Search Results for ulysse

...Jackson R. Bryer Copyright © 1967 by Duke University Press 1967 Joyce, Ulysses, and the Little Review Jackson R. Bryer Recent articles by Morris Ernst and Richard Ellmann1 are fresh indications that the history of James Joyce s Ulysses is, like the text of the novel, a remarkable...

... . $22.50 ; paper $8.95 . Ulysses . By Kenner Hugh . ( 1980 ; paper 1982). Pp. 182 . $22.50 ; paper $8.95 . Paradise Lost . by Hunter G. K. ( 1980 ; paper 1982). Pp. 213 . $22.50 ; paper $8.95 . Copyright © 1983 by Duke University Press 1983 112 The South Atlantic...

...Grover Smith Ulysses on the Liffey . By Ellmann Richard . New York : Oxford University Press , 1972 . Pp. 208 . $8.95 . Copyright © 1973 by Duke University Press 1973 Book Reviews 175 on the authors, and none on the age. This is regrettable. The self may well...

... discourse and modernist literary practice that, in America at least, emerged from the freewheeling ex­ perimentation of the 1930s Revolution of the Word to canonize James Joyce s Ulysses and T. S. Eliot s The Waste Land as the para­ digmatic works of twentieth-century anglo­ phone fiction and poetry...

... Don Juan and Ulysses require that they be seen as related, major responses to Homeric tradition and the problems of writing epic in our time. In my recent book, Byron and Joyce through Homer, 1 have placed these two works as encyclopedic epics which share affinities that go beyond those evoked...

... 175 on the authors, and none on the age. This is regrettable. The self may well be unfashionable before we have had a chance to learn what it was in the eighteenth century. SYRACUSE UNIVERSITY THOMAS ATTERIDGE Ulysses on the Liffey. By Richard Ellmann. New York: Oxford Uni­ versity Press, 1972. Pp...

.... Richard Ellmann has written yet another book on Joyce. Follow­ ing upon his Ulysses on the Liffey, which traced intellectual patterns, The Consciousness of Joyce, as the introduction tells us, treats Joyce s movement of the mind both in recognizing its own shape and in maintaining that shape in the face...

...; and that Ulysses appeal to a grand and impersonal philosophical order masks his envy of Achilles fame and influence. Thersites alone, like his somewhat more palatable ana­ logue Parolles in All s Well, seems to escape censure by never masking that he is simply the thing that he is a spokesman who mirrors...

... The Consciousness of Joyce. By Richard Ellmann. Toronto and New York: Oxford University Press, 1977. Pp. ix, 150. $10.95. Richard Ellmann has written yet another book on Joyce. Follow­ ing upon his Ulysses on the Liffey, which traced intellectual patterns, The Consciousness of Joyce, as the introduction tells us...

... intensity in a single passage of Mangan s than in all Swift s writings. Stephen Dedalus seems to share this pejorative view of the Dean of St. Patrick s when he thinks in Ulysses: A hater of his kind ran from them to the wood of madness, his mane foaming in the moon, his eyeballs stars. Houyhnhnm, horse...

... discussed in terms of adultery and betrayal, the trope indexed in Ulysses, above all, by the citizen s claim that a dishonoured wife . . . that s what s the cause of all our misfortunes. 14 As we know all too well, anxieties about the nation-as-family focus on the desire to regulate female sexuality...

.... There are letters to Joyce from his devoted friend Lewis short­ ly after this, congratulating him on Ulysses and hoping that the affair will be a triumphant success on the practical side. In the first issue of transition, dated April, 1927, Lewis signed the appeal pro­ testing against Roth s piracy of Joyce s...

... Allen & Unwin. Robinson Crusoe. By Pat Rogers (1979). Pp. xv, 182. $22.50. Shakespeare s Sonnets. By Kenneth Muir. (1979; paper, 1982). Pp. 179. $22.50; paper $8.95. Ulysses. By Hugh Kenner. (1980; paper 1982). Pp. 182. $22.50; paper $8.95. Paradise Lost, by G. K. Hunter (1980; paper 1982). Pp. 213...

.... Joining the chorus, Edwin Muir observed that Dubliners was an ideal ap­ prentice piece for an artist . . . . Even Joyce s brother Stanislaus praises the book because it was a preparation for Ulysses. Though Joyce was almost unknown when Dubliners appeared in 1914, there were other critics who...

..., in 1828, it drops to forty-two; in the Princess, in 1847, to forty; in Tithonus, Enoch Arden, and the Idylls, to about thirty-one or thir­ ty-two. But, unhappily for such an inference, St. Simeon, in 1842, has only twenty-seven percent of run-on lines, and Ulysses, in the same year, has nearly forty-three...

.... Here error is all in the not done, all in the diffidence that faltered. (Canto LXXXI) The next two stanzas allude to the Odyssey and remind us of the dangers Ulysses faced the siren s song, the rocks and whirlpools of Scylla and Charybdis. For we know all the things that are in Troy {Odyssey, XI, 189...

... s Ulysses, an action generally unre­ corded in literary history. The only full discussion of her effort ap­ pears in an article written by Jackson Bryer and published in 1967. Bryer concentrated on the trial of 1921, when Anderson and Heap were brought to court for publishing twenty-three...

... his famous Red Indian epistolary manner in favor of a nearly awed restraint (Joyce is the only correspondent whom he ever addressed as Chere Maitre, even in jest). At the same time, Ulysses forced Pound into breaking with what he called a passeist approach to composition and history. By 1923 he...

... Robinson finds the principal source of modern comedy, exemplified, in the chapters that follow, by Joyce s Ulysses, Faulkner s As I Lay Dy­ ing, Stevens Le Monocle de Mon Oncle and The Comedian as the Letter C, and Beckett s Watt. Throughout his concise and well-written book Robinson not only il­...

... himself uncritically in the brown and turmoiling flood is the mistake of little minds too weak to achieve wholeness of soul through total experience. In Joyce s Ulysses there are many little and frag­ mentary and shallow people, but Stephen Dedalus walks always his 2i6 The South Atlantic Quarterly wholly...