–winning film Beginners (2010). The movie presents a visual account of straight male masculinity as it is positively impacted and influenced by feminist and queer perspectives, without necessarily becoming them . The film makes a powerful male feminist argument for the value of “beginning,” asking what...
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Journal Article
South Atlantic Quarterly (2010) 109 (3): 475–503.
Published: 01 July 2010
...-sponsored visual arts movement that flourished under the first president of Senegal, Léopold Sédar Senghor. N'Diaye, as one of the first instructors at an art academy founded at Senghor's request, is often featured in the beginnings of this narrative, only to be marginalized when he chooses to relocate...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 577–594.
Published: 01 July 2010
... poems, written either by Al-Gazzar or by the Alexandrian poet Ahmad Mursi. These works of art clearly adopt the surrealist aesthetic language, both visual and verbal. The drawings illustrate a particular zeitgeist in the Egyptian artistic milieu and mirror the individual and genuine artistic response...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 645–672.
Published: 01 July 2011
...Michele White Contemporary wedding cultures, in Western heterosexual forms, tend to perpetuate normative femininity, women's visual accessibility, and women's position as clean and mannered bodies. Trash the Dress (TTD) postwedding sessions repeat and trouble these cultural conceptions...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 693–713.
Published: 01 July 2011
... they appear as ordinary elements of the diegesis, the digital camera, the Internet, and the cellular smartphone each allow the film's queer male figures to exceed the generic constraints of the film in its customary dimensions and to see where digital sexualities—the visual iconography of digital photography...
Journal Article
South Atlantic Quarterly (2011) 110 (4): 813–829.
Published: 01 October 2011
.... That the Jewish Holocaust looms large over these theorizations and that the graphemic (both inscribed and visual) presides over these discourses on “remains” is undeniable, but these animadversions also open the door to other kinds of unmoorings and unravelings. This specter of spectacular death that haunts our...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 715–743.
Published: 01 July 2011
...Kevin Ohi For Robinson Devor's 2000 film Zoo , zoophilia is “digital desire” in ways that go far beyond its thematic fascination with the Internet and with forms of the virtual. Its lavishly excessive visual beauty and its reticence about depicting bestiality make zoophilia a mode of cinematic...
Journal Article
South Atlantic Quarterly (2011) 110 (4): 917–932.
Published: 01 October 2011
.... The modern experience of “sequestered death” has passed. Death images and events are now thoroughly mediated by the visual and communication technologies used and accessed by a vast number of people across the globe. At the same time, the proliferation and accessibility of death imagery and narratives do...
Journal Article
South Atlantic Quarterly (2014) 113 (3): 447–473.
Published: 01 July 2014
...Chris Garces To keep drugs and weapons out and to generate security clearance, Ecuador’s prison administrations now demand the visual, digital, or physical strip searching of all adult citizens who establish contact with incarcerated subjects. The prison system may normalize such denuding...
Journal Article
South Atlantic Quarterly (2015) 114 (4): 713–734.
Published: 01 October 2015
... argue that postwar feminism's manifestation as a multiplicity of political movements was made possible through the visual technologies of the mass media. The essay begins by situating the terms women and masses in historical relation, charting their mutual invocation in the mapping of collectivities...
Journal Article
South Atlantic Quarterly (2019) 118 (1): 95–110.
Published: 01 January 2019
...Nazan Üstündağ This article explores the concepts of state pornography and resistance erotics respectively in order to understand the visual frames that the state aims to institute in regard to Kurdish bodies and the ways in which Kurds interrupt such frames. It dwells on three modalities of state...